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Encyclopedia of French Film Directors

Encyclopedia of French Film Directors

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1962 Les Démons de Minuit / UK: Demons at Midnight<br />

(co-director with Charles Gérard)<br />

Les Parisiennes / Le Parigine / UK: Beds and<br />

Broads / USA: Tales <strong>of</strong> Paris (episode “Sophie”;<br />

also co-screenwriter; France / Italy)<br />

1963 L’Abominable Homme des Douanes<br />

1964 Pour le Plaisir (documentary; short)<br />

1965 Portrait-Souvenir d’André Gide (documentary;<br />

short)<br />

1966 Bibliothèque d’Enfant (documentary; short)<br />

1967 Exposition 1900 (documentary; short)<br />

Lumière (documentary; short)<br />

1968 Lumière II (documentary; short)<br />

Début de Siècle (documentary; short)<br />

La Grande-Bretagne et les Etats-Unis de 1896 à<br />

1900 (documentary; short)<br />

Jeunesse de France (documentary; short)<br />

1969 L’Europe continentale avant 1900 (documentary;<br />

short)<br />

L’Europe méridionale au Temps des Rois (documentary;<br />

short)<br />

1970 Le Bal du Comte d’Orgel (also co-screenwriter,<br />

co-adapter)<br />

ALLÉGRET, YVES (October 13, 1905, Asnières,<br />

France–January 31, 1987, Jouars-Ponchartrain, Yvelines,<br />

France)<br />

In 1929, when the cinema began to talk, he was hired<br />

by producer Pierre Braunberger in order to supervise<br />

the installation <strong>of</strong> sound on Billancourt Studios.<br />

After co-directing a commercial with screenwriter<br />

Jean Aurenche and future playwright Jean Anouilh, he<br />

became an assistant director notably to his brother<br />

Marc (1931 Les Amours de Minuit, co-director with<br />

Augusto Genina; Mam’zelle Nitouche; 1932 Fanny;<br />

1934 Lac aux Dames; Sans Famille; 1935 Les Beaux<br />

Jours; 1936 Sous les Yeux d’Occident / Razumov; Les<br />

Amants terribles) and Jean Renoir (1931 La Chienne;<br />

1936 Une Partie de Campagne / UK and USA: A Day in<br />

the Country). He also was a costume designer (1933<br />

Ciboulette, Claude Autant-Lara), a production manager<br />

(1937 Forfaiture, Marcel L’Herbier), and a co-screenwriter<br />

(1937 Vous n’avez rien à déclarer? / USA: Confessions<br />

<strong>of</strong> a Newlywed, Léo Joannon; 1938 Le Dompteur,<br />

Pierre Colombier; 1940 L’Emigrante, Léo Joannon).<br />

His short Jeunes Filles de France was presented at the<br />

1939 New York World’s Fair under the title The Girls<br />

<strong>of</strong> France. From 1944 to 1949, he was married to actress<br />

Simone Signoret (1921–1985). Their daughter is<br />

also an actress, Catherine Allégret (born in 1946).<br />

<strong>Film</strong>ography<br />

ALLÉGRET, YVES • 9<br />

1931 La Pomme de Terre: Prix et Pr<strong>of</strong>i ts (documentary;<br />

short; also screenwriter, author <strong>of</strong> commentary)<br />

1932 Teneriffe (short; documentary; also producer)<br />

1934 Le Gagnant (short)<br />

1935 Amour et Automobile (short)<br />

1937 L’Ardèche (documentary; short)<br />

1939 Les Usines Ford à Poissy (documentary; unfi nished)<br />

Jeunes Filles de France / USA: The Girls <strong>of</strong> France<br />

(documentary; short)<br />

1940 La Roue tourne (unfi nished)<br />

Tobie est un Ange (unreleased)<br />

1943 Les Deux Timides (as Yves Champlain; shot in<br />

1941)<br />

1945 La Boîte aux Rêves (Jean Choux began to shoot<br />

the movie; also co-screenwriter, adapter; shot<br />

in 1943)<br />

1946 Les Démons de l’Aube<br />

1948 Dédée d’Anvers / USA: Dedee / Woman <strong>of</strong> Antwerp<br />

(also co-screenwriter, co-adapter)<br />

1949 Une si jolie petite Plage / USA: Riptide / Such a<br />

Pretty Little Beach<br />

1950 Manèges / UK and USA: The Cheat / The<br />

Wanton<br />

1951 Les Miracles n’ont lieu qu’une Fois / I miracoli non<br />

si ripetono (France / Italy)<br />

1952 Nez de Cuir / Naso di cuoio / Gentiluomo<br />

d’amore (France / Italy)<br />

Les Sept Péchés capitaux / I sette peccati capitali<br />

/ UK and USA: The Seven Deadly Sins (segment<br />

“La Luxure / Lust”; France / Italy)<br />

La Jeune Folle / USA: Desperate Decision / Revenge<br />

at Daybreak<br />

1953 Les Orgueilleux / The Proud Ones / The Proud<br />

and the Beautiful (also co-screenwriter; France<br />

/ Mexico)<br />

1954 Mam’zelle Nitouche / Santarellina / UK: Oh<br />

No, Mam’zelle (also co-screenwriter; France<br />

/ Italy)<br />

1955 Oasis / Oase (France / West Germany; shot in<br />

1953–1954)<br />

1956 La Meilleure Part / Gli anni che non ritornano<br />

(also co-screenwriter, co-adapter; France /<br />

Italy)<br />

1957 Méfi ez-vous, Fillettes / USA: Young Girls Beware<br />

Quand la Femme s’en mêle / Godot / Die Killer<br />

lassen bitten / UK: Send a Woman When the

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