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28th International Congress of Psychology August 8 ... - U-netSURF

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1063.67 The Riace bronzes: Evolutionary principles applied to popular visual aesthetics,<br />

Richard Ralley, Centre for Studies in the Social Sciences, Edge Hill, UK<br />

The Riace bronzes are two male statues lost in antiquity and recovered in 1972. They are<br />

genuinely a popular cultural phenomenon. Early reports indicated aesthetic and sexual impact <strong>of</strong><br />

the statues. Heterosexual women were said to be attracted to the figure in the more aggressive<br />

stance. Diamond (1997) hypothesizes that aggressive male characteristics have evolved such that<br />

these have become visual signals for females. In experiments, the statues are shown from behind<br />

(hiding facial features). Up to 86% <strong>of</strong> females prefer the assertive figure. Conclusions are drawn<br />

about whether the study <strong>of</strong> evolved signals can contribute to a new aesthetics.<br />

1063.68 What underlines beneath aesthetic evaluation? A study to differentiate visual rightness<br />

and preference, Tomoko Matsuzaki, Chikashi Michimata, Sophia University, Japan<br />

It has been suggested that affective meanings <strong>of</strong> abstract form-color combinations are perceived in<br />

terms <strong>of</strong> three factors: evaluation, activity and sharpness. In the present study, participants judged<br />

visual rightness and preference <strong>of</strong> such stimuli. Stimuli were judged as visually right when both<br />

form and color were high in activity factor, or when form was low and color was high in<br />

evaluation factor. On the other hand, stimuli were preferred when form and color were congruent<br />

in activity factor, or when both form and color were high in evaluation factor. It was suggested<br />

that visual rightness and preference differ qualitatively.<br />

1063.69 The relationship in affective meaning between form and color, Atsushi Kimura, Yuji<br />

Wada, Kaoru Noguchi, Nihon University, Japan<br />

We investigated the harmonious relationship between form and color by measuring their affective<br />

meanings. Two experiments were carried out using nine forms and thirty-six colors. Experiment 1<br />

measured affective meanings for forms and colors in terms <strong>of</strong> Semantic Differentials. Factor<br />

analysis extracted four factors: Evaluation, Lightness, Activity and Sharpness. In Experiment 2,<br />

the degree <strong>of</strong> harmony between form and color as well as their affective meanings were measured<br />

using thirty-six colored forms. It was found that the degree <strong>of</strong> harmony was increased when<br />

affective meanings on lightness and activity factors were similar to each other.<br />

1063 POSTER<br />

Learning, memory and cognition<br />

1063.70 Influence <strong>of</strong> presentation modes and cognitive styles on the effects <strong>of</strong> text signals,<br />

Shouxin Li 1 , Liang Luo 2 , 1 Shandong Normal University, China, 2 Beijing Normal University,<br />

China<br />

This research probed into the influence <strong>of</strong> different cognitive styles, presentation modes and types<br />

<strong>of</strong> text signals on the reading effects. The results showed: (1) Text signals have significantly<br />

different influences on the readers with different cognitive styles. Whether there are text signals or<br />

not, the field-independent readers have no obvious changes in their amount <strong>of</strong><br />

information-keeping, while it is opposite in the case <strong>of</strong> field-dependent readers. (2) Presentation<br />

modes have significant influence on the amount <strong>of</strong> information-keeping. Employing Video<br />

129

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