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Encyclopedia of French Film Directors

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1991 Le Mariage blanc (short; also screenwriter,<br />

dialogist)<br />

1995 Rosine (also screenwriter, dialogist)<br />

1999 Qui plume la Lune? (also screenwriter, dialogist)<br />

2007 Darling (also co-screenwriter, co-adapter, codialogist)<br />

Television <strong>Film</strong>ography<br />

2001 Histoires d’Ado (documentary; episode Jérôme,<br />

c’est moi)<br />

CARRON, CHEYENNE (May 22, 1976, Valence,<br />

Drôme, France–)<br />

Abandoned by her parents at three months, she grew<br />

up in a foster home. At age sixteen, she dropped out<br />

<strong>of</strong> school and developed a compulsive interest in<br />

movies, seeing several fi lms a day. She moved to Paris<br />

at age nineteen. After drifting from one job to another,<br />

she was hired to appear in advertising campaigns. She<br />

directed her fi rst movie at age twenty-fi ve.<br />

<strong>Film</strong>ography<br />

2001 A une Madone (short; also screenwriter, dialogist,<br />

actor)<br />

2007 Ecorchés (also screenwriter, dialogist; shot in<br />

2005)<br />

CARVILLE, ALAIN (June 3, 1952, Lyon, Rhône,<br />

France–)<br />

A former actor (1970–1973) and fashion photographer,<br />

he was an assistant director on commercials (he<br />

directed twenty-six fi lms <strong>of</strong> that kind). Other credit<br />

(as co-screenwriter, producer, actor): 1984 Comment<br />

draguer tous les Mecs (Jean-Paul Feuillebois).<br />

<strong>Film</strong>ography<br />

2007 Rue des Sans-Papiers / Vivre (also screenwriter,<br />

dialogist; shot in 2003)<br />

Television <strong>Film</strong>ography<br />

1996 Le Black<br />

2000 Sur les Traces de Jésus (documentary; also<br />

producer)<br />

2002 Le Matin du troisième Jour (documentary; also<br />

producer)<br />

CASABIANCA, CAMILLE DE (Camille Fraisse /<br />

October 31, 1957, Paris, France–)<br />

CASARIL, GUY • 185<br />

The daughter <strong>of</strong> fi lm director Alain Cavalier (b. 1931)<br />

and fi lm editor Denise de Casabianca, she graduated<br />

from Sciences Po and earned a diploma in history.<br />

In 1979, she enrolled in the political science department<br />

at the University <strong>of</strong> California, Berkeley. Having<br />

returned to France in 1980, she co-wrote with her<br />

father the screenplay <strong>of</strong> Un Etrange Voyage (also actor;<br />

Alain Cavalier, 1981). She occasionally played in<br />

fi lms (1964 L’Insoumis / US TV: Have I the Right to Kill?,<br />

Alain Cavalier; 1981 Modesty, short, as herself, Bob<br />

Rafelson, USA; 1982 Die Erbtöchter / Les Filles héréditaires,<br />

Viviane Berthommier, Jutta Brückner, Danièle<br />

Dubroux, Marie-Christine Questerbert, Helma Sanders-Brahms,<br />

Ula Stöckl, West Germany / France; 1984<br />

Les Voleurs de la Nuit / Thieves After Dark, Samuel Fuller;<br />

1985 Contes clandestins, Dominique Crèvecoeur;<br />

P.R.O.F.S., Patrick Schulmann; 1986 Rejtözködö, Zsolt<br />

Kézcli-Kovács, Hungary; 1995 La Croisade d’Anne<br />

Buridan, Judith Cahen) and TV movies (1983 La Veuve<br />

rouge, Edouard Molinaro; 2006 Pour l’Amour de Dieu,<br />

Ahmed Bouchaala, Zakia Tahri). She started her directing<br />

career fi lming six shorts for the Mutuelle Agricole.<br />

Other credit (as co-screenwriter, co-dialogist):<br />

1986 Thérèse (Alain Cavalier).<br />

<strong>Film</strong>ography<br />

1986 Pékin Central (also screenwriter, adapter, dialogist,<br />

actor)<br />

1989 Après la Pluie (also screenwriter, actor)<br />

1990 Le Fruit de vos Entrailles (documentary)<br />

1991 Octavio (short)<br />

1995 Le Fabuleux Destin de Madame Petlet (also<br />

screenwriter, dialogist, actor)<br />

2000 Vive nous! (also screenwriter, dialogist, actor)<br />

2003 Tatami (documentary)<br />

CASARIL, GUY (November 1, 1933, Miramontde-Guyenne,<br />

Lot-et-Garonne, France–May 3, 1996,<br />

Chapel Hill, Australia)<br />

He studied Oriental languages and then enrolled in<br />

the IDHEC (directing and production section, 1952–<br />

1954). From 1954 to 1956, he worked as a cameraman<br />

on shorts and directed several shorts before<br />

serving as an assistant director at the RTF and ORTF<br />

(<strong>French</strong> TV from 1957 to 1973). A TV producer, he<br />

shot several documentaries before directing his fi rst<br />

feature fi lm in 1968. He co-wrote the screenplay <strong>of</strong><br />

Philippe de Broca’s Julie Pot-de-Colle (1977). By the<br />

mid-1970s, he gave up directing to translate (sometimes<br />

in collaboration with his wife Françoise) from

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