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23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

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were presented with a hypothetical scenario in which<br />

they, as teachers, were permitted to admit students or<br />

not admit students to their music class based on<br />

students' indicating the degree to which they<br />

considered each behavior "essential" for a potential new<br />

student to have demostrated prior to being admitted to<br />

class.<br />

Across all respondents, music and social behaviors<br />

were considered more essential for the new nonlabeled<br />

student than for the new student with retardation.<br />

Teachers and pre-service teachers expressed a<br />

greater willingness to teach music and social behaviors<br />

to a student labeled as having retardation than to teach<br />

the same behaviors to a nonlabeled student. In addition,<br />

teachers expressed a greater willngness overall to<br />

teach music behaviors to a new student entering their<br />

classrooms than was expressed by either <strong>of</strong> the<br />

prospective teacher groups.<br />

981<br />

Subsequent factor analyses revealed a four-factor<br />

structure within the set <strong>of</strong> 25 social behaviors. The four<br />

factors encompassed classroom routines, emotion and<br />

communication, responses to verbal and nonverbal<br />

cues and directions, and eagerness and involvement in<br />

activities.<br />

El propósito del presente estudio era examinar el efecto<br />

del término "retraso mental" en las expectaciones de<br />

pr<strong>of</strong>esores y futuros pr<strong>of</strong>esores para con los niños, en<br />

sus clases de música. Los sujetos (N = 336) eran<br />

estudiantes univer-sitarios de educación primaria (n =<br />

95) y pr<strong>of</strong>esores de música en escuelas públicas de<br />

primaria (n = 139). Los sujetos fueron presentados con<br />

una situación hipotética en la que ellos, como<br />

pr<strong>of</strong>esores, fueron permitidos a admitir o no<br />

estudiantes en sus clases de música basándose en su

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