Encyclopedia of French Film Directors

162 • CACHOUX, GEORGES
documentary, short, as herself, Nicole Ripoche;
2005 Douches froides, Antony Cordier), she edited
a couple of shorts (1986 Physique amusante, Claude
Parisot; 1987 Maïs (Portrait de Famille), documentary,
Christian Deloeil).
Filmography
1981 La Mort subite (short; also screenwriter)
J’ai droit à la Parole (short; also screenwriter)
1984 A Trois Pas, Trésor caché (short; also screenwriter)
1985 L’Art d’aimer (short; also screenwriter)
1987 La Politique du Pire (short; also screenwriter)
1988 Ici là-bas (short; also screenwriter)
1992 Une Vie meilleure (medium-length; documentary;
also screenwriter)
1993 Traverser le Jardin (short; also screenwriter)
Réjane dans la Tour (short)
1997 L’Autre Côté de la Mer / USA: The Other Shore
(also screenwriter, dialogist)
1998 Demain et encore Demain, Journal 1995 (also
screenwriter, cinematographer)
2000 Nadia et les Hippopotames (also co-screenwriter;
shot in 1998)
2001 Le Lait de la Tendresse humaine (also co-screenwriter;
France / Belgium)
2004 Folle Embellie (also co-screenwriter; France /
Belgium / Canada)
Television Filmography
1990 Un Balcon au Val Fourré (documentary)
1992 Rester là-bas (short; documentary; also screenwriter)
Chronique d’une Banlieue ordinaire (documentary;
medium-length; also screenwriter)
1993 Rêves de Ville (documentary; short; also screenwriter;
footage taken from Chronique d’une
Banlieue ordinaire)
1994 Une Poste à la Courneuve (documentary; also
screenwriter; footage taken from Chronique
d’une Banlieue ordinaire)
1998 Retiens la Nuit (also screenwriter)
CACHOUX, GEORGES (September 23, 1942,
Marseille, Bouches-du-Rhône, France–)
He co-wrote (1972 Jeux pour Couples infi dèles / UK:
Hot and Blue, Georges Fleury = Jean Desvilles; 1983
C’est Facile et ça peut rapporter . . . 20 Ans, Jean Luret;
1984 Adam et Eve, as co-dialogist only, Jean Luret) and
directed erotic fl icks and lowbrow comedies.
Filmography
1975 Femmes vicieuses / Ma Femme vous plaît, j’adore
la vôtre (also screenwriter, adapter, dialogist)
Le Sexe à la Barre (also co-screenwriter, codialogist)
1979 Comment se faire virer de l’Hosto / Le Chouchou
de l’Asile / Adolpho, Fils du Führer (also screenwriter,
adapter, dialogist, producer, actor; shot
in 1977)
1980 Journal d’une Maison de Correction (also screenwriter,
adapter, dialogist, producer)
1982 Les Chômeurs en Folie (also screenwriter,
adapter, dialogist, producer, lyricist; released
on video only)
1985 Saint-Tropez interdit (co-director with José
Benazeraf)
CADÉAC, PAUL (June 28, 1918, Agen, Lot-et-
Garonne, France–January 9, 2004, Noisy-le-Grand,
Seine-Saint-Denis, France)
From 1946 to 1970, he was production manager for
director-producer André Hunebelle, who fi nanced his
only directing effort.
Filmography
1954 Quai des Blondes (also co-adapter)
CAGNARD, NATACHA
She was successively second assistant camera (1997
Une Femme sur Mesure / Frau nach Mass (TV, Detlef
Rönfeldt, France / Germany; 1998 L’Arrière Pays,
Jacques Nolot), actress (2001 Les P’tits Gars Ladouceur,
TV, Luc Béraud), and still photographer (2000 L’Enfant
de la Honte, Claudio Tonetti; 2001 Le Temps perdu, Frédéric
Roullier-Gall; 2003 De Soie et de Cendre, 2 90',
Jacques Otmezguine; 2005 Le Triporteur de Belleville,
2 107', Stéphane Kurc).
Filmography
2004 Croisière (also co-screenwriter, editor)
CAHEN, JUDITH (June 20, 1968, Paris, France–)
She studied philosophy and shot Super-8 fi lms at the
same time. From 1990 to 1993, she learned cinema at
the Fémis, where she directed video documentaries
(Féconder l’Invisible, Pour faire un Enfant) and fi ction shot
on 16-mm (C’est rien, c’est mon Père) and on video
(Narcisse). Then she co-founded with a young producer,
Emmanuel Giraud, a fi lm production company (Les