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Encyclopedia of French Film Directors

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688 • MARSHALL, TONIE<br />

Paris, four episodes: “Hommes de Proie,” “La Chasse<br />

aux Millions,” “Jusqu’au Crime,” “L’Hallali,” Charles<br />

Maudru; 1926 Le Bouif errant, six episodes, as adapter,<br />

René Hervil). Other credits (as author <strong>of</strong> original<br />

tale): 1918 Le Petit Radjah (Paul Barlatier); (as producer):<br />

1921 Le Talion (Charles Maudru).<br />

<strong>Film</strong>ography<br />

1911 Agénor, Cavalier de deuxième Classe (short)<br />

1914 Le Drame du Figaro<br />

1920 La Marque révélatrice (also screenwriter)<br />

Celle qui n’a pas dit son Nom (also screenwriter)<br />

L’Holocauste (also screenwriter)<br />

1921 Le Traquenard (also screenwriter, producer)<br />

L’Assommoir (four episodes: “Vers la Destinée,”<br />

“La Pente fatale,” “Le Poison de Paris,” “Sa<br />

Majesté l’Alcool” (co-director with Charles<br />

Maudru; also screenwriter, adapter, producer)<br />

1923 Serge Panine / Sergius Panin (co-director with<br />

Maurice Gleize; also screenwriter, adapter, coproducer;<br />

France / Austria)<br />

1924 La Nuit rouge / Roode Nacht (co-director with<br />

Maurice Gleize; also producer; France / Belgium)<br />

La Main qui a tué / De Hand die doode / UK:<br />

The Hand That Has Killed / USA: The Hand That<br />

Killed (co-director with Maurice Gleize; also<br />

co-screenwriter, producer; France / Belgium)<br />

1925 La Justicière (co-director with Maurice Gleize;<br />

also producer)<br />

MARSHALL, TONIE (Anthony-Lee Marshall / November<br />

29, 1951, Neuilly-sur-Seine, Hauts-de-Seine,<br />

France–)<br />

The daughter <strong>of</strong> actress Micheline Presle (b. 1922) and<br />

American producer William Marshall (1917–1994),<br />

she attended dramatic art courses with Jean-Laurent<br />

Cochet and Andréas Voutsinas as teachers. After playing<br />

with the Robert Hossein theatrical company, she<br />

made her fi lm debut in Jean-Michel Barjol’s What a<br />

Flash! in 1971. Seen in more than forty motion pictures<br />

and TV movies, she progressively gave up her<br />

acting career to dedicate herself to directing.<br />

<strong>Film</strong>ography<br />

1989 Pentimento (also co-screenwriter, co-dialogist)<br />

1994 Pas très Catholique (also screenwriter, dialogist)<br />

3000 Scénarios contre un Virus (segment Avant<br />

. . . mais après)<br />

1996 Enfants de Salaud / USA: Bastard Brood (also<br />

co-screenwriter, co-dialogist; France / Belgium<br />

/ Switzerland)<br />

1999 Vénus Beauté (Institut) / UK: Venus Beauty Salon<br />

/ USA: Venus Beauty Institute (also co-screenwriter,<br />

co-dialogist)<br />

2002 Au plus près du Paradis / Los màs cercano al cielo<br />

/ Nearest to Heaven (also co-screenwriter, codialogist;<br />

France / Canada)<br />

2003 France Boutique (also co-screenwriter)<br />

2008 Passe-Passe (also screenwriter, dialogist)<br />

Television <strong>Film</strong>ography<br />

2000 Tontaine et Tonton<br />

2004 Les Falbalas de Jean-Paul Gaultier (documentary)<br />

2005 Vénus & Apollon / USA: Venus and Apollo (episode<br />

“Soin conjugal”; also co-screenwriter,<br />

co-dialogist)<br />

MARTIN, JACQUES (June 22, 1933, Lyon, Rhône,<br />

France–September 14, 2007, Biarritz, Pyrénées-<br />

Atlantiques, France)<br />

The son <strong>of</strong> an industrialist father, he was educated<br />

by Jesuits. In 1949, he attended Charles Dullin’s acting<br />

courses. He enrolled in Télé-Strasbourg under<br />

the pseudonym <strong>of</strong> Ducerf (his mother’s name) and<br />

hosted a TV show titled Pas très Show in the 1950s.<br />

From 1959 to 1962, he was a member <strong>of</strong> Germain<br />

Müller’s Alsatian satirical cabaret. Spotted by Pierre<br />

Tchernia, he joined the ORTF (<strong>French</strong> TV) in 1964<br />

and co-created with Jean Yanne a short-lived but<br />

memorable parodical show (1 = 3). For three decades<br />

(1970s–1990s), he was the most popular <strong>French</strong><br />

TV host, thanks to such TV programs as Le Petit Rapporteur<br />

(1975–1976), La Lorgnette (1976–1977), Bon<br />

Dimanche (including L’Ecole des Fans, 1977–1980), and<br />

Dimanche Martin (1980–1998). He was also a singer<br />

and an actor seen in a few fi lms and TV movies (1963<br />

La Femme spectacle, documentary, Claude Lelouch;<br />

1966 L’Amour avec des si . . . , Claude Lelouch, shot<br />

in 1962; Monsieur le Président-Directeur Général, Jean<br />

Girault; Qui êtes-vous Polly Magoo?, William Klein; 1969<br />

Erotissimo, Gérard Pirès, France / Italy; 1972 Sex-Shop<br />

/ Quello che già conosci del sesso e non prendi più sul<br />

serio / USA: Le Sex Shop, Claude Berri, France / Italy;<br />

1974 Deux Grandes Filles dans un Pyjama, uncredited,<br />

Jean Girault; 1979 Claude François, le <strong>Film</strong> de sa Vie,

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