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Encyclopedia of French Film Directors

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Plastic Arts <strong>of</strong> Avignon and attended L’Ecole Nationale<br />

Supérieure des Beaux-Arts de Paris (National Superior<br />

Art School <strong>of</strong> Paris). She directed institutional<br />

fi lms and trailers before collaborating as an editor<br />

with Pavel Lounguine (1998 Un Siècle d’Ecrivains,<br />

TV documentary, episode “Maiakovski”; Les Passions<br />

selon Marcos, documentary; Tournament <strong>of</strong> Shadows,<br />

documentary, also script supervisor). After directing<br />

her fi rst documentary (You’re Maybe Sitting Next to a<br />

Satanist), she fi lmed her fi rst short, La Carpe.<br />

<strong>Film</strong>ography<br />

2002 La Carpe (short; also screenwriter, editor)<br />

2007 Ecoute le Temps (also screenwriter, dialogist,<br />

shot in 2005)<br />

Television <strong>Film</strong>ography<br />

1997 You’re Maybe Sitting Next to a Satanist (documentary<br />

short; co-director with Antoine Simkine;<br />

also co-producer, co-cinematographer,<br />

co-editor)<br />

2001 Boris Eltsine, l’Enfance d’un Chef (documentary;<br />

co-director with Daniel Leconte)<br />

KAZANDJIAN, STÉPHANE (August 26, 1974,<br />

Marseille, Bouches-du-Rhône, France–)<br />

After studying at the ESSEC (a business school), he<br />

learned screenwriting at the Conservatoire Européen<br />

d’Ecriture audiovisuelle. In 2000, he directed a short<br />

(En Solitaire) that convinced producers to fi nance his<br />

fi rst feature-length fi lm. He co-wrote Bloody Mallory<br />

(Julien Magnat, 2002), Après (short, Angelo Cianci,<br />

2003) and Scalps (8 52' TV series, Jean-Marc Brondolo,<br />

Xavier Durringer).<br />

<strong>Film</strong>ography<br />

2000 En Solitaire (short; also screenwriter, dialogist)<br />

2001 Sexy Boys (also screenwriter, adapter, dialogist)<br />

2008 Modern Love (also screenwriter, dialogist)<br />

KÉBADIAN, JACQUES (April 20, 1940, Paris,<br />

France–)<br />

Having graduated from the IDHEC in 1963, he was<br />

an assistant director to Robert Bresson (1966 Au<br />

Hasard Balthazar / Min vän Balthazar / USA: Balthazar,<br />

France / Sweden; 1967 Mouchette; 1969 Une femme<br />

douce / UK: A Gentle Creature / USA: A Gentle Woman,<br />

KECHICHE, ABDELLATIF • 559<br />

also actor), Michèle Rosier (1977 Mon Coeur est rouge,<br />

shot in 1975), and Michel Andrieu (1980 Bastien, Bastienne,<br />

Michel Andrieu, shot in 1978). He also played in<br />

Mourir à Trente Ans (as himself, Romain Goupil, 1982)<br />

and Les Baisers de Secours (Philippe Garrel, 1989) and<br />

co-edited Une Femme en Afrique / UK and USA: Empty<br />

Quarter: A Woman in Africa (Raymond Depardon,<br />

1985) and Paris, mon petit Corps est bien las de ce grand<br />

Monde (Françoise Prenant, 2000).<br />

<strong>Film</strong>ography<br />

1962– Cérémonie pour une Victoire (short)<br />

1966<br />

1972 Albertine, le Souvenir parfumé de Marie-Rose<br />

(short; shot in 1970)<br />

1979 Buvards (short)<br />

1980 Histoires d’une Sculpture (documentary; short)<br />

Trans-Europe sur “L’Homme construit sa Ville”<br />

d’Ipoustéguy (documentary; short)<br />

1981 Arménie 1900 (documentary; short)<br />

1987 Blanche et Claire (short; also screenwriter)<br />

1993 Mémoires arméniennes (documentary;<br />

medium-length; also screenwriter)<br />

1998 D’une Brousse à l’Autre (documentary; also<br />

screenwriter, cinematographer, co-editor)<br />

2002 20 Ans après (documentary; also screenwriter)<br />

2005 La Fragile Armada (co-director with Joani<br />

Hocquenghem; also co-screenwriter, coproducer,<br />

co-cinematographer, co-sound engineer,<br />

co-editor)<br />

Television <strong>Film</strong>ography<br />

1962– Trotsky (documentary; medium-length)<br />

1967<br />

1972 Madame Musique (documentary; mediumlength)<br />

1973 Mass Media USA (3 52' documentary)<br />

1975 Ipoustéguy et son Oeuvre sculptée (documentary;<br />

medium-length)<br />

1981 Histoire d’Amour: Colombe et Avedis<br />

KECHICHE, ABDELLATIF (December 7, 1960,<br />

Tunis, Tunisia–)<br />

Tunisian born, he arrived in France in 1967. Having<br />

trained as an actor at the Conservatory <strong>of</strong> Antibes,<br />

he made his stage debut in 1978 and directed his<br />

fi rst play in Avignon at age twenty-one (L’Architecte et

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