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Encyclopedia of French Film Directors

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<strong>Film</strong>ography<br />

1975 Les Bijoux de Famille / USA: Family Jewels /<br />

<strong>French</strong> Blue / Try It, You’ll Like It (also screenwriter,<br />

co-adapter, co-dialogist)<br />

LAUTNER, GEORGES (January 24, 1926, Nice,<br />

Alpes-Maritimes, France–)<br />

The son <strong>of</strong> actress Renée Saint-Cyr (1904–2004), he<br />

studied law before entering fi lms as a trainee assistant<br />

manager (1945 La Route du Bagne, Léon Mathot).<br />

He successively was a trainee assistant director<br />

(1949 Tous les Deux, Louis Cuny; 1950 Cartouche, Roi<br />

de Paris, Guillaume Radot, shot in 1948), second assistant<br />

director (1950 Le Trésor de Cantenac / Un Miracle,<br />

Sacha Guitry; Fusillé à l’Aube / USA: Secret Document<br />

Vienna, also actor, André Haguet; 1951 Deburau, Sacha<br />

Guitry; Adhémar ou le Jouet de la Fatalité, Fernandel),<br />

fi rst assistant director (1951 Capitaine Ardant, also<br />

actor, André Zwobada; 1952 L’Amour n’est pas un<br />

Péché, Claude Cariven; Cent Ans de Sport, documentary,<br />

Gilbert Prouteau; 1953 Horizons sans Fin, Jean<br />

Dréville; 1954 Le Chevalier de la Nuit / USA: Knights<br />

<strong>of</strong> the Night, Robert Darène; Les Corsaires du Bois de<br />

Boulogne, Norbert Carbonnaux; 1955 Les Chiffonniers<br />

d’Emmaüs, Robert Darène; 1956 Goubbiah, mon Amour<br />

/ Goubbiah / Fuga nel sole, also actor, Robert Darène,<br />

France / Italy; Courte-Tête / US TV: Photo Finish, Norbert<br />

Carbonnaux; 1957 C’est une Fille de Paname,<br />

Henry Lepage; 1958 Le Temps des Œufs durs, Norbert<br />

Carbonnaux; La Bigorne, Caporal de France, Robert<br />

Darène; 1959 Letter to Loretta, TV, episode “The<br />

Road,” Rudolph Maté, USA), technical adviser (1957<br />

Une Nuit au Moulin-Rouge, Jean-Claude Roy), and fi -<br />

nally director. He also supervised the shooting <strong>of</strong> OK<br />

Patron! (Claude Vital, 1974), co-wrote the screenplay<br />

<strong>of</strong> a TV movie (1995 Entre ces Mains-là, Arnaud Sélignac),<br />

and appeared as himself in several documentaries<br />

(1974 Histoire du Cinéma français par ceux qui l’ont<br />

fait, documentary, Armand Panigel; 1990 Ne m’oubliez<br />

pas: Hommage à Bernard Blier, documentary, Mathias<br />

Ledoux; 1996 Bernard Blier, documentary, Dominique<br />

Cazenave, Doug Headline; 1999 Francis Blanche, à la<br />

Vie à l’Amour, documentary, short, Jorge Dana; 2002<br />

Michel Audiard et le Mystère du Triangle des Bermudes,<br />

documentary, François-Régis Jeanne, Stéphane Roux;<br />

2003 Blier by Nice, documentary, Jean-Jacques Bernard;<br />

La Trilogie des “Monocle,” also co-screenwriter,<br />

David Maltese; 2004 Les Cascadeurs, documentary,<br />

Laurent Germain-Maury; 2005 Pierre Richard, l’Art du<br />

Déséquilibre, documentary, Jérémie Imbert, Yann Mar-<br />

LAUTNER, GEORGES • 601<br />

chet). In 2005, he published his autobiography (On<br />

aura tout vu, Flammarion). The previous year, he wrote<br />

the screenplay <strong>of</strong> a comic book (On achève bien les<br />

Cons!, Editions Soleil).<br />

<strong>Film</strong>ography<br />

1953 La Gare Saint-Lazare (short)<br />

Plus Belle que nature (short; also screenwriter,<br />

producer)<br />

1957 Madagascar, France australe (documentary;<br />

short)<br />

1958 La Môme aux Boutons<br />

1960 Marche ou crève (also co-screenwriter; coadapter;<br />

France / Belgium)<br />

1961 Arrêtez les Tambours! / USA: Women and War<br />

(also co-screenwriter, co-adapter, producer)<br />

Le Monocle noir / USA: The Black Monocle (also<br />

co-screenwriter, co-adapter)<br />

Perles du Golfe (short)<br />

1962 En plein Cirage / Operazione Gold Ingot / USA:<br />

Operation Gold Ingot (also co-screenwriter, coadapter;<br />

France / Italy)<br />

Le Septième Juré / USA: The Seventh Juror<br />

L’Oeil du Monocle / UK: The Monocle / USA:<br />

The Eye <strong>of</strong> the Monocle (also co-screenwriter,<br />

co-adapter, actor)<br />

1963 Les Tontons fl ingueurs / In famiglia si spara /<br />

Mein Onkel, der Gangster / UK: Crooks in Clover /<br />

USA: Monsieur Gangster (also co-screenwriter,<br />

co-adapter; France / Italy)<br />

1964 Des Pissenlits par la Racine / 7-9-18 da Parigi un<br />

cadavere per Rocky (also co-screenwriter, coadapter;<br />

France / Italy)<br />

Le Monocle rit jaune / L’ispettore spara a vista /<br />

USA: The Monocle / The Monocle’s Sour Laugh<br />

(also co-dialogist; France / Italy)<br />

Les Barbouzes / Quattro spie sotto il letto / USA:<br />

The Great Spy Chase (France / Italy)<br />

1965 Les Bons Vivants / Un Grand Seigneur / Per favore<br />

chiudete le persiane / USA: How to Keep the<br />

Red Lamp Burning / US TV: Keep the Red Light<br />

Burning (segment “Les Bons Vivants”; France<br />

/ Italy)<br />

1966 Galia (also co-screenwriter, co-dialogist, actor;<br />

France / Italy)<br />

Ne nous fâchons pas (also co-adapter)<br />

1967 La Grande Sauterelle (also co-screenwriter)<br />

Fleur d’Oseille / Femmina / Ein Mädchen wie<br />

das Meer (also co-screenwriter, co-adapter;<br />

France / Italy / West Germany)

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