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23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

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The theoretical reference model.<br />

The two branches <strong>of</strong> knowledge <strong>of</strong> phenomenology and<br />

acoustic physics serve as references in formulating our<br />

theoretical model.<br />

Phenomenology provides a starting-point for analysing<br />

the philogenesis and ontogenesis <strong>of</strong> the man-sound<br />

relationship, with particular reference to man's ability to<br />

learn the function <strong>of</strong> listening and exploratory kinds <strong>of</strong><br />

behaviour which allow him to make contact with his<br />

environment.<br />

Acoustic physics supplies the analysis <strong>of</strong> sound<br />

parameters (intensity, duration, loudness, timbre) with<br />

particular reference to the phenomena <strong>of</strong> harmonic<br />

tones and resonance.<br />

The theory <strong>of</strong> harmonic tones explains the relation<br />

which exists between the basic frequency <strong>of</strong> a tone and<br />

the multiple frequencies which expand in proportion to<br />

it.<br />

112<br />

Resonance is the faculty <strong>of</strong> an elastic body for<br />

spontaneous convibration when excited by external<br />

vibrations whose frequency coincides with the natural<br />

duration <strong>of</strong> its vibration.<br />

In our view, the nature <strong>of</strong> sound is a relationship: firstly,<br />

due to the resonance cavities in our bodies, between<br />

the acustic vibrations generated by a motive power and<br />

the auditive sensation produced when the sound wave<br />

reaches us, forging a union between body and psyche.<br />

Secondly, there can be a sound relationship between<br />

two people (ex. therapist and child) who are in a<br />

dynamic rapport, created by the medium <strong>of</strong> sound. We<br />

use the term "covibration" to describe this relationship.<br />

Vibration itself is an undulating movement, like that <strong>of</strong> a<br />

pendulum or a swing. Sound vibration derives from very<br />

fast movement <strong>of</strong> the sound body around its balance<br />

position. The sound body is an elastic body which tends<br />

to return to its original shape when the distorting force<br />

stops. This is what also happens through the

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