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de Investigadores em leitura - Universidade do Minho

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1. Storytelling and the audience in Folklore<br />

Renewed interest in organized storytelling in folklore, linguistic anthropology and<br />

professional studies (Stone, 1998; Wilson, 2005; Sobol, 2008; Bauman, 1986; Hymes, 1981;<br />

Kapchan, 1995, Finnegan, 1992).<br />

Particular interest in organized storytelling for children insi<strong>de</strong> and outsi<strong>de</strong> schools<br />

(Juzwick and Sherry, 2007; Poveda, 2003; Casla, Poveda, Rujas and Cuevas, 2008).<br />

Lack of studies focusing on narrator's i<strong>de</strong>ologies, <strong>de</strong>spite the relevance of this<br />

question in anthropological studies of verbal art (Finnegan, 1992).<br />

2. The audience in literary theory<br />

Development of rea<strong>de</strong>r-response theory with strong applications in education<br />

(Ros<strong>em</strong>blatt, 1978).<br />

Tradition in dramaturgy and drama studies focused on the audience (<strong>de</strong> Marinis,<br />

1987).<br />

Historical re-interpretation of the role of the rea<strong>de</strong>r in literary criticism and theory (De<br />

Maria, 1978; Raz, 1976; Neill, 1978).<br />

3. Research questions<br />

Examine a set of s<strong>em</strong>i-structured interviews with Spanish storytellers who work with<br />

children (gathered as part of a research project <strong>de</strong>scribed below) and explore their<br />

discourses and informal theorizing about children as literary storytelling audiences. Focusing<br />

on the connections between two th<strong>em</strong>es:<br />

(I) The personal and professional trajectories of storytellers. Tracing potential social fields<br />

(e.g. formal teacher training, drama/fine arts, amateur interests, etc.) that may have had a<br />

significant impact in how their discourses about children and childhood are configured.<br />

(II) The organization of storytellers informal theories about children as storytelling audiences<br />

along a series of dimensions that the literature reviewed above suggest may be relevant: (a)<br />

the role of age as an organizational el<strong>em</strong>ent, (b) i<strong>de</strong>al characteristics of the storytelling<br />

setting, (c) children’s background and knowledge, (d) social climate of the narrative event.<br />

4. Method<br />

Ten s<strong>em</strong>i-structured interviews conducted during 2005 with twelve professional and<br />

amateur narrators 1 who work in Madrid (Spain) and were participants in a larger project on<br />

literature socialization.<br />

Incorporate into the analysis background information from the project focused on<br />

storytelling in libraries, parks and bookstores (Casla, et al, 2008 y Poveda, Puli<strong>do</strong>, Morga<strong>de</strong>,<br />

Messina & Hèdlova, 2008)<br />

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