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Encyclopedia of French Film Directors

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98 • BEUCHOT, PIERRE<br />

1988 Le Grand Bleu / UK and USA: The Big Blue (also<br />

original story, co-screenwriter, uncredited actor;<br />

France / USA / Italy)<br />

1990 Nikita / USA: La Femme Nikita (also screenwriter,<br />

dialogist)<br />

1991 Atlantis (also cinematographer, editor; shot in<br />

1989–1991)<br />

1994 Léon / UK: The Cleaner / Leon / USA: The Pr<strong>of</strong>essional<br />

(also screenwriter, dialogist)<br />

1997 Le Cinquième Elément / The Fifth Element (also<br />

original story, co-screenwriter)<br />

1999 Jeanne d’Arc / The Messenger: The Story <strong>of</strong> Joan<br />

<strong>of</strong> Arc / UK: Joan <strong>of</strong> Arc (also co-screenwriter,<br />

co-dialogist)<br />

2005 Angel-A (also screenwriter, dialogist)<br />

2006 Arthur et les Minimoys / USA: Arthur and the<br />

Invisibles (also original novel, co-screenwriter,<br />

co-adapter, co-dialogist, producer)<br />

2008 Arthur et la Vengeance de Maltazard / USA: Arthur<br />

and the Revenge <strong>of</strong> Maltazard (also original<br />

novel, co-screenwriter, co-adapter, co-dialogist,<br />

producer)<br />

BEUCHOT, PIERRE (June 30, 1938, Pavillon-sous-<br />

Bois, Seine-Saint-Denis, France–)<br />

After completing his business studies, he became a<br />

trainee assistant on comedies (1964 Les Pieds nickelés,<br />

Jean-Claude Chambon; 1966 Les Combinards, Jean-<br />

Claude Roy, shot in 1964) and institutional fi lms, including<br />

Sire, le Roy n’a plus rien dit (Georges Rouquier,<br />

1965). He also worked as assistant director (1966 La<br />

Vie de Château / UK: Gracious Living / USA: A Matter<br />

<strong>of</strong> Resistance, Jean-Paul Rappeneau; Une Balle au Coeur<br />

/ Mia sfaira stin kardia / USA: Devil at My Heels, Jean-<br />

Daniel Pollet, France / Greece; 1969 Le Maître du<br />

Temps, Jean-Daniel Pollet, unreleased; 1971 La Cavale,<br />

Michel Mitrani; L’Amour, c’est gai, l’Amour, c’est triste, Jean-<br />

Daniel Pollet, shot in 1968), production manager (1976<br />

L’Acrobate, Jean-Daniel Pollet; Sartre par lui-même, documentary,<br />

Alexandre Astruc, Michel Contat, Guy Séligmann),<br />

technical adviser (1975 Trop c’est trop, Didier<br />

Kaminka), and co-screenwriter (2007 René Bousquet ou<br />

Le Grand Arrangement, TV, Laurent Heynemann).<br />

<strong>Film</strong>ography<br />

1972 Requiem (short; also screenwriter, adapter,<br />

dialogist)<br />

1974 Marjorie ne viendra pas (short; also screenwriter,<br />

dialogist)<br />

1985 Le Temps détruit<br />

1990 Aventure de Catherine C<br />

Television <strong>Film</strong>ography<br />

1968 Paul Nizan, le Prix d’une révolte (documentary)<br />

1972– Grand Ecran (documentary; episodes “Le<br />

1974 Western,” “La Nouvelle Vague,” “Le Cinéma<br />

suédois,” “Le Cinéma suisse,” “Luis Buñuel,”<br />

“Carl Th. Dreyer,” “Ingmar Bergman,” “Alfred<br />

Hitchcock,” “James Dean,” “Le Néo-Réalisme<br />

italien,” “Tennessee Williams,” “La Comédie<br />

musicale,” “L’Enfant et ses Images”)<br />

1977 Droit de Cité (documentary)<br />

1980 L’Important n’est pas Prévisible<br />

1981 Lascaux par Georges Bataille (documentary)<br />

La Télévision que j’aime—Pierre Dumayet (documentary)<br />

La Télévision que j’aime—Marie-Christine Barrault<br />

(documentary)<br />

1983 Cézanne par Rainer-Maria Rilke (documentary)<br />

1984 Le Cinéma de l’Ombre (documentary)<br />

Le Monde désert (also screenwriter, adapter,<br />

dialogist)<br />

1986– Propaganda (documentary; six episodes; co-<br />

1987 director with Philippe Collin, François Porcile)<br />

1989 Stig Dagerman (documentary)<br />

Pierre-Jean Jouve (documentary)<br />

1992 Hôtel du Parc (also co-screenwriter, codialogist)<br />

1993 La Légende de la Croix de Piero della Francesca<br />

(documentary)<br />

1994 Mémoires partagées, loin de Moscou (documentary)<br />

1995 Le Printemps de l’Elbe (documentary)<br />

1997 Compagnons secrets (also co-screenwriter,<br />

co-adapter, co-dialogist)<br />

Un Siècle d’Ecrivains (documentary; also<br />

screenwriter; episode “Robert Walser”)<br />

1998 Les Temps obscurs sont toujours là (documentary)<br />

1999 Léopold Sedar Senghor, entre Deux Mondes<br />

(documentary)<br />

Francis Ponge (documentary)<br />

2000 Sade en Procès (also co-screenwriter, codialogist)<br />

2001 Le Solitaire du Château du Fresne (documentary)<br />

2002 Au-delà de la Peinture, le Surréalisme (documentary)

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