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Encyclopedia of French Film Directors

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506 • HEYNEMANN, LAURENT<br />

Montez / UK: The Fall <strong>of</strong> Lola Montes / USA: The Sins<br />

<strong>of</strong> Lola Montes, Max Ophüls, France / West Germany;<br />

1958 Premier Mai / Le Père et l’Enfant / Festa di maggio<br />

/ USA: Man to Man Talk / The First Day <strong>of</strong> May, Luis<br />

Saslavsky, France / Italy) and created a TV series (1971<br />

Madame, êtes-vous libre?, 13 26', Jean-Paul Le Chanois,<br />

France / West Germany). While directing his own<br />

fi lms, he worked as an artistic director (1934 J’ai une<br />

Idée, Roger Richebé; 1935 Minuit, Place Pigalle, Roger<br />

Richebé), production director (1935 Le Disque 413 /<br />

Symphonie d’Amour, Richard Pottier), technical adviser<br />

(1940 Paris-New York, Yves Mirande), and production assistant<br />

(1949 Fabiola / UK: The Fighting Gladiator / USA:<br />

Fabiola, Alessandro Blasetti, Italy). He shot his last fi lm<br />

in 1951 but remained a production manager (1961<br />

Auguste, Pierre Chevalier; 1963 La Cuisine au Beurre /<br />

La cucina al burro / UK and USA: My Wife’s Husband,<br />

Gilles Grangier, France / Italy; 1970 La Mort trouble / De<br />

Onrustige Dood, Claude d’Anna, France / Belgium) and<br />

associate producer (1975 Section spéciale / L’affare della<br />

sezione speciale / Sondertribunal—Jefer kämpft für sich allein<br />

/ UK and USA: Special Section, Costa-Gavras, France<br />

/ Italy / West Germany). He played a supporting role in<br />

Tirez sur le Pianiste / UK: Shoot the Pianist / USA: Shoot<br />

the Piano Player (François Truffaut, France / Italy).<br />

<strong>Film</strong>ography<br />

1930 La Meilleure Bobonne (short; co-director with<br />

Marc Allégret)<br />

1931 L’Amour à l’Américaine / USA: American Love<br />

(supervised by Pàl Fejös)<br />

1932 Comme une Carpe (short)<br />

L’Amour en Vitesse (<strong>French</strong>-language version <strong>of</strong><br />

Johannes Guter’s Die Vier vom Bob 13; Germany<br />

/ France)<br />

A moi le Jour, à toi la Nuit (<strong>French</strong>-language version<br />

<strong>of</strong> Ludwig Berger’s Ich bei Tag und Du bei<br />

Nacht; Germany)<br />

1933 Idylle au Caire (<strong>French</strong>-language version <strong>of</strong><br />

Reinhold Schünzel’s Saison in Kairo; Germany<br />

/ France)<br />

1934 Deux Balles au Cœur (short)<br />

1936 Jeunesse d’abord (co-director with Jean Stelli)<br />

Les Jumeaux de Brighton<br />

1937 L’Île des Veuves<br />

1951 La Belle Image (also co-screenwriter, coadapter,<br />

co-dialogist)<br />

Victor (also co-screenwriter, co-adapter)<br />

1952 Magazine de Paris (short; also screenwriter)<br />

Adieu Paris (also co-adapter)<br />

1954 Anatole chéri (shot in 1951)<br />

HEYNEMANN, LAURENT (November 9, 1948,<br />

Paris, France–)<br />

He was refused entry to the IDHEC but soon became<br />

an assistant director (1972 L’Humour vagabonde, Edouard<br />

Luntz; 1973 R.A.S. / R.A.S. nulla de segnalare, Yves<br />

Boisset, France / Italy / Tunisia; 1974 Les Guichets du<br />

Louvre / USA: Black Thursday, Michel Mitrani; L’Horloger<br />

de Saint-Paul / UK: The Watchmaker <strong>of</strong> St. Paul / USA: The<br />

Clockmaker <strong>of</strong> St. Paul, Bertrand Tavernier; 1975 Folle à<br />

tuer / Una donna da uccidere, Yves Boisset, France /<br />

Italy; 1976 Der Fangschuss / Le Coup de Grâce / USA:<br />

Coup de Grace, Volker Schloendorff, West Germany /<br />

France). He co-wrote two fi lms (1979 Rien ne va plus<br />

/ USA: Out <strong>of</strong> Whack, Jean-Michel Ribes; 1984 La Garce,<br />

Christine Pascal) and three <strong>of</strong> Caroline Huppert’s TV<br />

movies (1979 Madame Sourdis; 1981 Le Bonheur des<br />

Tristes; 1982 L’Apprentissage de la Ville). Other credits<br />

(as actor): 1981 L’Homme fragile (Claire Clouzot); 2004<br />

Le Fantôme d’Henri Langlois / UK:Henri Langlois: The<br />

Phantom <strong>of</strong> the Cinémathèque / USA: Henri Langlois: The<br />

Phantom <strong>of</strong> the Cinematheque (documentary; as himself;<br />

Jacques Richard); 2008 Mémoires du Cinéma français, de<br />

la Libération à nos Jours (video documentary; as himself;<br />

Hubert Niogret); (as technical adviser): 1986 L’Unique<br />

(Jérôme Diamant-Berger).<br />

<strong>Film</strong>ography<br />

1977 La Question / USA: The Question (also coscreenwriter,<br />

co-adapter)<br />

1979 Le Mors aux Dents (also co-screenwriter, codialogist)<br />

1981 Il faut tuer Birgit Haas / USA: Birgit Haas Must<br />

Be Killed (also co-screenwriter,co-adapter, codialogist;<br />

France / West Germany)<br />

1983 Stella (also co-screenwriter, co-dialogist)<br />

1987 Les Mois d’Avril sont meurtriers (also co-screenwriter,<br />

co-adapter, co-dialogist)<br />

1990 Faux et Usage de Faux (also co-screenwriter,<br />

co-adapter, co-dialogist)<br />

1991 La Vieille qui marchait dans la Mer / UK and<br />

USA: The Old Lady Who Walked in the Sea (also<br />

co-adapter)<br />

1994 3000 Scénarios contre un Virus (segment “Mort<br />

d’un Couple”)<br />

2001 Un Aller simple (also co-screenwriter, codialogist)<br />

Television <strong>Film</strong>ography<br />

1982 De bien étranges Affaires (episode “L’Amour<br />

qui tue”)

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