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23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

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notes potentiated (between one and sixty-four), the<br />

relationship <strong>of</strong> those notes to one another (scales and<br />

arpeggios), the articulation required to activate the note<br />

(the dynamics <strong>of</strong> the movement in relation to the<br />

sensor), and secondary information such as pitchbend<br />

and modulation depth.<br />

TRANSPOSE settings allow semitonal modulation <strong>of</strong> the<br />

scales contained within the beam, useful where the<br />

beam is played alongside other electronic or acoustic<br />

instruments.<br />

Up to three add-on 'Slave' units can be attached to the<br />

basic system. Thus it is possible to have four beams,<br />

each <strong>of</strong> different length, each angled in a different<br />

plane, and each with its own sound or 'voice'.<br />

856<br />

In a sense, Soundbeam is a highly sophisticated<br />

development <strong>of</strong> the selected-scale musical activity<br />

which is commonplace in many junior and special<br />

educational contexts (4), but it does so in a way which<br />

introduces a radical element <strong>of</strong> compositional and<br />

improvisational freedom, whilst at the same time<br />

encouraging expressive movement.<br />

In addition to the ten resident Soundbeam 'memories' it<br />

is also possible to load a user-defined sequence <strong>of</strong><br />

notes into the beam. This has the benefit <strong>of</strong> enabling a<br />

considerable degree <strong>of</strong> compositional exploration<br />

without the necessity for a commensurate level <strong>of</strong><br />

keyboard skill: an idea can be programmed in at the<br />

user's pace and then performed in real time with dance<br />

or simple movement.

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