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23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

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The first three years the students are trained in three<br />

areas <strong>of</strong> equal importance.<br />

1. <strong>Music</strong> therapy performance, self experience and<br />

didactics.<br />

2. <strong>Music</strong>al skills - improvisational skills.<br />

3. Academic skills - theoretical and research training.<br />

These three areas are integrated particularly within the<br />

compulsory report worked out in groups or individually<br />

at the end <strong>of</strong> each semester. In the fourth year the<br />

students leave the university for half a year <strong>of</strong> practice<br />

at an institution, and the last semester is dedicated to<br />

the master's thesis.<br />

The musical framework around the Self experience<br />

traininq Part.<br />

1152<br />

In order to explain the musical framework around the<br />

Self experience training I want to present the different<br />

ways in which the students are trained and in which they<br />

cope with music as their tool. The diagram shows how<br />

music is taught both as formalized knowledge, as skills,<br />

as a symbolic product and in different improvisation<br />

models. The diagrams shows also how music is taught<br />

both as a product and as a tool for symbolic processes.<br />

(See next page)<br />

The improvisational models can overall be divided into:<br />

1. Improvisation within specific musical styles - musical<br />

"Gestalts".<br />

2. Improvisation inspired by musical guidelines from the<br />

students' experiences <strong>of</strong> a given task.<br />

3. Improvisation expresing interrelational identity in

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