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Encyclopedia of French Film Directors

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1026 • ZAUBERMAN, YOLANDE<br />

shorts with his friends. In 1964, after working as an<br />

assistant to a production company, he came back to<br />

France and did his military service in the <strong>French</strong> army’s<br />

Cinematographic Service. Determined to become a<br />

fi lmmaker, he enrolled in a private fi lm school and<br />

earned a diploma. In 1968, he trained for a time at the<br />

Maison de la Culture du Havre before being hired at<br />

the cinema department managed by Vincent Pinel. He<br />

soon began producing and directing documentaries.<br />

<strong>Film</strong>ography<br />

1969 On voit bien qu’c’est pas toi (medium-length;<br />

also producer)<br />

L’Entrée d’un Navire dans le Port du Havre (documentary;<br />

short; co-director with Vincent<br />

Pinel; also producer, co-editor)<br />

1970 A suivre (documentary; also producer)<br />

1973 Moi j’dis qu’c’est bien (also producer)<br />

1976 Gros Plan (documentary; co-director with<br />

Vincent Pinel)<br />

1978 Vues d’ici (co-director with Vincent Pinel; also<br />

screenwriter, producer, editor)<br />

1982 La Barrière blanche (also producer)<br />

1984 Le Havre—Visiteurs (Lutte sénégalaise) (documentary;<br />

short; co-director with Jean-Luc<br />

L’Huillier; also producer, editor)<br />

Docteur Amadou et Mister Sy (documentary;<br />

short; also producer)<br />

1988 Table rase (documentary; also co-producer,<br />

editor)<br />

1988– Marat mort (documentary; also producer)<br />

2005<br />

1991 Les Montagnes parlantes (documentary; short;<br />

co-director with Jean-Christophe Leforestier;<br />

also producer, editor)<br />

1994 Les Romantiques (also co-screenwriter, producer)<br />

1997 Le Misanthrope (also co-adapter, producer)<br />

2000 Allers / Retours (documentary; short; also coproducer)<br />

ZAUBERMAN, YOLANDE (1955, Paris, France–)<br />

After completing her studies in the history <strong>of</strong> art<br />

and economics, she directed a documentary on a<br />

South African anti-Apartheid family. Her fi rst feature<br />

fi lm (Moi Ivan, toi Abraham) was shown at the Cannes<br />

<strong>Film</strong> Festival <strong>Directors</strong>’ Fortnight. She co-produced<br />

a documentary short (1998 Témoins / Swiadkowie /<br />

USA: Witnesses: Anti-Semitism in Poland 1946, Marcel<br />

Loinski, France / Poland) and was the author <strong>of</strong> the<br />

original ideas <strong>of</strong> Tanguy (Etienne Chatiliez, 2001) and<br />

Agathe Cléry (Etienne Chatiliez, 2008).<br />

<strong>Film</strong>ography<br />

1987 Classifi ed People (medium-length documentary)<br />

1990 Caste criminelle (documentary; also screenwriter)<br />

1993 Moi Ivan, toi Abraham / Ya—Ivan, Tu—Abraham /<br />

USA: Ivan and Abraham / Me Ivan, You Abraham<br />

(also screenwriter, dialogist; France / Belarus)<br />

1997 Clubbed to Death (Lola) / Dançar Até Morrer<br />

(also co-screenwriter, co-dialogist; France /<br />

Portugal / Netherlands)<br />

2002 La Guerre à Paris (also co-screenwriter)<br />

2004 Paradise Now—Journal d’une Femme en Crise<br />

(documentary; also co-screenwriter, producer,<br />

actor as herself, cinematographer, editor)<br />

ZECCA, FERDINAND (February 19, 1864, Paris,<br />

France–March 23, 1947, Saint-Mandé, Val-de-Marne,<br />

France)<br />

The son <strong>of</strong> the caretaker <strong>of</strong> the Théâtre de l’Ambigu<br />

(later a stagehand chief), he began his artistic career<br />

as a café concert entertainer reciting monologues. In<br />

1899, Léon Gaumont and Charles Pathé hired him<br />

as an actor, but he soon began directing short fi lms<br />

and became a production manager for Pathé. In 1913,<br />

he settled in the USA to supervise the activities <strong>of</strong><br />

the Pathé exchange in New Jersey. Back in France in<br />

1920, he managed Pathé Baby until his retirement<br />

in 1939. Other credits (as supervisor): 1905 L’Antre<br />

infernal (short, Gaston Velle); 1906 Les Roses magiques<br />

/ USA: Magic Roses (short, Segundo de Chomon);<br />

1908 L’Affaire Dreyfus / USA: The Dreyfus Affair (Lucien<br />

Nonguet); Excursion dans la Lune / USA: Excursion<br />

to the Moon (short, Segundo de Chomon); Transformations<br />

élastiques / Les Vêtements cascadeurs (short,<br />

Jean Durand); (as actor): 1904 Faust (short, Georges<br />

Fagot); 1905 Créations renversantes (short, Segundo de<br />

Chomon); Rigadin aux Balkans (short, Georges Monca);<br />

(as producer): 1906 La Grève des Bonnes / La Grève des<br />

Cuisiniers / USA: Servant’s Strike (short, Charles-Lucien<br />

Lépine); Pauvre Mère / USA: Poor Mother (short, Albert<br />

Capellani); 1907 Cendrillon / Cendrillon ou La Pantoufl e<br />

merveilleuse / USA: Cinderella (short, Albert Capellani);<br />

Les Débuts d’un Patineur / Max Patineur / Max veut apprendre<br />

à patiner / UK: The Unskillful Skater / USA: Max

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