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23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

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least on his precrisis level - is reflected also in music<br />

therapy so the primary goals <strong>of</strong> music therapy are:<br />

relaxation, distraction from the problems, contact and<br />

communication with the help <strong>of</strong> specially selected music<br />

patient should experience more relaxation, he could<br />

feel more secure and more spontaneous to participate<br />

more easily and activly in the psychotherapy processes<br />

in the overall program <strong>of</strong> the treatment.<br />

The choice <strong>of</strong> music is led by the principle, which is<br />

important in the psychodinamics <strong>of</strong> musical experience,<br />

that pleasure in music is present, when tensions in the<br />

listener are relieved through tensions in music itself. But<br />

the distance between the tensions in music must not be<br />

too great if we want the listener (the patient) to be able<br />

to combine them (not to get lost) and to experience<br />

pleasure.<br />

429<br />

Since music therapy is meant to be only relaxation<br />

inone month average hospitalization <strong>of</strong> the patients in<br />

crisis, the selected compositions are relatively short<br />

(about 5 minutes), full <strong>of</strong> consonaces, expecting<br />

pauses, regular rhythm and volume, with endings in<br />

ritardando, decrescendo and in major.<br />

There is a list <strong>of</strong> some <strong>of</strong> them:<br />

Mozart - Ave Verum<br />

Debussy - Clair de lune<br />

Beethoven - Romance in F major<br />

Bach - Aria<br />

Offenbach - Barcarola<br />

Massenet - Meditation<br />

Chaplin - Limelight<br />

Enya - Water mark

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