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28th International Congress of Psychology August 8 ... - U-netSURF

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5086.1 Conceptualization <strong>of</strong> creativity: Cross-cultural comparison between Polish and Chinese<br />

samples, Elisabeth Rudowicz 1 , Aleksandra Tokarz 2 , Andrzej Beauvale 2 , Katarzyna Zyla 2 ,<br />

1<br />

Department <strong>of</strong> Applied Social Studies, City University <strong>of</strong> Hong Kong, Hong Kong, China,<br />

2<br />

Institute <strong>of</strong> <strong>Psychology</strong> Jagiellonian University Poland<br />

The formation and transmission <strong>of</strong> implicit concepts <strong>of</strong> creativity occurs through social and<br />

cultural contexts. This paper examines views on creativity and values attached to personal<br />

characteristics associated with the creative personality across two cultures. Polish (N = 609), Hong<br />

Kong, Taiwanese, and Mainland Chinese (N = 451) undergraduates were rated on 60 and 68<br />

adjectives, respectively for creativity and desirability. The results indicated that the Chinese<br />

perceived creativity in more pragmatic categories, whereas the Poles identified creativity with<br />

artistic and scientific activities. Poles focused more on the cognitive aspects <strong>of</strong> creativity, whereas<br />

the Chinese on the motivational aspects.<br />

5086.2 The relationship between inquiry study and creativity, Lifang Zhou, China<br />

Most studies on the inquire study in the past based on the view <strong>of</strong> pedagogy. This paper<br />

investigates the relationship between inquiry study and creativity from the psychological point <strong>of</strong><br />

views. Torrance Test <strong>of</strong> Creative Thinking and Creativity Assessment packet were applied to<br />

compare Chinese language creative thinking ability as well as the creative aptitude between senior<br />

high school students with inquire study leaning. The results indicates: There were significant<br />

differences in Chinese language creativity thinking ability between students with inquiry study<br />

leaning and without inquiry study leaning, but differences in the creativity aptitude do not appear<br />

between the two groups.<br />

5086.3 Survey <strong>of</strong> the views on implicit intelligence <strong>of</strong> elementary and middle school teachers,<br />

Lin Yang, Xuejun Bai, Center for psychology and behavior studies <strong>of</strong> Tianjin Normal University,<br />

China<br />

The views on implicit intelligence <strong>of</strong> 223 teachers <strong>of</strong> were investigated. They were asked to list<br />

the characters <strong>of</strong> clever student <strong>of</strong> pupils and middle school students. Results indicated middle<br />

school teachers considered the most important character <strong>of</strong> clever elementary students are<br />

expressivity, inquisitively, tittup et al, and the most important character <strong>of</strong> clever middle school<br />

students are broad interesting, expressivity, inquisitive et al. The elementary teacher considered<br />

the most important character <strong>of</strong> clever elementary students are expressivity, tittup, inquisitively et<br />

al, and the most important character <strong>of</strong> clever middle school students are independence,<br />

self-confidence et al.<br />

5086.4 Creativity in African cultural settings, Elias Mp<strong>of</strong>u 1 , Kathleen Myambo 2 , Teresa<br />

Mashengo 3 , 1 The Pennsylvania State University, USA, 2 American University in Cairo, Egypt,<br />

3<br />

University <strong>of</strong> the North, South Africa<br />

The study used ethnographic methods to investigate conceptions <strong>of</strong> creativity among Africans.<br />

One hundred and thirteen participants from 6 African countries participated in the study. The<br />

sample comprised mainly college students (60%), and females (75%) (Age range 18-62 years;<br />

median age= 28 years). Participants regarded creativity as primarily adaptive in nature, and likely<br />

in individuals with who are open to experiences. Participants from a North African regarded<br />

artistic expression a key indicator <strong>of</strong> creativity whereas those from Central and Southern Africa<br />

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