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Library Buildings around the World

Library Buildings around the World

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Croatia<br />

AVP arhitekti, Zagreb – Croatia<br />

http://www.avp.hr<br />

Libraries:<br />

Osijek University <strong>Library</strong>, Osijek – Croatia Competition<br />

Architects: SANGRAD Architects + AVP Arhitekti, Location: Osijek, Croatia, Team: Vedran Pedišić, Mladen Hofmann, Iva<br />

Marjančević, Gordana Gregurić-Miočić (SANGRAD Architects), Erick Velasco Farrera (AVP Arhitekti), Collaborators: Prof. Boris<br />

Baljkas, Željko Bertić, Owner/Client: University J.J. Strossmayer in Osijek, Status: Competition entry – 1st Prize<br />

Building Area: 13,400 m2<br />

Designed by SANGRAD Architects + AVP Arhitekti, <strong>the</strong> first prize winning proposal for <strong>the</strong> Osijek University <strong>Library</strong> becomes a<br />

place for cultural enrichment and at <strong>the</strong> same time, relaxation through <strong>the</strong> use of green loggias, clean energy, and a pleasant microclimate<br />

on outdoor spaces. The importance of <strong>the</strong> proposal’s orientation is crucial; for <strong>the</strong> idea is to design an energy efficient<br />

library, which was one of <strong>the</strong> starting components in <strong>the</strong> design. More images and architects’ description after <strong>the</strong> break.<br />

The site where <strong>the</strong> project is located was practically defined by <strong>the</strong> program thus <strong>the</strong> proposal filled almost entirely its surface.<br />

Following several analysis of different positions for <strong>the</strong> library, <strong>the</strong> concept to set <strong>the</strong> main entrance was set from <strong>the</strong> most opened<br />

area (a green surface of a former sports arena on <strong>the</strong> east of <strong>the</strong> plot) thus it became <strong>the</strong> main square in front of <strong>the</strong> library. On <strong>the</strong><br />

west side, a secondary access was generated by <strong>the</strong> program guidelines for <strong>the</strong> functionality of <strong>the</strong> congress area so it could work<br />

independently from <strong>the</strong> main library.<br />

According to <strong>the</strong> future main promenade located on <strong>the</strong> sou<strong>the</strong>rn part of <strong>the</strong> plot, and which will run through <strong>the</strong> whole campus, <strong>the</strong><br />

library opens itself on <strong>the</strong> ground floor with a glass facade and a large loggia through <strong>the</strong> upper floors to establish a physical and<br />

visual contact. The technical spaces and services access was defined on <strong>the</strong> nor<strong>the</strong>rn part.<br />

The library’s space, just like any o<strong>the</strong>r architectural form that is in some way subordinate to utilitarian considerations, was thought<br />

with different approaches. The solution emerged from <strong>the</strong> given program (size of <strong>the</strong> basement) and spatial sequences that were<br />

generated with <strong>the</strong> character of a historical Osijek block structure (<strong>the</strong> fortress on <strong>the</strong> Upper and Lower Town). Thus, <strong>the</strong> library<br />

becomes a building-block. The library building is programmatically and functionally determined by <strong>the</strong> central patio and inside was<br />

situated <strong>the</strong> multifunctional hall which formally and metaphorically became <strong>the</strong> heart of <strong>the</strong> project . The building tilts its roof<br />

towards <strong>the</strong> south for <strong>the</strong> accommodation of solar panel.<br />

A library is a very specific spatial structure which is fur<strong>the</strong>r defined by its functional scheme that belongs to this type of building, so<br />

in order to respond to its functionality, <strong>the</strong> idea was to create spacious rooms with flexible layout of furniture, with a touch of<br />

introversion, concentration, targeted and carefully located and directed lightning, diffuse and cool, with a quiet and partially<br />

conservative atmosphere.<br />

The external skin is solved in two layers. The first layer is a neutral, metallic, porous membrane that covers <strong>the</strong> outer contour of <strong>the</strong><br />

continuous structure (except <strong>the</strong> main entrance and <strong>the</strong> recessed loggias). This outer skin also works as a protective film against <strong>the</strong><br />

solar insulation, but at <strong>the</strong> same time makes it possible to have visual contact with <strong>the</strong> outside. The second layer makes multi-layered,<br />

composite insulating glass. The interior space is completely open and thanks to <strong>the</strong> glass façade that filters <strong>the</strong> vistas from <strong>the</strong> outside<br />

toward <strong>the</strong> inner patio. The facade of <strong>the</strong> multifunctional hall within <strong>the</strong> patio is <strong>the</strong> same as <strong>the</strong> outer shell; with <strong>the</strong> second layer<br />

being a semi gloss metalized surface.<br />

(http://www.archdaily.com/292472/osijek-university-library-winning-proposal-sangrad-architects-avp-arhitekti/)<br />

Zadar University <strong>Library</strong> and Campus, Zadar – Croatia Competition 2009<br />

Vedran Pedišić, (SANGRAD architects), Emil Špirić, Erick Velasco Farrera and Juan Jose Nunez Andrade (AVP_arhitekti) have<br />

submitted <strong>the</strong>ir competition proposal for <strong>the</strong> University of Zadar <strong>Library</strong> in Zagreb, Croatia. The project received was awarded<br />

with an honorable mention. The appearance of <strong>the</strong> composition is <strong>the</strong> primary visual phenomena. But yet to determine materiality,<br />

tactility, invoice, smoothness and roughness, <strong>the</strong> detailed distribution of surface, surface variations, plans, open, fullness and<br />

emptiness, <strong>the</strong> colors … some initial assumption is already <strong>the</strong>re: it relies on visual approaches to <strong>the</strong> environment, <strong>the</strong> natural and<br />

artificial forms of tradition and cultural standards, <strong>the</strong> trends and beliefs. The library building is introverted, dignified and a<br />

typological highly ranked form. By itself, and because is located within a city where stone predominates, <strong>the</strong> project becomes a<br />

number of solid volumes, like a sculpture from Chillida. The building is thus solid and closed on <strong>the</strong> exterior and opened within <strong>the</strong><br />

inner space, through which <strong>the</strong> inside of <strong>the</strong> library comes diffuse and shadowy light. Essential visual settings are defined as rough<br />

materiality monochrome, external closed surfaces and <strong>the</strong> smoothness of glass, inner surfaces, all secondary visual art makes its way<br />

from <strong>the</strong> interior and is expressed as <strong>the</strong> inner light, <strong>the</strong> movements of people, colors, and order books on <strong>the</strong> shelves. Material is<br />

mostly reinforced concrete, a material of <strong>the</strong> outer lining is a cornerstone in <strong>the</strong> form of vertical slabs that encapsulates <strong>the</strong> basic<br />

structures (external walls), and glass surfaces oriented mainly towards <strong>the</strong> north or shaded inner region. Libraries project proposes,<br />

<strong>the</strong>refore, <strong>the</strong> protocol established basic scheme. The ground floor are set complementary facilities, <strong>the</strong> main entrance to <strong>the</strong> library<br />

and <strong>the</strong> secondary entrances plus various components of <strong>the</strong> <strong>Library</strong> (administration, system support, treatment services), and <strong>the</strong><br />

entrances and exits from <strong>the</strong> garage. On <strong>the</strong> first floor are arranged four main functional units: - <strong>Library</strong> administrators - Collection<br />

of open access - Closed circuit repository - Spaces for teaching. On <strong>the</strong> second, third and fourth floor are arranged, to house <strong>the</strong><br />

consulting areas, each of which have <strong>the</strong> option of flexible rearranging spaces. In <strong>the</strong> basement are allocated 135 garage parking<br />

spaces. Orientation certain rooms is determined by <strong>the</strong> known rules: storage of books, shelves, cabinets, compacts. The reading area<br />

is illuminated <strong>the</strong> by diffuse light from <strong>the</strong> vertical glass openings that are oriented toward <strong>the</strong> north or shady, sun-protected areas.<br />

Rooms administration oriented towards <strong>the</strong> south with appropriate protection. Courtesy of AVP_arhitekti Architects: Vedran<br />

Pedišić, (SANGRAD architects), Emil Špirić, Erick Velasco Farrera and Juan Jose Nunez Andrade (AVP_arhitekti). Location:<br />

Zadar, Croatia. Owner/Client: Private .Status: Competition entry, honourable mention. Building Area: 13,500.00 m2<br />

(http://www.archdaily.com/84496/zadar-library-sangrad-architects-and-avp_arhitekti/)<br />

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