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Encyclopedia of French Film Directors

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560 • KÉCHICHIAN, ROBERT<br />

l’Empereur d’Abyssinie, Arrabal). Already seen in a TV<br />

movie (1982 Un Balcon sur les Andes, Jacques Audoir),<br />

he entered fi lms in 1984 playing supporting roles in<br />

several movies (1984 Le Thé à la Menthe, Abdelkrim<br />

Bahloul; 1987 Les Innocents, André Téchiné; Mutisme,<br />

short, Philippe Ayache; 1992 Bezness / Business—Das<br />

Geschäft mit der Sehnsucht, Nouri Bouzid, Tunisia /<br />

France / Germany; Un Vampire au Paradis, Abdelkrim<br />

Bahloul, shot in 1990–1991; Le Marteau rouge, short,<br />

Lucie Phan, Béatrice Plumet; 1997 Le Secret de Polichinelle,<br />

Franck Landron, shot in 1994–1996; 2002<br />

La Boîte magique / Sanduk ajab, Ridha Behi, France /<br />

Tunisia; 2006 Sorry, Haters, Jeff Stanzler, USA).<br />

<strong>Film</strong>ography<br />

2001 La Faute à Voltaire / USA: Poetical Refugee (also<br />

screenwriter, dialogist)<br />

2004 L’Esquive / UK and USA: Games <strong>of</strong> Love and<br />

Chance (also co-screenwriter, co-adapter, codialogist)<br />

2006 La Graine et le Mulet (also screenwriter, dialogist)<br />

KÉCHICHIAN, ROBERT<br />

Of Armenian descent, he grew up in Arles, where<br />

he was born, and Issy-les-Moulineaux. From 1963 to<br />

1969, he was a metalworker and fi tter at Thomson<br />

CSF. In 1968, he took part in the general strike and<br />

in the occupation <strong>of</strong> his factory. He resumed his<br />

studies at the Conservatoire National des Arts et<br />

Métiers and graduated in economics in 1970. He<br />

also earned degrees in history (1972) and modern<br />

letters (1973). He taught in a college until 1984. He<br />

already had worked as a trainee assistant director<br />

on commercials when he was hired as an assistant<br />

to Georges Lautner (1984 Joyeuses Pâques) and then<br />

to Aline Issermann (1986 L’Amant magnifi que, also actor),<br />

Vincent Lombard (1986 Lucky Ravi, unreleased),<br />

Jacques Deray (1987 Maladie d’Amour, also actor;<br />

1989 Les Bois noirs), Philip Kaufman (1988 The Unbearable<br />

Lightness <strong>of</strong> Being, Philip Kaufman, USA), Olivier<br />

Austen (1991 Jésuit Joe; also actor), Christian Lejalé<br />

(1992 Loulou Graffi ti), Alain Berbérian (1994 La Cité<br />

de la Peur), Edouard Molinaro (1996 Beaumarchais<br />

l’Insolent / USA: Beaumarchais the Scoundrel), Alain<br />

Chabat (1997 Didier, also actor; 1999 Bricol’s Girls,<br />

video, also actor), and Dominique Farrugia (1999<br />

Trafi c d’Infl uence, also actor). Other credits (as second<br />

unit director): 2000 Taxi 2 (Gérard Krawczk); 2002<br />

Astérix et Obélix: Mission Cléopâtre / Asterix & Obelix:<br />

Mission Kleopatra / UK and USA: Asterix & Obelix: Mission<br />

Cleopatra / USA: Asterix and Obelix Meet Cleopatra<br />

(Alain Chabat, also actor, France / Germany, shot in<br />

2000–2001); (as actor only): 1980 La Traque (4 52'<br />

TV miniseries, Philippe Lefebvre); 2003 Perles rares<br />

(short, Pierre Exc<strong>of</strong>fi er, François Hernandez); 2004<br />

RRRrrrr!!! (Alain Chabat).<br />

<strong>Film</strong>ography<br />

1997 Aram (short; also screenwriter, dialogist)<br />

2002 Aram (also screenwriter, dialogist)<br />

Television <strong>Film</strong>ography<br />

2005 Brûler Rome! (documentary)<br />

KEIGEL, LÉONARD (Léonard Chosidow / March<br />

4, 1929, London, England, UK–)<br />

Of Russian descent, he is the stepson <strong>of</strong> Leonid<br />

Keigel, who owned a repertory movie theater and<br />

later co-founded Les Cahiers du Cinema, and the<br />

nephew <strong>of</strong> Jacques Mage, the proprietor <strong>of</strong> the exploitation<br />

circuit cinema Cinéphone. From 1947 to<br />

1949, he shot amateur Super-16-mm fi lms. After his<br />

secondary studies, he earned a diploma in letters and<br />

attended aesthetics courses at the Sorbonne. In 1947,<br />

he fi lmed his fi rst 35-mm pr<strong>of</strong>essional short (Les<br />

Déchaînés) and, two years later, founded “Objectif 49,”<br />

a revolutionary cine-club that gathered such people<br />

as Jean Cocteau, André Bazin, Robert Bresson, Roger<br />

Leenhardt, Jean-Georges Auriol, Raymond Queneau,<br />

Alexandre Astruc, and Jacques Doniol-Valcroze. He<br />

was only twenty years old when he became an assistant<br />

director to René Clément (1950 Le Château<br />

de Verre / L’amante di una notte, France / Italy; 1952<br />

Jeux interdits / UK: The Secret Game / USA: Forbidden<br />

Games; 1954 Monsieur Ripois / UK: Knave <strong>of</strong> Hearts /<br />

USA: Lovers, Happy Lovers / Lover Boy, France / UK;<br />

1955 Gervaise, France / Italy; 1957 La diga sul Pacifi co<br />

/ The Angry Age, Italy / USA). In 1951, he became<br />

co-owner <strong>of</strong> Les Cahiers du Cinéma. Manager <strong>of</strong> a<br />

production company, Les <strong>Film</strong>s de l’Etoile, in 1953, he<br />

directed several shorts, feature-lengths fi lms, and TV<br />

movies until 1983. From 1985 to 2000, he shot many<br />

commercials. He also published articles in Les Lettres<br />

Françaises, Le Quotidien de Paris, and Pariscope.<br />

<strong>Film</strong>ography<br />

1947 Les Déchaînés (short; also screenwriter, dialogist)<br />

1957 La Vie et l’Oeuvre d’André Malraux (short; also<br />

screenwriter)

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