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Encyclopedia of French Film Directors

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642 • LIME, JEAN-HUGUES<br />

<strong>Film</strong>ography<br />

1990 Il n’y a guère que les Actions qui montent ces<br />

Temps-ci (short; also screenwriter)<br />

1993 De zevende hemel / Le Septième Ciel (also coscreenwriter,<br />

co-dialogist; Belgium)<br />

1996 XY (also screenwriter, adapter, dialogist)<br />

1997 Quatre Garçons pleins d’Avenir (also co-dialogist)<br />

2001 HS—Hors Service (also screenwriter, adapter,<br />

dialogist)<br />

Television <strong>Film</strong>ography<br />

2002 Qui mange quoi? (also screenwriter, dialogist)<br />

2004 Qui mange quand?<br />

2005 Comme sur des Roulettes / Sobre rodes (France<br />

/ Spain)<br />

LIME, JEAN-HUGUES (December 28, 1958,<br />

Montfermeil, Seine-Saint-Denis, France–)<br />

A comedy actor, he wrote and performed one-man<br />

shows and played in a few fi lms (1983 Le Marginal,<br />

Jacques Deray; 1984 Adam et Eve, also co-dialogist;<br />

1986 L’Exécutrice, Michel Caputo; Paulette, la pauvre<br />

petite Milliardaire, Claude Confortès; Le Bonheur a<br />

encore frappé, Jean-Luc Trotignon; 1989 Champagne<br />

et petits Fours, short, Eric Bitoun; 1990 Un Sale Quart<br />

d’Heure pour l’Art, short, Eric Bitoun; 1993 Une Journée<br />

chez ma Mère, Dominique Cheminal) and TV movies<br />

(1991 Jeux de Vilains, Charles L. Bitsch; 1992 Les<br />

Taupes-Niveaux, Jean-Luc Trotignon). He authored a<br />

play (2001 Le Repas des Manchots) and several novels<br />

(1998 La Fête des Nerfs, Editions Florent Massot; 1999<br />

On dirait des Nains, Editions Alive; 2000 Le Journal<br />

authentique d’un Assassin, Editions Castor Astral; 2001<br />

Gourouland, Nouvelles Editions C.O.L. Florent Massot;<br />

2002 Le Roi de Clipperton, Le Cherche-Midi; 2004 La<br />

Chasse aux Enfants, Editions du Cherche-Midi; 2007<br />

Mangareva, Editions du Cherche-Midi).<br />

<strong>Film</strong>ography<br />

1981 Le Potier (short; co-director with Yves Benoît;<br />

also actor)<br />

1982 Il manqué l’Impasse (short; Yves Benoît)<br />

1984 Le Séducteur (short; co-director with Yves<br />

Benoît; also actor)<br />

Le Potier (short; co-director with Yves Benoît;<br />

also actor)<br />

1985 S.O.S. Chômeurs (short; co-director; with Yves<br />

Benoît; also actor)<br />

1986 Vélodrame (short; co-director with Yves<br />

Benoît)<br />

1987 La Bête noire (short; co-director with Yves<br />

Benoît)<br />

1994 Tête à Tête (co-director with Yves Benoît; also<br />

screenwriter, dialogist)<br />

2007 Changement de Propriétaire (short; also screenwriter,<br />

producer, cinematographer, actor)<br />

LIMOSIN, JEAN-PIERRE (July 4, 1949, Chaumontel,<br />

Val d’Oise, France–)<br />

He managed a photo and video workshop at the<br />

Centre Educatif Culturel de Yerres, Essonne, where<br />

he met Alain Bergala, a fi lm critic <strong>of</strong> Les Cahiers du<br />

Cinéma with whom he co-directed his fi rst feature.<br />

<strong>Film</strong>ography<br />

1983 Faux fuyants / US video: Subterfuge (co-director<br />

with Alain Bergala; also co-screenwriter, coadapter,<br />

co-dialogist)<br />

1986 Gardien de la Nuit / US video: Guardian <strong>of</strong> the<br />

Night (also co-screenwriter)<br />

1988 L’Autre Nuit (also co-screenwriter, actor)<br />

1998 Tokyo Eyes (also co-screenwriter; Japan /<br />

France)<br />

2002 Novo (also co-screenwriter; France / Spain /<br />

Switzerland)<br />

2007 Young Yakuza (documentary; also screenwriter;<br />

France / USA)<br />

Television <strong>Film</strong>ography<br />

1994 Cinéma de notre Temps: Abbas Kiarostami, Vérités<br />

et Songes (documentary; also screenwriter)<br />

1996 Cinéma de notre Temps: Alain Cavalier, Sept<br />

Chapitres, Cinq Jours, 2 Pièces-Cuisine (documentary)<br />

1999 Cinéma de notre Temps: Takeshi Kitano,<br />

l’Imprévisible (documentary; also screenwriter)<br />

2005 Carmen (also co-screenwriter)<br />

LIMUR, JEAN DE (Jean-François-Marie Chenu de<br />

Limur / November 13, 1887, Vouhé, Charente-Maritime,<br />

France–June 5, 1976, Paris, France)<br />

An authentic count, he owed his Hollywood acting<br />

career to his fencing skills. In 1922, Max Linder hired<br />

him to play in his parody <strong>of</strong> The Three Musketeers (The<br />

Three Must-Get-Theres). Seen in a few fi lms (1922 The<br />

Worldly Madonna, Harry Garson; Trifl ing Women, Rex

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