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Encyclopedia of French Film Directors

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714 • MEREGNY, MATHIAS R.<br />

Regain / USA: Harvest, Marcel Pagnol), camera operator<br />

(1942 Macao, l’Enfer du Jeu / USA: Gambling Hell /<br />

Mask <strong>of</strong> Korea, Jean Delannoy, shot in 1939), cinematographer<br />

(1938 Le Paradis de Satan / USA: Satan’s<br />

Paradise, Félix Gandéra; 1939 Métropolitain, Maurice<br />

Cam; Rappel immédiat, Léon Mathot; L’Etrange Nuit de<br />

Noël, Yvan Noé), assistant director (1949 Le Trésor des<br />

Pieds-Nickelés, also actor, Marcel Aboulker), and coadapter<br />

(1948 Les Aventures des Pieds Nickelés, Marcel<br />

Aboulker).<br />

<strong>Film</strong>ography<br />

1950 La Nuit s’achève (also dialogist)<br />

1952 Fortuné de Marseille (co-director with Henry<br />

Lepage; also co-screenwriter)<br />

1954 Crime au Concert Mayol / USA: Palace <strong>of</strong> Nudes<br />

/ Palace <strong>of</strong> Shames<br />

1956 Impasse des Vertus / UK and USA: Love at<br />

Night<br />

MEREGNY, MATHIAS R. (Maté Rabinovsky /<br />

1934, Paris, France–)<br />

<strong>Film</strong>ography<br />

1968 Ton Visage (short; as Maté Rabinovski)<br />

1971 Galaxie (also co-screenwriter, co-dialogist)<br />

Television <strong>Film</strong>ography<br />

1975 Nikita, Chanteur d’Opéra<br />

1976 Jazz à Juan<br />

Salomé<br />

1981 La Force du Destin<br />

1985 Simon Boccanegra<br />

1990 Jeudi Cinq Heures<br />

MÉRÉJKOWSKY, PIERRE<br />

He composed radio reports for France Culture and<br />

published works in such literary reviews as L’Armateur,<br />

Cargo, Bord de l’Eau, Art’Rose, and Région Centre. He c<strong>of</strong>ounded<br />

an association <strong>of</strong> independent fi lmmakers,<br />

Les <strong>Film</strong>s du Crime et du Châtiment.<br />

<strong>Film</strong>ography<br />

1976 L’Affaire Huriez (16-mm documentary; short)<br />

1977 Scène de Ménage chez les Gauchistes (16-mm<br />

short)<br />

1987 Igrok (16-mm short)<br />

1992 <strong>Film</strong> (16-mm short)<br />

C.O.M.E.D.I.E. (16-mm short)<br />

Myriam ou Un Reportage vérité au Coeur de la<br />

Sainte Russie (short)<br />

1993 Pool (16-mm short)<br />

1994 C’est Dimanche (documentary; short)<br />

1995 Nous voulons du Chômage (16-mm short)<br />

De l’Air, de l’Air (short)<br />

Le Choix du Peintre (documentary; short)<br />

1996 Le Cinéaste, le Village et l’Utopie (video documentary;<br />

short)<br />

2002 A propos d’Eric P. (short; documentary; also actor<br />

as himself; shot in 2001)<br />

2004 Insurrection / Résurrection (also screenwriter<br />

actor, composer)<br />

MERENDA, VICTOR (August 31, 1923, Cannes,<br />

Alpes-Maritimes, France–January 17, 1968, Arles,<br />

Bouches-du-Rhône, France)<br />

A former actor (1951 Coupable?, Yvan Noé; 1952 Dans<br />

la Vie tout s’arrange / US version: Pardon My <strong>French</strong> / UK:<br />

The Lady from Boston, Marcel Cravenne, US version directed<br />

by Bernard Vorhaus, France / USA, shot in 1949),<br />

he turned an assistant director (1953 Les Vacances fi nissent<br />

Demain, Yvan Noé, shot in 1950). He directed<br />

several thrillers for Eurociné. Other credits (as second<br />

unit director): 1964 La Tulipe noire / Il Tulipano nero /<br />

El Tulipan negro / UK: The Black Tulip (Christian-Jaque,<br />

France / Italy / Spain); (production manager, France):<br />

1968 The Lion in Winter (Anthony Harvey, UK).<br />

<strong>Film</strong>ography<br />

1959 Sursis pour un Vivant / Il mistero della pensione<br />

Endelweiss / Pensione Edelweiss / Morte per<br />

procura (nella pensione Edelweiss) (France /<br />

Italy)<br />

1960 La Nuit des Suspectes (shot in 1957)<br />

1963 Le Cave est piégé / No temas a la ley (also<br />

screenwriter, adapter, dialogist; France / Spain;<br />

shot in 1960)<br />

MERGAULT, ISABELLE (May 11, 1958, Paris,<br />

France–)<br />

A stage, TV, and fi lm actress (about thirty movies<br />

from 1979 La Dérobade / UK: The Getaway / The Life<br />

/ USA: Memoirs <strong>of</strong> a <strong>French</strong> Whore, Daniel Duval, to<br />

2005 Je vous trouve très beau, Isabelle Mergault), she<br />

collaborated on many pictures and TV productions as<br />

a co-screenwriter (1987 La Lettre perdue, TV movie,<br />

Julie Bertucelli; Souris noire, 13 20' TV series; 1991<br />

Aujourd’hui peut-être . . . , Jean-Louis Bertucelli, France<br />

/ Italy, shot in 1990; 1992 Voyage à Rome, also dialogist,<br />

Michel Lengliney; 1993 Classe Mannequin, episodes<br />

“Les Fiançailles de Coton,” “Le Silence des Ados,”

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