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Encyclopedia of French Film Directors

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1920 L’Eté de la Saint-Martin (also screenwriter,<br />

adapter)<br />

Le Remous / USA: The Whirlpool (also screenwriter)<br />

1921 La Hurle (also screenwriter)<br />

Le Porion (also screenwriter, producer)<br />

1923 L’Evasion (also screenwriter, adapter; shot in<br />

1921)<br />

1926 La Neuvaine de Colette (also producer)<br />

CHAMPETIER, EMILIEN<br />

<strong>Film</strong>ography<br />

1924 Une Vieille Marquise très riche (also screenwriter,<br />

producer, actor)<br />

1925 L’Eveilleur d’Instincts (also producer, actor)<br />

1926 Eh bien! Dansez maintenant (also screenwriter)<br />

1928 La Maison sans Amour (also producer)<br />

1929 L’Ingénu libertin (also screenwriter, producer)<br />

CHAMPREUX, JACQUES (March 31, 1930, Paris,<br />

France–)<br />

The grandson <strong>of</strong> director Louis Feuillade and son<br />

<strong>of</strong> fi lmmaker Maurice Champreux, he started out<br />

as an actor playing small parts in fi lms (1961 Les<br />

Lâches vivent d’Espoir / USA: My Baby Is Black, Claude<br />

Bernard-Aubert; 1962 Les Parisiennes / Le Parigine /<br />

UK: Beds and Broads / USA: Tales <strong>of</strong> Paris, segment<br />

“Un Copain d’Ella / Ella,” Jacques Poitrenaud, France<br />

/ Italy; 1969 Trente-Six Heures, short, Philippe Haudiquet;<br />

2003 Histoires de Fiction, as himself, Sabine<br />

Chalvon-Demersay, Patrick Jeudy; 2004 Le Fantôme<br />

d’Henri Langlois / USA: Henri Langlois: The Phantom <strong>of</strong><br />

the Cinematheque, Jacques Richard) and on TV (1961<br />

Loin de Rueil, Claude Barma; 1964 Rocambole; fi rst<br />

season: L’Héritage mystérieux, Jean-Pierre Decourt).<br />

Known mostly as a screenwriter (1963 Judex / L’uomo<br />

in nero, as co-screenwriter, co-adapter, co-dialogist,<br />

Georges Franju, France / Italy; 1967 Saturnin Belloir,<br />

13 26', also co-screenwriter, co-dialogist, Jacques-<br />

Gérard Cornu; 1968 Les Compagnons de Baal, 7 50':<br />

episodes “Le Secret de Diogène,” “Le Mystère de l’Île<br />

Saint-Louis,” “Le Spectre rouge,” “L’Inquiétant Pr<strong>of</strong>esseur<br />

Lomer,” “La Nuit du Huit de Trèfl e,” “L’Héritage<br />

de Nostradamus,” “L’Eveil de Liliane,” as screenwriter,<br />

dialogist, actor, Pierre Prévert; 1973 L’Île mystérieuse,<br />

6 52', as co-screenwriter, co-adapter, Juan Antonio<br />

Bardem, Henri Colpi, France / Italy / Spain; 1974 Nuits<br />

rouges / UK and USA: Shadowman, as screenwriter,<br />

CHAMPREUX, MAURICE • 203<br />

dialogist, actor, Georges Franju, France / Italy; 1975<br />

L’Homme sans Visage, 8 60': episodes “L’Homme<br />

sans Visage,” “Le Masque de Plomb,” “Les Tueurs sans<br />

Âme,” “La Mort qui rampait sur les Toits,” “La Marche<br />

des Spectres,” “Le Sang accusateur,” “Le Rapt,” “Le<br />

Secret des Templiers,” as screenwriter, dialogist, actor,<br />

France / Italy), he directed a feature fi lm on African<br />

immigration in France.<br />

<strong>Film</strong>ography<br />

1979 Bako, l’Autre Rive (also co-screenwriter, codialogist)<br />

CHAMPREUX, MAURICE (May 21, 1893, France–<br />

November 15, 1976, Paris, France)<br />

He was the cinematographer and editor <strong>of</strong> Louis<br />

Feuillade (1918 Vendémiaire, one prologue and three<br />

parts: “La Vigne,” “La Cuve,” “Le Vin nouveau”; 1919<br />

Barrabas, twelve episodes: “La Maîtresse du Juif errant,”<br />

“La Justice des Hommes,” “La Villa des Glycines,”<br />

“Le Stigmate,” “Noëlle Maupré,” “La Fille<br />

du Condamné,” “Les Ailes de Satan,” “Le Manoir<br />

mystérieux,” “L’Otage,” “L’Oubliette,” “Le Revenant,”<br />

“Justice”; L’Homme sans Visage; L’Engrenage; L’Enigme<br />

/ Le Mot de l’Enigme; Le Nocturne; 1921 Les Deux Gamines,<br />

twelve episodes: “Fleurs de Paris,” “La Nuit du<br />

Printemps,” “La Fugitive,” “La Morte vivante,” “Le Lys<br />

sous l’Orage,” “L’Accalmie,” “Celle qu’on n’attendait<br />

plus,” “Parmi les Loups,” “Le Serment de Ginette,”<br />

“Le Candidat à la Mort,” “La Cité des Chiffons,” “Le<br />

Retour”; L’Orpheline, twelve episodes: “Malheurs de<br />

Némorin,” “Orpheline,” “Le Complot,” “L’Intruse,”<br />

“Délivrance,” “Le Traquenard,” “A l’Ombre du Clocher,”<br />

“La Conquête d’un Héritage,” “Soirs de Paris,”<br />

“Chagrin d’Amour,” “Le Revenant,” “Vers le Bonheur”;<br />

1922 Parisette, twelve episodes: “Manoela,”<br />

“Le Secret de Mme Stefan,” “L’Affaire de Neuilly,”<br />

“L’Enquête,” “La Piste,” “Grand-Père,” “Le Faux Révérend,”<br />

“Family House,” “L’Impasse,” “Le Triomphe<br />

de Cogolin,” “La Fortune de Joaquin,” “Le Secret de<br />

Costabella”; Le Fils du Flibustier, twelve episodes: “La<br />

Flibuste,” “Le Pavillon noir,” “Le Vaisseau maudit,”<br />

“Maman,” “La Noce d’Anaïs,” “La Mission d’un Fils,”<br />

“Le Justicier,” “La Drogue blanche,” “Le Passé,” “Le<br />

Revenant de Saint-Fons,” “Le Maître-Chanteur,” “Le<br />

Testament”; 1923 Vindicta, fi ve episodes: “La Terre qui<br />

tremble,” “L’Intruse,” “L’Emmurée,” “Le Mariage de<br />

Blanche Césarin,” “Soir nuptial”; Le Gamin de Paris;<br />

1924 La Gosseline, as co-cinematographer only; La Fille<br />

bien gardée, L’Orphelin de Paris, as co-cinematographer,

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