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23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

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The regression, produced through sounds, leads to a<br />

pre-verbal phase <strong>of</strong> the experience when the emotion<br />

was lived in the totality <strong>of</strong> the body and its primary<br />

sensations.(3. 2)<br />

In our approach, we have referred to the concept <strong>of</strong><br />

"Archetypes" in the psychology <strong>of</strong> Carl Jung and<br />

especially to the "collective memory" where primary<br />

images, belonging to humankind, settle.<br />

The ancient and traditional evolution <strong>of</strong> music is strictly<br />

connected with the one <strong>of</strong> the archetypes which expects<br />

to be lived by the individual and embodied In symbolic<br />

shapes.<br />

There are archetypal beings, shapes and characters<br />

which are drawn by Jung from mythology and fairy tales,<br />

like the SHADOW, the Self, the OLD WISEMAN, the<br />

GREAT MOTHER, the MANDALA, the CROSS, the<br />

WHEEL, the WAY which appear even in ravings and<br />

910<br />

hallucinations and in certain artistic, works.<br />

Likewise, symbolic images <strong>of</strong> voyages, routes to follow,<br />

rites, festivals, sacrifices, birth, death, wars, forces <strong>of</strong><br />

nature, <strong>of</strong>ten appear in music therapy group sessions.<br />

The group and the individuals get in touch with their own<br />

interior figures in the unconscious, and experiment with<br />

them actively, dramatizing with sounds this experience,<br />

which is not possible to express through words.<br />

"IL POPOLARE"<br />

All the music is traditional and folk, that is, it cannot be<br />

conveyed or have a meaning out <strong>of</strong> social relationship,<br />

thus supporting the thesis <strong>of</strong> a "sound presence" on<br />

which all the sound experiences are based.<br />

As a consequence, there is a common musical<br />

competence lying at the base <strong>of</strong> man's musical practice.

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