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Encyclopedia of French Film Directors

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one theater, Le Jean Cocteau, Allez, on se Téléphone . . .<br />

suffered from technical fl aws and was soon canceled.<br />

<strong>Film</strong>ography<br />

1974 Allez, on se téléphone . . . (shot on Super-8; also<br />

screenwriter, dialogist)<br />

Television <strong>Film</strong>ography<br />

1980 Le Cœur en Echarpe (also screenwriter)<br />

VICTOR, RENAUD (May 4, 1946, Paris, France–<br />

October 3, 1991, Paris, France)<br />

He briefl y studied cinema at the University <strong>of</strong> Vincennes<br />

in the late 1960s before directing his fi rst<br />

movie. He played in a few fi lms (1985 Les Amants<br />

terribles, Danièle Dubroux; 1986 Gardien de la Nuit<br />

/ US video: Guardian <strong>of</strong> the Night, also executive<br />

producer, Jean-Pierre Limosin; Faubourg Saint-Martin,<br />

also production manager, Jean-Claude Guiguet; 1987<br />

La Rumba, Roger Hanin; 1988 L’Autre Nuit, Jean-<br />

Pierre Limosin).<br />

<strong>Film</strong>ography<br />

1976 Ce Gamin-là (also co-screenwriter)<br />

1980 Hé! Tu m’entends . . . (also producer)<br />

1985 Le Meilleur de la Vie / UK festival title: A Better<br />

Life (also co-screenwriter, co-adapter, codialogist,<br />

actor)<br />

1992 De Jour comme de Nuit (originally shot on<br />

video; also co-producer, cinematographer)<br />

VIDAL, GHISLAIN (January 10, 1952, Paris,<br />

France–)<br />

A fi lm director from 1974, he was also a producer<br />

(1985 Le Pont de l’Amour, Sylvain Roumette; 1986<br />

Nuit de Chine, Catherine Corsini) and cinematographer<br />

(1975 La Croisée des Chemins, Jean-Claude<br />

Brisseau; 1983 Le Diable au Cœur, Laurent Louchet;<br />

1986 Petite Poupée, Alain Cayrade; 1994 Nadine, Marc<br />

Salmon) for shorts.<br />

<strong>Film</strong>ography<br />

1974 Méli-Mélo Manie (short)<br />

1975 Le Jour des Fous (short)<br />

1977 La Mouche (short)<br />

1980 Engrenage (unreleased)<br />

1985 Une Souris blanche (short)<br />

1986 Vue sur la Mer (short; also cinematographer)<br />

1987 Le Jour des Fous (short)<br />

Plus qu’hier, moins que Demain (short)<br />

VIENET, RENÉ • 1003<br />

1988 Forêt Extérieur Jour (short; also cinematographer)<br />

1989 In nomine Dei (short; also cinematographer)<br />

2001 A l’Heure de la Mort (short; also cinematographer)<br />

VIDAL, PASCAL (1949, Chantilly, Oise, France–)<br />

<strong>Film</strong>ography<br />

1979 On efface tout / USA: We Forget Everything!<br />

(also co-screenwriter)<br />

1981 Fifty Fifty (also co-screenwriter, co-dialogist;<br />

shot in 1979)<br />

VIDEAU, FRÉDÉRIC (August 3, 1964, Angoulême,<br />

Charente, France–)<br />

He studied Greek and Latin before learning directing<br />

at the Fémis. Then he worked in France Télévision’s<br />

sports department for ten years. He co-wrote TV<br />

movies (2003 L’Amour au Soleil, Bruno Bontzolakis;<br />

Des Epaules solides, Ursula Meier), collaborated on<br />

feature-length fi lms (2003 Pas de Repos pour les Braves,<br />

Alain Guiraudie, France / Austria; Un Homme, un Vrai,<br />

also co-screenwriter, Arnaud and Jean-Marie Larrieu),<br />

and appeared as actor in La Fin de l’Eté (Arnaud and<br />

Jean-Marie Larrieu, shot in 1997) and Je t’aime, je<br />

t’adore (Bruno Bontzolakis).<br />

<strong>Film</strong>ography<br />

2001 Le Fils de Jean-Claude Videau (documentary;<br />

also actor as himself)<br />

2003 Variété française (also screenwriter, adapter,<br />

dialogist, actor)<br />

VIEL, MARGUERITE (1894, France–1976, France)<br />

She had a short fi lm career co-directing three movies,<br />

writing the dialogue <strong>of</strong> L’Amoureuse Aventure (Wilhelm<br />

Thiele, 1931), and working as a sound engineer on<br />

Mon Ami Tim (<strong>French</strong>-language version <strong>of</strong> Roy William<br />

Neill’s Fifty Fathoms Deep, Jack Forrester).<br />

<strong>Film</strong>ography<br />

1930 Dzungle velkomesta (co-director with Leo<br />

Marten; Czechoslovakia / France)<br />

1932 Occupe-toi d’Amélie (co-director with Richard<br />

Weisbach)<br />

1934 La Banque Nemo (supervised by Jean Choux)<br />

VIENET, RENÉ (1944, Le Havre, Seine-Maritime,<br />

France–)

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