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Encyclopedia of French Film Directors

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above all a journalist. From 1923 to 1939, she traveled<br />

around the world in an airplane (Mermoz was sometimes<br />

her pilot) and published her reports in Paris-Soir,<br />

Le Matin, L’Intransigeant, Le Petit Parisien, Lectures pour<br />

tous, and Vu. She co-founded with future fi lmmaker<br />

Carlo-Rim the magazine Jazz. During the occupation <strong>of</strong><br />

France, she wrote in some collaborationist newspapers<br />

(La France au Travail; Les Nouveaux), and she had to be<br />

accountable to new <strong>French</strong> authorities after the liberation<br />

<strong>of</strong> France. She retired to San Francisco, where she<br />

died at age sixty-nine. She wrote novels (1925 La Bête<br />

cabrée, Editions du Monde Moderne; Voyage autour de<br />

ma Maîtresse, Flammarion) and told <strong>of</strong> her explorations<br />

in several books (1930 La Caravane des Morts, Editions<br />

des Portiques; 1934 Une Femme chez les Chasseurs de<br />

Têtes, Editions de la Nouvelle Revue Critique).<br />

<strong>Film</strong>ography<br />

1933 Indiens, nos Frères (documentary)<br />

1934 Promenade en Chine (documentary)<br />

TOESCA, MICHEL (March 28, 1960, Nice, Alpes-<br />

Maritimes, France–)<br />

A movie buff since his childhood, he was fourteen<br />

years old when he took part in a short directed by<br />

his cousin, photographer Jean-Louis Martinetti. The<br />

same year, his father gave him a Super-8 camera for<br />

Christmas, and he shot about ten amateur shorts<br />

from 1975 to 1982. Having settled in Paris in 1979, he<br />

spent a lot <strong>of</strong> time at the Cinemathèque and briefl y<br />

studied cinema at the E.S.E.C. He earned a living writing<br />

radio plays for Les Nouveaux Maîtres du Mystère<br />

(France Inter, 1981–1986). He directed his fi rst pr<strong>of</strong>essional<br />

movie, a short, in 1982. He appeared as an<br />

actor (Les Robes, Jérôme Michaud-Larivière; Sinon oui<br />

/ A Foreign Body, Claire Simon, France / Canada; 1999<br />

Swamp!, Eric Bu) and worked occasionally as a sound<br />

engineer (2002 800 km de Différence-Romance, Claire<br />

Simon) and editor (2003 Mimi, Claire Simon).<br />

<strong>Film</strong>ography<br />

1983 Muthos (short; also screenwriter, dialogist)<br />

1989 Taratatata (short; also screenwriter, dialogist)<br />

1994 Dans un grand Lit carré (short; also screenwriter,<br />

dialogist)<br />

2005 J’irai cracher sur vos Tongs (also screenwriter,<br />

dialogist)<br />

Videos<br />

1996 Vu dans les Nuages (short)<br />

1999 Dialogue (short)<br />

2002 Train (short)<br />

Humm (short)<br />

La Pierre et le Ciel (short)<br />

2003 Mai (short)<br />

Gym (short)<br />

2005 J’veux pas ktu m’fi lm (short)<br />

Hey Bill! (short)<br />

Bénédicte (short)<br />

2006 15, 16, 17 août (short)<br />

Dialogue 2 (short)<br />

TORRENT, HENRI • 963<br />

Television <strong>Film</strong>ography<br />

1990– Dynamo (fi ve documentary shorts)<br />

1993<br />

2003 Espaces et Territoires (documentary)<br />

TOLEDANO, PHILIPPE (1938, France–)<br />

His fi rst feature fi lm was about the assassination <strong>of</strong><br />

President John F. Kennedy. Having settled in Venezuela<br />

since the mid-1980s, he is an independent producer<br />

(1991 Sicario, José Ramon Novóa, Venezuela; 2000 La<br />

magica aventura de Oscar, Diana Sanchez, Venezuela<br />

/ Spain / Colombia; 1995 Antes de morir, Pablo de la<br />

Barra, Venezuela).<br />

<strong>Film</strong>ography<br />

1972 Far from Dallas (also screenwriter, dialogist)<br />

1984 Morituri (Venezuela)<br />

1994 Bésame mucho (Venezuela / Mexico / Colombia)<br />

Television <strong>Film</strong>ography<br />

1989 Coplan (episode “Vengeance à Caracas”)<br />

TOPART, ROBERT (November 16, 1920, Vincennes,<br />

Val-de-Marne, France–)<br />

A former assistant director (1951 Seul dans Paris, Hervé<br />

Bromberger; 1954 Les Fruits sauvages / USA: Wild Fruit,<br />

Hervé Bromberger) and co-adapter (1963 Cinq Filles<br />

en Furie / Les Chiennes de Soledor / USA: Five Wild Girls /<br />

Five Wild Kids, Max Pécas; 1964 La Baie du Désir / USA:<br />

The Erotic Touch <strong>of</strong> Hot Skin / The Erotic Touch / The Touch<br />

<strong>of</strong> Skin, Max Pécas), he directed only two fi lms.<br />

<strong>Film</strong>ography<br />

1967 La muerte escucha (Colombia)<br />

1970 Quatre Hommes aux poings nus (also coscreenwriter)<br />

TORRENT, HENRI (December 4, 1922, Le Boulou,<br />

Pyrénées-Orientales, France–)

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