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23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

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M U S I C T H E R A P Y I N P S Y C H O T H E R A P E U T I C<br />

T R E A T M E N T O F S C H I Z O P H R E N I A /<br />

M U S I C O T E R A P I A E N E L T R A T A M I E N T O<br />

P S I C O T E R A P É U T I C O D E L A E S Q U I Z O F R E N I A<br />

H ANNE-METTE KORTEGAARD<br />

Understanding the general principles in music therapy<br />

treatment <strong>of</strong> schizophrenic patients is as follows:<br />

- The understanding and treatment are dominated<br />

by a psychodynamic approach.<br />

- The internalisation process is to be seen as a<br />

lifelong process where the internalised objects in the<br />

"Inner <strong>World</strong>" <strong>of</strong> the schizophrenic patient have got their<br />

own dynamic nature.<br />

- The function <strong>of</strong> the music is primarily containing<br />

and reverie.<br />

- The improvised musical expression created by the<br />

333<br />

patient and the therapist together is an interpsychic<br />

dynamic synthesis, which can be internalised and form<br />

the basis <strong>of</strong> an intrapsychic synthesis in the "Inner<br />

<strong>World</strong>" <strong>of</strong> the schizophrenic patient.<br />

When the patient and the therapist improvise together<br />

they set out for a journey into the "Inner <strong>World</strong>" <strong>of</strong><br />

schizophrenic patient. By sharing the musical symbols<br />

<strong>of</strong> the patient and adding his own symbols and<br />

imaginations into the duality <strong>of</strong> the music, the therapist<br />

shares his own Self with the patient.<br />

In the music theraputic improvisation we are using the<br />

ability to create new symbols by melting the symbols<br />

and feelings <strong>of</strong> the two improvisational partners<br />

together. As the music at the same time has an ability to<br />

seduce us and stimulate a regressive proces, the<br />

improvisation is always followed by an integrating verbal<br />

dialogue.<br />

In the paper, the use <strong>of</strong> improvised music in

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