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23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

23.7. 1993 Vitoria-Gasteiz / Spain - World Federation of Music Therapy

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skills and digestion <strong>of</strong> theories and metatheories<br />

through reading, discussions and writings.<br />

The basic tools (diagram 1)<br />

This kind <strong>of</strong> traing where the student's self exploration<br />

becomes basic tools for the future pr<strong>of</strong>essional work<br />

also prevents the students from becoming copies <strong>of</strong> the<br />

senior music therapists within the program.<br />

The basic tools can be lined up in the following areas:<br />

1. Learning to be familiar with their personal<br />

improvisational language - especially in music,<br />

2. Experiencing the power <strong>of</strong> music as a tool for<br />

reflections <strong>of</strong> psychical possibilities and readyness.<br />

3. Learning to be part <strong>of</strong> ongoing processes in an active<br />

and consciously reflected way.<br />

1149<br />

4. Learning to deal with projections, introjections and<br />

self containment in practice.<br />

5. learning to develop a high level <strong>of</strong> sensitivity<br />

6. Lerning how to be involved and at the same time<br />

survive as a music therapist.<br />

For me there are two important points concerning the<br />

last area: The students must learn to protect<br />

themselves and build up their own energy in and<br />

between the process work. And they have to learn to<br />

have their own needs fulfilled in a proper way, so that<br />

the clients won't be placed in a situation where they<br />

must fulfil the needs <strong>of</strong> the therapist.<br />

The Framework around the Self experience<br />

work - The MA <strong>Music</strong> <strong>Therapy</strong> Prowram at

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