23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

The music therapeutist must the refore know how to
master methodologies that can enhance “global body
experience plastic movements, vocal sounds and
writtrn-colour and form traces” in a concept of language
globality so deeply experimented by Guerra Lisi.
Passage from psicho-corporeal experiences (with
unavoidable synesthesias) to movement, action and the
desire to leave one’s trace to arrive at communicating
must be well matured and lived personally by the music
therapeutist for effective application in music therapy to
achieve in-depth self-awareness and the asserion of
freedom.
The various languages of expression in Art therapy
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must be experienced and interpreted globally, aware
that the signs of a language cover symbols to be
retrieved by enhancing personal creativity.
During their “training”, music therapeutist must come to
realize that their voice can exert a function capable of
favouring a communications relationship.
The tool or instrument “voice” must therefore be stadied
and looked after with great care, not only to master
intonation from speecha to song and allow creativity to
take on a psycho.symbolic form but above all to learn
how to make professional use of its immense
communications potencial.
Our view is that the objetive to be reached is one