23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

itself, the more is able to experience the reality of the
semantic field. Through the semantic field it is possible
to:1) know how the past psychic action is acting now 2)
reason by induction on the characterial personality 3)
knowledge of the natural psychic action as subjective
evolution 4) knowledge of the programme inserted in
the mental structure that will be realized in the next
future. The dream analysis is understood according to
the ontopsychological methodology and not
psychoanalytical since the second one does not give
the exact relation between symbol and reality, as, on
the contrary, the ontopsychological interpretation does.
The proxemic is concerned with all the sensitivity of
listening, perception, evaluation and interaction of the
subverbal communication, of the expressivity, of the
semiotic, of posture, smells, of kinetic movements, of
physiognomy. Every psychotheapeutic relationship
must foresee these knowledges,otherwise it is a
1038
relationship professionally defective that we can easily
find in whatever relation: doctor-patient, priest-believer,
mother-son, in friend ships or love affairs, employeremployee
and so on. If psychotherapy wants to become
an exact and operative relationship,it must enter the
scientific means that are necessary qualifications--to
adapt itself to basic technical parameters. The
musictherapy is a psychotherapy that has a
methodology centered on the musical instrument
instead of the verbal instrument or dialogue. The
psychotherapis * sictherapist must be aware of the
psychic intentionality, the movement of the psychic
dynamic. Why? Because: 1) in order to avoid groping
one's way in using whatever musical instrument and
consequently suf fer from the empathic and
psychosomatic effects that this involves; 2) the effect
may be sedative for the mind but not yet therapeutic or
also because it may be a flattening to social rules and