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Encyclopedia of French Film Directors

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652 • LONGVAL, JEAN-MARC<br />

La Dame aux Camélias / La signora delle camelie / USA:<br />

A Lady Without Camelias, Raymond Bernard, France /<br />

Italy;1954 La Reine Margot / La regina Margot / UK: A<br />

Woman <strong>of</strong> Evil, Jean Dréville, France / Italy). In 1968,<br />

he became an independent producer.<br />

<strong>Film</strong>ography<br />

1960 La Chasse au Chamois (short)<br />

1961 L’Oiseleur (short)<br />

1962 Rennes et Lassos (short)<br />

Anti, petit Pêcheur lapon (short)<br />

Chasse en Finlande (short)<br />

1963 Noir et Blanc (short)<br />

1972 Fusil chargé (also screenwriter, co-adapter, codialogist;<br />

France / Italy; shot in 1970)<br />

LONGVAL, JEAN-MARC (June 12, 1957, France–)<br />

He entered fi lms as an actor in lowbrow comedies<br />

(1977 Marche pas sur mes Lacets, Max Pécas; 1978 Embraye<br />

Bidasse . . . ça fume!, Max Pécas; 1982 Les Chômeurs<br />

en Folie, Georges Cachoux). He also co-wrote shorts<br />

(1982 Privé de Femme, Anne Boerie; 1984 Ataxie passagère,<br />

Luc Pagès) and produced A la Vitesse d’un Cheval<br />

au Galop (also actor, Fabien Onteniente, 1992, shot in<br />

1990). He authored one-man shows and plays.<br />

<strong>Film</strong>ography<br />

1987 Numéro spécial (short; also screenwriter, dialogist)<br />

1989 J’aurais jamais dû croiser son Regard (also<br />

screenwriter, dialogist)<br />

1996 Les Deux Papas et la Maman (co-director with<br />

Smaïn; also co-screenwriter, co-adapter, codialogist)<br />

1997 Famille nombreuse (short; also screenwriter)<br />

1999 Recto-Verso (also co-screenwriter, co-adapter,<br />

co-dialogist)<br />

LOPES CURVAL, JULIE<br />

After graduating with a diploma in plastic arts (photo<br />

department), she attended acting courses at the<br />

Cours Florent. Interested more in writing, she gave<br />

up acting and authored and directed plays (Vitrines;<br />

La Vitesse du Passant). She played in a short (1992 Le<br />

Collecteur, Ronan Fournier-Christol) and co-wrote a<br />

couple <strong>of</strong> feature fi lms (2003 Une Affaire qui roule, Eric<br />

Véniard; 2004 Le Rôle de sa Vie, François Favrat).<br />

<strong>Film</strong>ography<br />

2001 Mademoiselle Butterfl y (short; also screenwriter)<br />

2002 Bord de Mer (also co-screenwriter)<br />

2006 Toi et moi (also co-screenwriter)<br />

LOPES CURVAL, PHILIPPE (June 9, 1951, Bayeux,<br />

Calvados, France–)<br />

A second assistant director (1974 Stavisky . . . /<br />

Stavisky, il grande truffatore, Alain Resnais, France / Italy;<br />

1975 L’Important c’est d’aimer / L’importante è amare /<br />

Nachtblende / UK: The Main Thing Is to Love / USA: The<br />

Most Important Thing: Love, Andrzej Zulawski, France /<br />

Italy / West Germany; 1976 Néa / Nea-Ein Mädchen<br />

entdeckt die Liebe / UK: A Young Emmanuelle, Nelly Kaplan,<br />

France / West Germany) and then fi rst assistant<br />

director (1978 Sale Rêveur, Jean-Marie Périer; Le Sucre,<br />

Jacques Rouffi o; 1977 Violette et François, Jacques<br />

Rouffi o; 1979 Ils sont grands ces Petits, Joël Santoni; I<br />

comme Icare, Henri Verneuil; 1981 Rends-moi la Clé!,<br />

Gérard Pirès), he had a brief career as a fi lmmaker<br />

before dedicating himself to screenwriting (1991 Une<br />

Epoque formidable, as co-screenwriter, co-dialogist,<br />

Gérard Jugnot; 1994 Casque bleu, as co-screenwriter,<br />

co-dialogist, Gérard Jugnot; 1996 Fallait pas! . . . / Caiga<br />

quiencaiga, manana me caso, as co-screenwriter, dialogist,<br />

Gérard Jugnot, France / Spain; 2002 Monsieur<br />

Batignole, as co-screenwriter, dialogist; Gérard Jugnot;<br />

2004 Les Choristes / Die Kinder des Monsieur Mathieu /<br />

USA: The Chorus, as co-screenwriter, dialogist, Christophe<br />

Barratier, France / Switzerland / Germany;<br />

2005 Boudu, as screenwriter, dialogist, Gérard Jugnot)<br />

and TV screenwriting (1996 Adorable petite Bombe,<br />

Philippe Muyl; Les Amours de Rivière rouge, 2 90',<br />

Yves Boisset; 1997 Le Surdoué, 2 90', Alain Bonnot;<br />

Maintenant ou jamais, Jérôme Foulon; 1998 Maintenant<br />

pour toujours, Daniel Vigne, Joël Santoni).<br />

<strong>Film</strong>ography<br />

1982 Rohner (documentary; short)<br />

1983 Baby Come Back (documentary; short)<br />

Le Drapeau tricolore en bleu, blanc, rouge (documentary;<br />

short)<br />

1986 Trop tard Bathazar (also co-screenwriter, coadapter,<br />

co-dialogist)<br />

LORENZI, STELLIO (May 7, 1921, Paris, France–<br />

September 25, 1990, Paris, France)<br />

Of Italian descent, he studied architecture before enrolling<br />

in the IDHEC in 1943 (the year the fi lm school<br />

was created). He was an assistant director (1945 Falbalas<br />

/ USA: Paris Frills, Jacques Becker; 1946 La Rose<br />

de la Mer, Jacques de Baroncelli; 1947 Dernier Refuge,

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