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Library Buildings around the World

Library Buildings around the World

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The dissonance between <strong>the</strong> floor plates is opened at <strong>the</strong> center with panes of clear glass, allowing a view to <strong>the</strong> east court and<br />

marking an entry to <strong>the</strong> west. A two-throated skylight marks <strong>the</strong> top, striking dissonance and joining two types of light. South and<br />

north light are combined analogous to harmonious sounds in a dissonant chord. Brick from <strong>the</strong> burned section is recycled into a<br />

slumped brick and concrete base forming an entrance and viewing terrace. Rising from <strong>the</strong> burnt brick is a concrete frame<br />

supported on 6 columns spanned with concrete and shea<strong>the</strong>d with structural glass planks. An economical industrial material with<br />

translucent insulation, <strong>the</strong> planks span between floors, creating a translucent glow at night. (Holl)<br />

College of Architecture and Landscape Architecture, University of Minnesota, Minneapolis MN – USA<br />

1990 – 1992<br />

Awards:<br />

Progressive Architecture Awards – USA 1990<br />

PROGRAM: library, auditorium, offices, classrooms, CLIENT: University of Minnesota, ADDITION & RENOVATION: 47,710 &<br />

107,220 sf, STATUS: completed<br />

Articulating interior and exterior spaces, <strong>the</strong> CALA expansion promotes campus activity and pedestrian circulation while unifying<br />

both schools on campus. The addition is two overlaid L-shaped masses which include a library, auditorium, office, seminar and<br />

studio space. The addition is a complement and counterpoint to an existing building by Thorshov and Cerny. While this building is<br />

centralized and homogeneous, <strong>the</strong> addition offers peripheral views and morphological multiplicity. The existing is centripetal, with<br />

right angles framing four views onto <strong>the</strong> same court; <strong>the</strong> addition is centrifugal, with obtuse angles opening to exterior landscapes. In<br />

compliment to <strong>the</strong> horizontal existing building, <strong>the</strong> arms of <strong>the</strong> addition end in vertical elevations, bracketing "shafts of space" and<br />

activating <strong>the</strong> campus. (Holl)<br />

Herning Center of <strong>the</strong> Arts, Herning – Denmark 2005 – 2009<br />

5.600 sqf.<br />

The Herning Center of <strong>the</strong> Arts unites, for <strong>the</strong> first time, three distinct cultural institutions: <strong>the</strong> Herning Art Museum, <strong>the</strong><br />

MidWest Ensemble and <strong>the</strong> Socle du Monde. The new Center is intended to be an innovative forum combining visual art<br />

and music. The design fuses landscape and architecture in a one-level building that will include permanent and temporary<br />

exhibition galleries, a 150-seat auditorium, music rehearsal rooms, a restaurant, a media library, administrative offices and<br />

an active landscape. The design for <strong>the</strong> center aims at "building <strong>the</strong> site". In transforming <strong>the</strong> flat field, a new 40,000 sf.<br />

landscape of grass mounds and pools conceals all <strong>the</strong> parking and service areas while shaping inspiring bermed landscape<br />

spaces focused on reflecting pools positioned in <strong>the</strong> south sun. Herning's prominent relationship with textiles and art formed<br />

<strong>the</strong> inspiration for <strong>the</strong> design concept. Steven Holl states: 'Part of <strong>the</strong> current art collection is housed in an old shirt factory<br />

in Herning. This 1960s building was designed in <strong>the</strong> form of a shirt collar and is across <strong>the</strong> street from <strong>the</strong> site. It was <strong>the</strong><br />

interaction between <strong>the</strong> factory owner and Arte Povera artists such as Piero Manzoni that enabled such a special collection<br />

of art to exist in Herning." A fabric <strong>the</strong>me is carried throughout <strong>the</strong> project from <strong>the</strong> shape of <strong>the</strong> building which resembles<br />

a collection of shirtsleeves viewed from above, through <strong>the</strong> wall finishes. Fabric tarps were inserted into <strong>the</strong> formwork to<br />

yield a fabric texture to <strong>the</strong> buildings exterior walls of white concrete. (Holl)<br />

Knut Hamsun Center Hamarøy – Norway 1994 – 2009<br />

This center dedicated to Hamsun is located above <strong>the</strong> Arctic Circle near village of Presteid of Hamarøy and <strong>the</strong> farm where<br />

<strong>the</strong> writer grew up. The museum includes exhibition areas, a library and reading room, a cafe and an auditorium. The<br />

concept for <strong>the</strong> museum is "building as a body," creating a battleground of invisible forces. The stained black wood exterior<br />

skin is characteristic of <strong>the</strong> great wooden stave Norse churches. The spine of <strong>the</strong> building body is <strong>the</strong> central elevator,<br />

providing handicapped and freight access to all parts of <strong>the</strong> building. At <strong>the</strong> roof garden <strong>the</strong> long grass reflects <strong>the</strong><br />

traditional Norwegian sod roofs in a different way. Strange, surprising and phenomenal experiences in space perspective<br />

and light will provide an inspiring frame for <strong>the</strong> exhibitions. (Holl)<br />

Franz Kafka Society Center, Prague – Czech Republic 2007 – 2008<br />

The basement of <strong>the</strong> small one-story building, formerly used for laundry and storage, now houses a space for exhibitions,<br />

lectures, and concerts, as well as it accommodates Franz Kafka’s private library. On <strong>the</strong> first level of <strong>the</strong> building <strong>the</strong> Franz<br />

Kafka Society has located its offices. The previously dark and dismal spaces of <strong>the</strong> building are now washed in daylight<br />

coming through newly inserted windows and skylights that provide unexpected views to <strong>the</strong> towers of <strong>the</strong> Maisel Synagogue.<br />

Marcela Steinbachová (Skupina) and Steven Holl Architects have deliberately situated <strong>the</strong>se windows off axis to <strong>the</strong><br />

interiors. Inside <strong>the</strong> building new visual connections through openings and inspection holes give its small spaces depth and<br />

create visual connections. All new partitioning in <strong>the</strong> building, even when carving out spaces for restrooms and a kitchenette,<br />

is created exclusively by book shelves. In one half of <strong>the</strong> building <strong>the</strong>se bookshelves appear in white (offices) and <strong>the</strong> o<strong>the</strong>r<br />

half is filled with black bookshelves (entry hall). Coming from <strong>the</strong> central corridor one only sees black bookshelves and when<br />

coming from <strong>the</strong> offices one encounters white bookshelves. A 360-degree rotating door between <strong>the</strong> corridor and <strong>the</strong><br />

director’s offices, black on one side and white on <strong>the</strong> o<strong>the</strong>r, reverses white to black. (http://www.archdaily.com)<br />

Holzman Moss Architecture, LLP, New York – USA<br />

http://www.holzmanmoss.com<br />

(see also: H3 Hardy Collaboration Architecture LLC, Pfeiffer Partners Architects Inc.)<br />

Libraries (Selection):<br />

Bryant <strong>Library</strong>, Boston MA - plan<br />

Dover Public <strong>Library</strong>, Dover DE – USA 2010 Ground Breaking, 2012<br />

(http://imageservq.team-logic.com/media<strong>Library</strong>/198/6043-Dover_<strong>Library</strong>_Report_Executive_v2.pdf)<br />

The Dover Public <strong>Library</strong> has been serving <strong>the</strong> community of central Delaware since 1885. Taking steps to address space and<br />

technology issues, as well as to anticipate future growth, <strong>the</strong> City of Dover, <strong>the</strong> State of Delaware, and <strong>the</strong> <strong>Library</strong> elected to<br />

construct a new state-of-<strong>the</strong> art facility. The proposed Dover Public <strong>Library</strong>, to be located in Dover’s downtown historic district,<br />

adjacent to <strong>the</strong> Dover City Hall and <strong>the</strong> US Post Office, has been designed to be an “anchor” library for <strong>the</strong> Kent County Region<br />

and Central Delaware. The new facility will consist of nearly 48,000 sq. ft. ($ 12.200.000) providing increased collection space,<br />

meeting spaces, training rooms for staff and <strong>the</strong> public, a large children’s dept., a teen zone, a services center, a cybercafé, a gallery,<br />

an auditorium, an outdoor performing arts area and ample parking. The new library will undoubtedly prove to be a popular<br />

downtown destination.<br />

(http://www.kohlerronan.com/pdfs/proj_libr_dove.pdf)<br />

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