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Encyclopedia of French Film Directors

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784 • OTZENBERGER, CHRISTOPHE<br />

1998 Elle a l’Âge de ma Fille<br />

1999 Un Bonheur si fragile<br />

2000 Julien l’Apprenti (2 90'; also co-screenwriter,<br />

co-dialogist)<br />

2002 L’Agence Coup de Coeur (pilot only)<br />

2003 Un Eté amoureux<br />

De Soie et de Cendre (2 100')<br />

2007 Le Sanglot des Anges (4 90'; also co-screenwriter,<br />

co-dialogist)<br />

La Promeneuse des Oiseaux (also co-screenwriter,<br />

co-adapter, co-dialogist; France / Switzerland)<br />

OTZENBERGER, CHRISTOPHE (July 2, 1961,<br />

Saint-Maur-des-Fossés, Val-de-Marne, France–)<br />

Having trained at the Fémis, he started as an actor<br />

in 1981 (Mon Meilleur Noël, episode “La Gloire de<br />

Samba”) and played in a few movies (1984 Liste noire,<br />

Alain Bonnot; 1985 Moi vouloir toi, Patrick Dewolf;<br />

1986 Le Complexe du Kangourou) before directing his<br />

fi rst short in 1986. He then produced documentaries.<br />

Unfortunately, his production company, Méli-Mélo,<br />

went bankrupt in 1992.<br />

<strong>Film</strong>ography<br />

1986 Toi + moi = 3 (medium-length)<br />

1995 La Conquête de Clichy (documentary; also cinematographer;<br />

shot in 1993)<br />

1996 Une Journée chez ma Tante (documentary)<br />

1999 Fragments sur la Misère (documentary; also<br />

cinematographer)<br />

2001 Le Vigneron français (also screenwriter, actor;<br />

included in the collective feature Pas<br />

d’Histoires!)<br />

2006 Itinéraires (also co-screenwriter)<br />

Television <strong>Film</strong>ography<br />

2002 Autrement (also screenwriter, cinematographer)<br />

OUAHAB, DJAMEL (October 10, 1968, Asnières,<br />

Hauts-de-Seine, France–)<br />

He started as a stage actor and notably performed<br />

Puck in Shakespeare’s A Midsummer Night’s Dream<br />

(1990) and Tom in Tennessee Williams’s The Glass<br />

Menagerie (1991). He also played small parts in a few<br />

fi lms (2001 L’Affaire Marcorelle, Serge Le Péron; 2003<br />

Un Homme, un Vrai, Arnaud and Jean-Marie Larrieu;<br />

2005 J’ai vu tuer Ben Barka, Serge Le Péron and Saïd<br />

Smihi, France / Morocco / Spain). In 1992, he failed the<br />

National Conservatory <strong>of</strong> Theatre competitive examination<br />

and began to write his fi rst motion picture,<br />

which was shot in 1992–1998. After briefl y working<br />

as an assistant casting director (1997 Le Cinquième<br />

Elément / UK and USA: The Fifth Element, Luc Besson;<br />

1998 Taxi, Luc Besson), he directed some fi lms (2000<br />

The Dancer, Fred Garson; 2005 Tu vas rire mais je te<br />

quitte, Philippe Harel; Wah Wah, Richard E. Grant, UK<br />

/ France / South Africa).<br />

<strong>Film</strong>ography<br />

1999 Cour interdite (also screenwriter, dialogist, actor;<br />

shot in 1992–1998)<br />

OURY, GÉRARD (Max-Gérard Houry Tannenbaum<br />

/ April 29, 1919, Paris, France–July 19, 2006, Saint-<br />

Tropez, Var, France)<br />

The son <strong>of</strong> a classical violinist father and a journalist<br />

mother who had many artist friends (painter Foujita<br />

drew her portrait), he was educated at Janson<br />

de Sailly High School. He wanted to be a journalist<br />

fi rst but soon switched to acting. At age seventeen,<br />

he enrolled in the Cours Simon and two years later<br />

in the National Conservatory <strong>of</strong> Dramatic Arts.<br />

He made his debut at the Comédie-Française in<br />

Britannicus. During the occupation <strong>of</strong> France, he fl ed<br />

the country and settled in Geneva. Back in his native<br />

country after the liberation, he landed a small<br />

part in Jacques Becker’s Antoine et Antoinette / UK<br />

and USA: Antoine and Antoinette (1947). From 1947<br />

to 1963, he played supporting roles in more than<br />

twenty pictures. He notably performed Napoléon<br />

Bonaparte twice in fi lms (1953 Sea Devils, Raoul<br />

Walsh, USA; 1954 L’amante di Paride / UK: The Face<br />

That Launched a Thousand Ships / USA: Love <strong>of</strong> the<br />

Three Queens, Marc Allégret, Italy) and co-starred<br />

with Yul Brynner and Ingrid Bergman in Anatole<br />

Litvak’s The Journey (USA, 1959) and with Paul Newman<br />

and Edward G. Robinson in Mark Robson’s The<br />

Prize (USA, 1963). A fi lm director since 1959, he<br />

shot the greatest box <strong>of</strong>fi ce hits <strong>of</strong> <strong>French</strong> cinema.<br />

After authoring two autobiographical books (1988<br />

Mémoire d’Eléphant, Olivier Orban; 2001 Ma Grande<br />

Vadrouille, Plon), he made his last fi lm appearance<br />

in Là-haut, un Roi au Dessus des Nuages / Là-haut<br />

(Pierre Schoendoerffer, 2003, shot in 2001). In 1977,<br />

he directed onstage the only play he wrote (Arrête<br />

ton Cinéma). His daughter, Danièle Thompson, is a<br />

screenwriter and fi lm director.

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