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הוראת סיפור הנס המקראי בחינוך הממלכתי בישראל - האוניברסיטה העברית ...

הוראת סיפור הנס המקראי בחינוך הממלכתי בישראל - האוניברסיטה העברית ...

הוראת סיפור הנס המקראי בחינוך הממלכתי בישראל - האוניברסיטה העברית ...

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is reasonable to assume that the author wished to depict a miracle as having literally<br />

occurred in history. Similarly, adopting the approach of New Criticism, which seeks<br />

meaning in the work itself, ignoring the author`s identity and cultural context, would<br />

lead to the reasonable assumption that the Bible is best interpreted as intending to<br />

present a miraculous story as actual fact, thus supporting a literal/historical reading.<br />

The second reading option, which advocates metaphorical readings of certain<br />

biblical texts, may be found in certain midrashim of Hazal, as well as in some of the<br />

classical commentaries. A modern hermeneutical school that can support this<br />

approach is that of reader response, developed by Stanley Fish and applied to Jewish<br />

texts by Fritz Rothschild and Steve Copeland. In the case of biblical miracle stories,<br />

which focus on the divine and seek to convey the ineffable, the reader will find that<br />

the meaning of the story is most accessible when its details are read as metaphor. It<br />

may further be suggested that, if indeed the divine and the ineffable can be grasped<br />

only by means of metaphorical reading, then arguably the biblical authors may have<br />

intended such a reading, and perhaps certain textual features might guide the reader to<br />

metaphorical understandings. Hence it is arguable that both `authorial intent` and New<br />

Criticism might promote metaphorical readings of biblical miracle stories. This<br />

approach shifts the focus of the miracle story from the issue of its historicity to that of<br />

its meaning. The forms in which the miracle are expressed are also assumed to impart<br />

particular meanings (Pardes), and by analyzing them one can uncover the message or<br />

insight of the story.<br />

The third approach, the dialogical, is similar to the metaphorical approach, and is<br />

also close to certain variations of reader response, such as that of Wolfgang Iser;<br />

however, it allows the text/author more of a controlling voice than do most forms of<br />

reader response. The engagement with the text demanded by the dialogic approach is<br />

316

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