23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

perfectamente delimitados.
Quizás entonces sabremos las razones secretas por
las que la música barroca expresa e imprime en
nosotros determinadas sensaciones y sentimientos.
T H E O N T O P S Y C H O L O G I C A L C O N C E P T O F
S O N O R O U S I D E N T I T Y : E X P R E S S I O N O F T H E
I N D I V I D U A L ` S O R I G I N A L I N W A R D N E S S O R
M U S I C A L S E M A N T I C S / E L C O N C E P T O
O N T O P S I C O L Ó G I C O D E L A I D E N T I D A D
S O N O R A : E X P R E S I Ó N D E L A
I N T E R I O R I Z A C I Ó N O R I G I N A L D E L I N D I V I D U O
O S E M Á N T I C A M U S I C A L
M ARÍA PICCOLO
870
The concept of sound identity (ISO) formulated by
professor Benenzon radically and satisfactorily
describes the individual's phenomenological sound
identity during his/her philogenetic and ontogenetic
development.
Starting from studies and research carried out on the
field of sound identity, this paper poses the following
questions:
1) Is there a universal rhythm, characteristic of human
cells, which may be used as a measuring unit of health?
2) Is it possible to get to know such rhythm scientifically
and to reproduce it so as to be able to apply it in music
therapy?
Ontopsychological Theory applied to music therapy
praxis, to which the author refers by means of her own
professional experience, leads to an affirmative answer.