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23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

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For example, we must consider what it means and how<br />

it feels to have, following a stroke or other braindamage,<br />

a loss <strong>of</strong> visual fields so that one sees only<br />

half <strong>of</strong> whatever is presented. How does this affect the<br />

person's playing <strong>of</strong> musical instruments, their behaviour<br />

towards others, both inside and outside music therapy<br />

sessions? Does the family understand why the person<br />

may seem "different" in their family relationships? Can<br />

we help them understand what has happened and then<br />

go on to use music in an attempt to bring them together<br />

again?<br />

Such understanding is not gained through music alone<br />

but by reading about the effects <strong>of</strong> hemianopia, learning<br />

about family dynamics following disability, learning<br />

about grief following the loss <strong>of</strong> a part <strong>of</strong> one's sensory<br />

"equipment", and so on.<br />

1243<br />

We also need to know what the outlook is - do we<br />

comfort the person by saying "It may get better in time"<br />

or do we have to help the person and the family accept<br />

that the damage is permanent?<br />

We need to know whether the person will Jeteriorate,<br />

e.g. in Upper Motor Neurone Disease, Huntington's<br />

disease, arthritis, Parkinson's disease, the Dementias.<br />

Or it may be that the person will improve gradually, as in<br />

Guilliame Barre syndrome, that terrifying viral-caused<br />

paralysis. Or it may be known that the illness will soon<br />

terminate in death. or it may be relatively static, as in<br />

many completed strokes.<br />

The decision as to who speaks to the client and family

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