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Encyclopedia of French Film Directors

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336 • DRESS, EVELYNE<br />

1970 Elise ou La Vraie Vie (also co-screenwriter, coadapter,<br />

co-producer; France / Algeria)<br />

1974 Les Violons du Bal / UK and USA: Violins <strong>of</strong> the<br />

Ball (also screenwriter, dialogist, co-producer,<br />

actor)<br />

1975 Parlez-moi d’Amour (also co-producer)<br />

1977 Le Passé simple / USA: Replay (also co-screenwriter,<br />

co-adapter, co-dialogist, co-producer)<br />

1979 Le Pull-Over rouge (also screenwriter, adapter,<br />

dialogist)<br />

1982 Guy de Maupassant (also co-screenwriter, coadapter,<br />

delegate producer)<br />

1986 Sauve-toi Lola (also co-screenwriter, codialogist)<br />

1987 Il est génial Papy! (also co-screenwriter, coadapter,<br />

co-producer)<br />

Television <strong>Film</strong>ography<br />

1965 Le Train bleu s’arrête 13 Fois (episodes “Paris:<br />

Signal d’Alarme,” “Lyon: Marché en Main,”<br />

“Marseille: Choc en Retour”)<br />

1966 Le Train bleu s’arrête 13 Fois (episodes “Toulon:<br />

Passe-Passe,” “Cannes: On ne gagne qu’une<br />

Fois”)<br />

Les Compagnons de Jéhu (5 55' and 1 90')<br />

1968 Les Enquêtes du Commissaire Maigret (episode<br />

“L’Inspecteur Cadavre”)<br />

DRESS, EVELYNE (August 1, 1947, Lyon, Rhône,<br />

France–)<br />

After spending three years in Robert Manuel’s class at<br />

the Rue Blanche Dramatic Art Center, she made her<br />

stage debut and played in about forty movies (from<br />

1969 Hibernatus / Louis de Funes e il nonno surgelato,<br />

Edouard Molinaro, France / Italy, to 1993 Pas d’Amour<br />

sans Amour, Evelyne Dress). She also authored novels<br />

(1999 La Maison de Petitchet, Hors-Collection; 2001<br />

Les Tournesols de Jérusalem, Editions Plon, reedited in<br />

2004 by Press Pocket; 2002 Pas d’Amour sans Amour,<br />

Pocket; 2003 Fort comme l’Amour, Pocket).<br />

<strong>Film</strong>ography<br />

1993 Pas d’Amour sans Amour! (also screenwriter,<br />

dialogist, actor)<br />

DRÉVILLE, JEAN (September 20, 1906, Vitry-sur-<br />

Seine, France–March 5, 1997, Paris, France)<br />

A former advertising drawer and fi lm journalist<br />

(L’Intransigeant; Comoedia), he founded three magazines<br />

(Photo-Ciné; Cinégraphie; Cinéma-Ciné) from 1925<br />

to 1927. A fi lm director since 1929, he also was suc-<br />

cessively cinematographer (1929 Cagliostro, Richard<br />

Oswald); cinematographer, editor, sound engineer,<br />

and dubbing (1929 Roumanie, Terre d’Amour / Ô Roumanie,<br />

Terre d’Amour / Roumanie, Terre latine, Camille de<br />

Morlhon); camera operator (1931 Vive la Foire!, short,<br />

Michel Gorel, Daniel Abric); assistant director (1946<br />

L’Affaire du Collier de la Reine / USA: Queen’s Necklace,<br />

Marcel L’Herbier); and technical adviser (1980 La Mer<br />

Couleur de Larmes, Serge de Sienne). He appeared as<br />

himself in a documentary (1968 Cinéastes de notre<br />

Temps, documentary; episode “La Première Vague,”<br />

Noël Burch, Jean-André Fieschi).<br />

<strong>Film</strong>ography<br />

1929 Quand les Epis se courbent (documentary; also<br />

cinematographer)<br />

Autour de l’Argent (documentary; short; also<br />

cinematographer, sound engineer, editor)<br />

1930 Physiopolis (documentary; also cinematographer)<br />

1931 Créosote (short; also cinematographer, editor)<br />

Vive la Foire! (documentary; short)<br />

1932 A la Varenne (Java chantée) (short; also producer,<br />

cinematographer, editor)<br />

Le Baptême du petit Oscar (short)<br />

Pomme d’Amour (also editor)<br />

La Chanson du Muguet (short; fi lmed song)<br />

1933 Midi (documentary; short; also cinematographer,<br />

editor)<br />

1934 Trois pour Cent (also adapter)<br />

Un Homme en Or / USA: A Man and His Woman<br />

(also co-screenwriter, co-adapter)<br />

Le Bonheur (co-director with Marcel L’Herbier;<br />

also co-editor)<br />

1935 Touche à tout (also editor)<br />

1936 Coup de Vent / Colpo di vento (also co-screenwriter;<br />

France / Italy)<br />

Les Petites Alliées (also screenwriter, adapter,<br />

dialogist)<br />

1937 Troïka sur la Piste blanche<br />

Maman Colibri<br />

1938 Les Nuits blanches de Saint-Petersbourg / USA:<br />

Kreutzer Sonata<br />

Le Joueur d’Echecs / USA: The Chess Player / The<br />

Devil Is an Empress (also co-screenwriter)<br />

1939 Son Oncle de Normandie<br />

La Brigade sauvage / USA: Savage Brigade (Jean<br />

Dréville completed the fi lm after Marcel<br />

L’Herbier fell ill)<br />

1940 Le Président Haudecoeur<br />

1942 Annette et la Dame blonde<br />

Les Affaires sont les Affaires

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