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23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

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The indication is a circumscription <strong>of</strong> certain aspects <strong>of</strong><br />

these problems, more than that they are didactical,<br />

musical technical terms.<br />

For instance: Let your emotions be heard; learn to<br />

concentrate; learn to co-oporate; learn to relate with<br />

your environment; to cope with criticism in an adult way<br />

and to gain self-confidence out <strong>of</strong> ones own progress.<br />

These are the many heard indications.<br />

But also developing a hobby and/or learning to master<br />

an instrument could be the goal, could be relapse<br />

preventative.<br />

Often, just doing something for their own pleasure can<br />

be quite a new experience for our patients.<br />

And again one could say: "There is nothing really<br />

especial to this, all these effects can be observed in any<br />

seriously given and taken music lesson.<br />

Of course this is true, but the difference lies in the fact<br />

549<br />

that this effect is purposefully planned for.<br />

The patient's progress is measured by the aforesaid<br />

effect.<br />

The relation between teaching and it's therapeutical<br />

value becomes clearer at this point. In my working<br />

method one supplements the other.<br />

Of course the patient himself knows about my activities<br />

in the clinic, as he can hear others practice and he will<br />

mostly be informed by other patients.<br />

Un-underestimated is the value <strong>of</strong> an enthousiastic<br />

fellow-patient.<br />

This usually is more effective then any introductional<br />

talk made by me.<br />

He enters my room already knowing:

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