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Encyclopedia of French Film Directors

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686 • MARODON, PIERRE<br />

1971 On vous parle de Prague: le Deuxième Procès<br />

d’Arthur London (documentary; short)<br />

Le Train en Marche (documentary; short)<br />

La Bataille des Dix Millions / Cuba, la Bataille<br />

des Dix Millions (documentary; medium-length;<br />

also co-editor; France / Cuba)<br />

1972 Vive la Baleine (documentary; short; co-director<br />

with Mario Ruspoli; also cinematographer, editor,<br />

sound)<br />

1973 L’Ambassade / <strong>Film</strong> 8mm trouvé dans une Ambassade<br />

/ Embassy (documentary; short; also<br />

screenwriter)<br />

Puisqu’on vous dit que c’est possible (documentary;<br />

short)<br />

On vous parle du Chili (documentary; short)<br />

1974 La Solitude du Chanteur de Fond (documentary;<br />

also actor as himself, co-editor)<br />

1977 Le Fond de l’Air est rouge / USA: Grin Without<br />

a Cat (two-part compilation documentary:<br />

“Les Mains fragiles,” “Les Mains coupées”; also<br />

screenwriter, editor)<br />

1981 Junkopia (documentary; short; co-director<br />

with John Chapman, Frank Simeone; also<br />

screenwriter)<br />

1983 Sans Soleil / Bez sointsa Sunless Sans Soleil<br />

(documentary; also screenwriter, cinematographer,<br />

editor)<br />

1984 2084 / 2084: Video Clip pour une Réfl exion syndicale<br />

(documentary; short; also editor)<br />

1985 From Chris to Christo (documentary; short)<br />

A.K. / Kurosawa Akira (documentary; also<br />

screenwriter, actor as himself, editor; France<br />

/ Japan)<br />

1986 Mémoires pour Simone (documentary; also<br />

screenwriter)<br />

1992 Le Tombeau d’Alexandre / USA: The Last Bolshevik<br />

(documentary; also screenwriter, cinematographer,<br />

editor)<br />

1993 Le 20 Heures dans les Camps (documentary;<br />

short; also cinematographer)<br />

1995 Casque bleu (documentary; short; also screenwriter)<br />

1997 Level Five (documentary; also voice, screenwriter,<br />

voice, co-cinematographer)<br />

2000 Un Maire au Kosovo (documentary; short)<br />

2001 Souvenir d’un Avenir / USA: Remembrance <strong>of</strong><br />

Things to Come (video documentary; codirector<br />

with Yannick Bellon)<br />

Television <strong>Film</strong>ography<br />

1989 L’Héritage de la Chouette / I Klironomia tis koukouvagias<br />

(TV miniseries; documentary; also<br />

screenwriter; France / Greece)<br />

1990 Berliner Ballade (documentary; short)<br />

1992 Le Facteur sonne toujours Cheval (documentary;<br />

medium-length)<br />

2000 Cinéma de notre Temps (documentary; short;<br />

episode “Une Journée d’Andrei Arsenevitch”;<br />

also voice, cinematographer, editor)<br />

2004 Chats perchés / USA: The Case <strong>of</strong> the Grinning<br />

Cat (documentary; also screenwriter, cinematographer,<br />

editor)<br />

MARODON, PIERRE (May 2, 1873, Paris, France–<br />

April 5, 1949, Ain Temouchent, Algeria)<br />

Born into an artistic family (his father was an architect<br />

and his brother a painter), he earned a living as<br />

a traveling salesman in Algeria in the last years <strong>of</strong> the<br />

nineteenth century before becoming a parliamentary<br />

journalist and a polemist in 1911. Also a novelist, he<br />

turned a fi lm director after World War II, notably<br />

adapting Michel Zévaco’s popular novels and classics<br />

<strong>of</strong> <strong>French</strong> literature. He gave up cinema in 1927 to<br />

dedicate himself to writing (1930 Fille du Diable, un<br />

Roman d’Amour inédit). In 1934, he settled in Algeria,<br />

where he worked as a journalist and died at age seventy-fi<br />

ve. He was formerly married to actress Germaine<br />

Rouer (1897–1994). Their daughter was stage<br />

performer Thérèse Marney (1927–1968).<br />

<strong>Film</strong>ography<br />

1918 La Femme des Autres<br />

Mascamor (fourteen episodes: “Trois Evènements<br />

mystérieux,” “Jetée aux Lions,” “Le<br />

Double Billet,” “Un Chèque d’un Million,” “La<br />

Boîte mystérieuse,” “Le Masque changeant,”<br />

“L’Anthropophage,” “Trahison,” “La Femme<br />

mystérieuse,” “Les Deux Sœurs,” “La Chanson<br />

de la Mort,” “La Note de Violoncelle,” “Le Destin,”<br />

“Le Boomerang”; also screenwriter, actor)<br />

1919 Qui a tué? (also screenwriter, producer)<br />

Les Trois Gants de la Dame en noir<br />

1920 La Femme des Autres<br />

La Femme aux Deux Visages (also screenwriter,<br />

producer)<br />

La Fée des Neiges / UK: The Snow Fairy

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