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28th International Congress of Psychology August 8 ... - U-netSURF

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Classical geometrical illusions strengthened or weakened under certain colour combinations.<br />

Subjective curvature <strong>of</strong> visual space and some other geometrical characteristics depend not only<br />

on visual form but also on colour. The hypothesis <strong>of</strong> colour generated visual geometry and its<br />

measurable invariants will be discussed.<br />

1063.63 Effect <strong>of</strong> distractors on the auditory attentional blink, Dawei Shen, Todd Mondor, the<br />

Uiversity <strong>of</strong> Manitoba, Canada<br />

Three experiments were conducted to determine whether the placement <strong>of</strong> distractors in a rapid<br />

sequence <strong>of</strong> sounds has any influence on the auditory attentional blink. In these three experiments,<br />

listeners were presented on each trial with a sequence <strong>of</strong> a variable number <strong>of</strong> tones that might<br />

include a pre-defined target, a pre-defined probe, or both. Experiment 1 indicated that distractors<br />

in the auditory stream were necessary to produce the auditory blink. Experiments 2 and 3 showed<br />

that backward masking <strong>of</strong> the probe was the major factor in causing the auditory blink.<br />

1063.64 Attentional time-sharing during timing in the PI/GAP task, Claudette Fortin 1 , Steve<br />

Fairhurst 2 , Chara Malapani 3 , Caroline Morin 3 , Warren H. Meck 4 , 1 Université Laval, Canada;<br />

2 3 4<br />

Columbia University, USA; University <strong>of</strong> Warwick, UK; Duke University, USA<br />

Gaps were introduced at some location during a target interval to be reproduced using a<br />

peak-interval procedure. In this PI/GAP task, the interval, gap location and gap duration varied<br />

from trial to trial (Experiments 1 and 2), and there were no gaps in 20% <strong>of</strong> trials in Experiment 2.<br />

In both experiments, peak times were shorter when the gap occurred later during the target interval<br />

presentation, and shortest peak times were obtained in trials with no gaps in Experiment 2. These<br />

results demonstrate that the PI/GAP task may reveal effects attributable to expectation and<br />

attentional time-sharing during timing.<br />

1063.65 A test on cognitive fluctuation <strong>of</strong> timing estimation, Jinghong Le, Ningning Cao,<br />

Minjing Jia, East China Normal University, China<br />

32 subjects are required to estimate a duration in the form <strong>of</strong> same separations (estimate durations:<br />

2500, 3000, 4000, 5000, 6000ms) continuously, the data are automatically recorded by the<br />

computer. The test show there are some regular fluctuations in timing cognition. Under the<br />

condition <strong>of</strong> non-reflex, the estimated error amplifies adhering to the trials increasing(duration<br />

lasting); by one warning <strong>of</strong> correction, the estimation error reduces by the trials<br />

increasing(duration lasting); in the level <strong>of</strong> 5s, the divergence seems to be significant,<br />

demonstrating the fluctuation <strong>of</strong> the temporal estimation is roared by the increment <strong>of</strong> loading.<br />

1063.66 The uses <strong>of</strong> music in everyday life, Adrian North, David Hargreaves, Lorraine<br />

Sheridan, University <strong>of</strong> Leicester, UK<br />

346 people were sent one text message per day over 14 days to their mobile phone, cueing them to<br />

complete a questionnaire about any music they could hear. Most musical episodes occurred while<br />

participants were alone; liking for the music depended on who the participant was with, where<br />

they were, and whether they had chosen to hear music; music was usually experienced during the<br />

course <strong>of</strong> some other main activity; exposure to music peaked at evening and the weekend; and the<br />

functions <strong>of</strong> music varied according to temporal factors, location, and the presence <strong>of</strong> other<br />

people.<br />

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