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23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

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John Calder 1977. p. 176.<br />

2. WILSON-HINDS, ROGER: An objective appreciation<br />

<strong>of</strong> Soundbeam. Unpublished field trial.<br />

3. LEE, PATRICK: Ten More Minutes. Dance<br />

performance at the Fourth International Computer<br />

<strong>Music</strong> Conference, Keele University, 26.1.91.<br />

4. WYATT, JAN: <strong>Music</strong> as a Language in 'The Creative<br />

Tree' ed. Levete, G. Michael Russell 1987. Pp.105-106.<br />

3.2.- CULTURE, MUSIC AND MUSIC THERAPY<br />

- CULTURA, MUSICA Y MUSICOTERAPIA<br />

( ABSTRACTS)<br />

858<br />

M U S I C A N D T R A G E D Y / M Ú S I C A Y T R A G E D I A<br />

D ENIS ANDRÉ CASAGRANDE<br />

Tragedy was born from the "spirit" <strong>of</strong> music by the<br />

double effect that is <strong>of</strong>fered by the music phenomenon:<br />

in the other words, music produces a plot (originated<br />

from the musical insinuation) and at the same time<br />

surrounds it trhough its plastic capacity, giving to the<br />

plot its complete essence.<br />

Looking on tragedy as integral part <strong>of</strong> the universal man<br />

and, therefore, inseparable from the human nature, a<br />

very closely harmony is found between music and our<br />

inner world (emotions) that is then represented by an<br />

object (music).<br />

Our proposal consists <strong>of</strong> making possible the<br />

experiments <strong>of</strong> the tragic world <strong>of</strong> man (his existencial

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