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23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

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artístico pueda equipararse al de sus antecesores<br />

clásicos. Por ello puede constituir un aporte notable a<br />

las disquisiciones sobre el significado de la música y<br />

acerca de la existencia de música con un contenido<br />

objetivo.<br />

Reflecciones de esta índole también serán parte de mi<br />

charla, que se centrará principalmente sobre lo que<br />

Totila Albert - experto explorador de contenidos<br />

musicales - percibió como contenidos del mundo<br />

interno de Brahms.<br />

Expondré ilustraciones de su obra en forma de<br />

diapositivas que leeremos en sincronía con la audición<br />

de pasajes entresacados de las cuatro sinfonías y tres<br />

cuartetos del magistral compositor.<br />

821<br />

H A R M O N I C T H E R A P Y / T E R A P I A A R M Ó N I C A<br />

W ERNER SCHULZE<br />

There are many harmonic laws in nature. For instance:<br />

man's rhythmic physiology rests on simple proportions<br />

that can be expressed almost only with the numbers<br />

from one to four, so this is a matter -with no exceptions<strong>of</strong><br />

consonances, as it has been proved by Dr. Gunther<br />

Hildebrant. Heartbeats and breathing, for example,<br />

have a proportion <strong>of</strong> four to one. Many bodily rhythms<br />

are coordinated to this proportion, especially while<br />

sleeping -so they do not run without coordination,<br />

arbitrarely. (Besides this, the German physician, Hans<br />

Weiers, experimented with success in the field <strong>of</strong> high<br />

frequency radiations, and built a bio-oscillator which<br />

applies radiations with two frequencies, forming a<br />

quint). The harmonic bases are also very important in

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