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23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

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walk from Nordfjordheimen, the institution for mentally<br />

handicapped were they all live.<br />

Besides Reidar and Gunnar, the group consists <strong>of</strong> Solveig, Jon,<br />

Knut and Solbj0rg. Reidar was able to play a little on a recorder.<br />

The others had very little or none experience <strong>of</strong> making music.<br />

But they have an interest <strong>of</strong> music, and the pictures on the wall<br />

soon awaken their interest further. They see pictures <strong>of</strong> the local<br />

brass band, with uniforms and horns. After a few minutes we sit<br />

down and talk together.<br />

The atmosphere changes and becomes more relaxed and<br />

confident. Knut asks: May we too play in the brass band?<br />

These few notes from the first lession show that just to<br />

move the lession from the institution to the Community<br />

<strong>Music</strong> School made an important difference. The<br />

pictures at the wall helped Knut to put to words an old<br />

dream: to play in the brass band. On different<br />

occasions, like the 17th <strong>of</strong> May (the Norwegian National<br />

957<br />

Day), he had heard and seen the local brass band. And<br />

he had liked it!<br />

When we started to play together, we realised that there<br />

was a big gap between this dream and earlier<br />

experience. The members <strong>of</strong> the group had never<br />

played together before, and it was not possible to<br />

establish a beat together. Many members <strong>of</strong> the group<br />

did not have contact with their own beating or the<br />

beating <strong>of</strong> the others. We therefore changed activity. To<br />

play structured activities together was not possible.<br />

Individual improvisation seemed to be the way to<br />

achieve contact and better communication. We used<br />

the model af Creative <strong>Music</strong> <strong>Therapy</strong> (Nord<strong>of</strong>f &<br />

Robbins, 1977), (Bruscia, 1987) as a startingpoint, but<br />

accomodated it to the groupsituation. This<br />

improvisational way <strong>of</strong> work we carried on for months.

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