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Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

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cuochi d’Europa / Ein Kochtopf voller Leichen / Die Schlemmeorgie<br />

/ UK: Too Many Chiefs, Ted Kotcheff, USA<br />

/ France / Italy / West Germany; 1979 Concorde / The<br />

Concorde: Airport ’79 / Airport ’79: The Concorde, David<br />

Lowell Rich, USA; 1981 Murder Obsession (Follia omicidia)<br />

/ L’ossessione che uccide / UK: The Wailing / Fear /<br />

Delirium / USA: Murder Syndrome, Robert Hampton =<br />

Riccardo Freda, Italy / France; Dr. Jekyll et les Femmes,<br />

Walerian Borowczyk; 1985 Ran, Akira Kurosawa, Japan<br />

/ France; 1986 Max mon Amour / Makkusu, mon<br />

amûru / Max My Love, Nagisa Oshima, France / Japan<br />

/ USA; 1995 Jusqu’au Bout de la Nuit, Gérard Blain)<br />

and TV (1984 Deux Filles sur un Banc, Alain Ferrari; Les<br />

Cerfs-volants, Pierre Badel, France / Canada; 1992 La<br />

Fortune de Gaspard, Gérard Blain). He appeared as an<br />

actor in a couple <strong>of</strong> Jean Yanne’s comedies (1972 Tout<br />

le Monde il est beau tout le Monde il est gentil / Questo<br />

nostro simpatico mondo di pazzi, France / Italy; 1973<br />

Moi y’en a vouloir des Sous / Dacci oggi i nostri soldi quotidiani,<br />

France / Italy) and co-wrote two documentaries<br />

(1996 Milice, <strong>Film</strong> noir, Alain Ferrari; 2001 Autopsie<br />

d’un Mensonge—Le Négationnisme, Jacques Tarnero).<br />

Besides his fi ction fi lms, he shot commercials and<br />

reports for the FR3 TV channel on sports, literature,<br />

music, and painting. He taught on an assistantship the<br />

history <strong>of</strong> cinema at the E.S.E.C., E.S.R.A., E.S.C.A.R.,<br />

IDHEC, and Fémis.<br />

<strong>Film</strong>ography<br />

1969 La Boîte (short; also screenwriter, dialogist)<br />

1989 Natalia (also screenwriter, co-adapter, dialogist;<br />

shot in 1987)<br />

Television <strong>Film</strong>ography<br />

2001 Autopsie d’un Mensonge: Le Négationnisme<br />

(documentary)<br />

2003 Positif, une Revue (documentary; also screenwriter)<br />

Edith Scob, une Comédienne si étrange (documentary;<br />

also screenwriter)<br />

COLAS, DANIEL (1947, Paris, France–)<br />

An actor on the stage, in cinema (1976 Le plein de Super,<br />

Alain Cavalier; Mords pas, on t’aime, Yves Allégret;<br />

1978 Dehors c’est nulle Part, short, Patrick Chapuis;<br />

1983 La Femme de mon Pote / USA: My Best Friend’s<br />

Girl, Bertrand Blier; 1984 Rive droite, Rive gauche,<br />

Philippe Labro), and on TV (1968 Au Théâtre ce Soir,<br />

episode “J’ai 17 Ans,” Pierre Sabbagh; 1970 Au Théâtre<br />

ce Soir, episode “Un Ange passe,” Pierre Sabbagh; 1972<br />

COLLARD, CYRIL • 239<br />

De Sang froid, Abder Isker; Au Théâtre ce Soir, episode<br />

“De Doux Dingues,” Georges Folgoas; 1973 Fantasio,<br />

Roger Kahane; 1975 Au Théâtre ce Soir, episode “Il<br />

était une Gare,” Pierre Sabbagh; 1978 Les Grandes<br />

Conjurations: Le Connétable de Bourbon, Jean-Pierre<br />

Decourt; 1981 Au Théâtre ce Soir, episode “Monsieur<br />

Dehors,” Pierre Sabbagh, also stage director; 1982<br />

L’Adieu aux As, TV miniseries, Jean-Pierre Decourt,<br />

France / West Germany / Switzerland / Belgium / Morocco;<br />

Commissaire Moulin, episode “Un Hanneton sur<br />

le Dos,” Claude Boissol; 1985 Au Théâtre ce Soir, episode<br />

“Chacun pour moi,” Pierre Sabbagh, also author<br />

<strong>of</strong> original play, stage director; 1987 Marie-Pervenche,<br />

episode “Une Tigresse dans le Moteur”), he co-wrote<br />

a TV movie (L’Arbre de la Discorde, François Rossini,<br />

1992) and several plays.<br />

<strong>Film</strong>ography<br />

1980 Ras le Cœur (also screenwriter, adapter, dialogist,<br />

co-producer, actor)<br />

1988 Man-Eaters / Mangeuses d’Hommes (also<br />

screenwriter, adapter, dialogist, actor; USA /<br />

France)<br />

2005 Nuit noire (also screenwriter, adapter, dialogist;<br />

shot in 2002)<br />

Television <strong>Film</strong>ography<br />

1992 Quand épousez-vous ma Femme? (also stage<br />

director)<br />

1995 Une Femme sur les Bras, un Cadavre sur le Dos<br />

COLLARD, CYRIL (December 19, 1957, Paris,<br />

France–March 5, 1993, Versailles, Yvelines, France)<br />

The son <strong>of</strong> an engineer father, he gave up his mathematics<br />

and physics superior studies and went to<br />

Puerto Rico. Having returned to France, in 1979 he<br />

met press attaché Claude Davy, who introduced him<br />

to director Maurice Pialat. Parallel to his directing<br />

career, he was an assistant director (1980 Loulou,<br />

Maurice Pialat; 1981 L’Heure exquise, also actor, René<br />

Allio; 1983 A nos Amours / UK and USA: To Our Loves,<br />

also actor, Maurice Pialat), actor (1980 Les Pas perdus,<br />

short, Marie André; 1986 Mariage blanc, TV, Mathieu<br />

Kassovitz; Le Petit Docteur, episode “La Piste de<br />

l’Homme roux,” Marc Simenon; 1987 Côté Nuit, short,<br />

Jean-Baptiste Huber), and co-screenwriter (1995 Raï,<br />

Thomas Gilou). He also co-founded a rock band, Cyr,<br />

and authored novels (1987 Condamné Amour, Flammarion,<br />

reedited in 1993 by J’ai Lu; 1989 Les Nuits fauves,<br />

Flammarion, reedited in 1991 by J’ai Lu; 1994 L’Animal,

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