Library Buildings around the World

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The Besançon university library stands on the city heights, on the edge of the parc de l’Observatoire. The building sits on a slightly raised base of greenery that follows the natural slope so as to ensure transparency between the reading rooms and the garden. A landscdaped open court enhances the entrance, creating a transversal opening towards the park. The library is placed horizontally. Its plan geometry consists of two squares that follow one after the other. They are fronted by an entrance sequence with awning and sunbreakers clearly detached from the facade, superposed at right angles. The library’s volume seems to be suspended over a glazed, transparent space that runs all around the sides, establishing visual continuity with the park. Its entrance lies in the axis of the place. Near the entrance, under the horizontal awing, is the general culture room and the exhibition space, which opens at the comers. The form of the hall is scanned by three large cylindrical light wells, which bring to mind architectural themes derived from the nearby Observatory. They are designed as huge telescopes, which catch the light of the sky and diffuse it in internal space. Inside the building they create a volumetry that opens above to the reception, research and administration areas. The light they bring in, thanks to its slant, lights all these three levels. The three light wells are concrete cylinders four metres in diameter. They open onto a 45° slope which enables the grouping in volumetric continuity of the upper administration level. The posts that support this slanting plane are spaced at 18 metres. The colour chosen for them accentuates the light-weight effect and the blue tinge of northern light. Independent volumetric elements are suspended inside the hall : a sloping yellow plane, lit by direct southern light; a white cylinder, a curved volume burnt umber in colour. They contrast with the overall symmetry and create a more dynamic complementary dimension. A ramp links the reception area to the research plateau opening on the mezzanine, the hall, and above the terrace, to the landscape. The volume of the large reading room follows on from this arrangement. Once again it is a square plane, more static and calm, open at ground floor level to the landscape and toplit by three openings integrated to the structures. (E.L.B.) Bibliothèque Proudhon de l´Université de la Bouloie, Besançon – France 1993 – 1997 Etude : 1993, Réalisation : 1997, Surface : 3 407 m², Coût : 18 175 000 € H.T., Maître d'ouvrage : Région de Franche-Comté Architectes : EMMANUELLE BEAUDOUIN, LAURENT BEAUDOUIN, MAXIME BUSATO, Architectes assistants : JEAN- MARC METZGER (chef de projet), ANTOINE CRUPI, CHRISTOPHE PRESLE La bibliothèque de Besançon se situe sur les hauteurs de la ville en bordure du parc de l’observatoire. Le campus universitaire est formé d’un ensemble de bâtiments de grande qualité qui s’étagent dans la pente du site en laissant s’ouvrir la vue vers la vallée de Besançon. Le terrain, en pente douce, se transforme en socle végétal au-dessus duquel semble flotter le bâtiment. La bibliothèque se présente comme un volume de pierre massive, identique à celle des bâtiments voisins, soulevé sur un vide transparent. Un bosquet d’arbres prolonge le parc devant l’entrée dans une sorte de parvis simplement bordé de deux sculptures de Yoshi Okuda. La bibliothèque est géométriquement constituée de deux carrés. Le premier volume contient trois grands cylindres inclinés, de quatre mètres de diamètre, conçus comme d’immenses télescopes, évoquant ceux de l’observatoire universitaire voisin, et qui captent la lumière du nord pour la diffuser dans l’espace intérieur. Ils créent dans l’édifice une volumétrie ouverte sur l’ensemble des trois niveaux. Les poteaux supportant le plan incliné sont à une distance de 18 mètres. La couleur a été choisie pour renforcer l’effet de légèreté et accentuer le bleuté de la lumière du Nord. Des formes libres sont suspendues à l’intérieur du hall pour rentrer en contraste avec la symétrie globale et créer un contrepoint dynamique. Une rampe relie le hall au niveau consacré à la recherche dont les ouvertures regardent le paysage. La grande salle de lecture est située dans le second carré qui succède à ce dispositif. C’est un espace plus statique et plus calme, ouvert en rez-de-chaussée vers le parc. Il est éclairé en toiture par trois fentes zénithales intégrées dans les structures. Dans cette salle, les éléments porteurs sont largement en retrait des façades, produisant cette impression de suspension du volume. La lumière pénètre par le haut des structures de béton qui perdent un peu de leur massivité pour donner l’impression que la lumière suspend le bâtiment. À l’arrière, une façade formée d’alvéoles de pierres et de béton, donne une vision métaphorique de la bibliothèque dans le rapprochement visuel entre les meubles intérieurs et la volumétrie du bâtiment. Sculpteur : Yoshi Okuda The Besançon university library stands on the city heights, on the edge of the parc de l’Observatoire. The building sits on a slightly raised base of greenery that follows the natural slope so as to ensure transparency between the reading rooms and the garden. A landscdaped open court enhances the entrance, creating a transversal opening towards the park. The library is placed horizontally. Its plan geometry consists of two squares that follow one after the other. They are fronted by an entrance sequence with awning and sunbreakers clearly detached from the facade, superposed at right angles. The library’s volume seems to be suspended over a glazed, transparent space that runs all around the sides, establishing visual continuity with the park. Its entrance lies in the axis of the place. Near the entrance, under the horizontal awing, is the general culture room and the exhibition space, which opens at the comers. The form of the hall is scanned by three large cylindrical light wells, which bring to mind architectural themes derived from the nearby Observatory. They are designed as huge telescopes, which catch the light of the sky and diffuse it in internal space. Inside the building they create a volumetry that opens above to the reception, research and administration areas. The light they bring in, thanks to its slant, lights all these three levels. The three light wells are concrete cylinders four metres in diameter. They open onto a 45° slope which enables the grouping in volumetric continuity of the upper administration level. The posts that support this slanting plane are spaced at 18 metres. The colour chosen for them accentuates the light-weight effect and the blue tinge of northern light. Independent volumetric elements are suspended inside the hall : a sloping yellow plane, lit by direct southern light; a white cylinder, a curved volume burnt umber in colour. They contrast with the overall symmetry and create a more dynamic complementary dimension. A ramp links the reception area to the research plateau opening on the mezzanine, the hall, and above the terrace, to the landscape. The volume of the large reading room follows on from this arrangement. Once again it is a square plane, more static and calm, open at ground floor level to the landscape and toplit by three openings integrated to the structures. Sculptor : Yoshi Okuda (ELB) Médiathèque François Mitterand, Poitiers – France 1996 Etude : 1992, Réalisation : 1996, Surface : 12 000 m², Coût : 8 980 000 € H.T., Maître d'ouvrage : VILLE DE POITIERS Architectes : LAURENT BEAUDOUIN, SYLVAIN GIACOMAZZI, HERVÉ BEAUDOUIN, Architectes assistants : JEAN-MARC METZGER, LUCIEN COLIN, DOMINIQUE La Médiathèque de Poitiers construite par Laurent Beaudouin et Sylvain Giacomazzi est en bordure de la partie la plus ancienne de la ville. Le terrain chevauche un des murs d’enceinte qui protégeait la vieille ville à la fin de l’époque romaine, dont un fragment sera conservé dans le niveau bas du bâtiment. Le site comporte également, à proximité, un patrimoine roman important avec lequel le bâtiment entretient un dialogue direct. La présence de l’église « Notre Dame la Grande » servira de ferment à une partie importante de l’expression de la médiathèque. Dans ce site déjà complexe, l’édifice de l’université, construit en bordure du terrain au XVII° siècle, va servir de modèle pour comprendre comment un édifice de dimension semblable peut s’inscrire sans heurt dans un tissus urbain médiéval. Le programme du concours portait sur l’agrandissement du bâtiment de l’ancienne bibliothèque, lié à l’université. Le projet n’a pas suivi cette hypothèse pour proposer un volume indépendant, en retrait par rapport à l’existant. Il s’est adossé sur les murs des maisons mitoyennes et utilise une géométrie claire, à l’image de l’Université. Sa géométrie est basée sur un simple carré qui prend sa lumière sur trois côtés : Est, Ouest et Nord. Ce recul a permis la création d’un jardin public entre l’Université et la 33
Médiathèque, utilisé comme parvis d’entrée du bâtiment. La pente du terrain a servi à créer deux niveaux d’entrée : la plus basse s’ouvre sur un parvis vers la vieille ville, l’autre s’ouvre sur une rampe, côté jardin. L’influence du contexte n’est pas la seule à avoir marqué la genèse du bâtiment : le projet a été étudié après un voyage en Inde et l’exemple des « Millowners » à Ahmedabad s’est imposé comme un modèle possible, pour imaginer un édifice à plan carré, accessible par une rampe. Le projet de la médiathèque voulait retrouver un peu de la fluidité, de la lumière et du mystère de ce bâtiment de Le Corbusier. Il développe la théorie du plan libre dans un métissage entre le langage moderne de l’architecture et une évocation romane, faite de lumières, de pierres et de couleurs. La proximité de « Notre Dame La Grande », où la volumétrie initiale est perturbée par des adjonctions de volumes successifs et dont certains espaces intérieurs conservent une polychromie éblouissante, a servi d’incitation pour une architecture dont la volumétrie complexe semble se condenser autour du carré géométrique d’origine. L’entrée du bâtiment se fait par la rampe de pierre qui le relie au jardin. Après un passage où l’espace se resserre, le hall s’ouvre sur toute la hauteur, laissant apparaître un volume de béton suspendu et énigmatique qui empli de sa forme courbe le vide carré de l’espace. Le volume est surmonté d’une série de puits de lumière éclairant l’intérieur de la médiathèque d’une lumière dont les couleurs changent suivant la position du regard. Le reflet des couleurs s’inspire de l’art cinétique et en particulier, de l’œuvre du peintre Luis Tomasello. Les puits de lumière émergent sur la terrasse du dernier niveau comme des sculptures abstraite qui renversent à l’extérieur l’effet plastique intérieur. Le projet est le premier d’une longue série expérimentant la présence des rampes comme moyen de dilater le temps et de permettre le passage du temps rapide de la vie urbaine au temps ralenti de l’architecture. Ce ralentissement du temps, freiné par le lent parcours de la rampe est accompagné d’une sensation physique différente, où le corps change de position et se réveille dans son rapport à la gravité. Autour de l’édifice, la lumière se diffuse et se colore en suivant l’orientation des façades pour donner aux espaces des atmosphères différentes. Dans la salle consacrée aux vidéos, trois alvéoles de béton s’insèrent dans les structures extérieures pour former des espaces intimes permettant de visionner des films. Ces salles, peintes de trois couleurs différentes, sont éclairées par des cercles de verre laissant pénétrer une lumière solaire qui trace sur les murs courbes des formes à la géométrie abstraite. La lumière du soleil et la lumière artificielle se superposent, évoquant leur différence comme dans la métaphore de la caverne de Platon. The history of Poitiers is marked by Roman occupation, which left the first urban structures of the centre, and by a flourishing mediaeval period. This media library is located in the heart of the oldest part of the city, and straddles a Roman fortress wall that was taken down and rebuilt inside the building by archaeologists. Poitiers has a population of 80 000 and a large university. Part of the university occupies a 17th century building that forms a large trapezoid structure one side of which butts against some mediaeval houses. The urban implantation of the Mediathèque takes cues from this situation. The library’s geometry is a simple square plan with 45 m. sides, which draws its light from its centre and three sides: east, west and north. The rigour of this form is broken on its periphery by volumes that project some of the functions of the interior to the exterior. These outgrowths break the continuity of the building’s square. The idea of adding on elements around the initial volume derives from the Notre-Dame-la-Grande church, a Romanesque masterpiece that stands near the media library. The challenge inherent to this project was to build a large public facility in a dense, historic urban fabric. A setback in front of the building allowed the creation of a garden between the university and the media library, to fill out the entrance sequence. The sloping site has been used to advantage to provide two ground floors for the library. One forms the main entrance and is underlined by a stone ramp; the other creates a secondary entrance facing the old city. The presence of the ramp, of an external staircase and of free plan relate this library to Le Corbusier’s Millowners’ building in Ahmadabad. The design also attempts to achieve some of the fluidity, light and mystery of this great work. It blends modern architecture and Romanesque evocation, in lights, stone and colours. The three elevations articulate in independent manner. On the garden side, an enamelled glass sunbreaker gives the façade a changing visual aspect. Transparent on the garden side, from the small street the elevation is opaque. The north elevation is formed by a stone wall suspended in empty space, detached from the roof all the better to bring in and reflect the southern sunlight. It is both a light reflector and a place where transparency towards the city is the strongest. In the centre of this wall a large opening throws light across the breadth of the library into the street. The west elevation is a concrete grid amidst which seem to float three free volumes, which house the video rooms. The three façades are independent, separated in their corners by empty space, which emphasizes the stone veil’s immobility and apparent state of weightlessness. The interior of the library is a crown open around a central void in which unfolds a ramp that links all the levels up to the terrace. The spatiality is centrifugal: fluid in the centre where people circulate, stable on the periphery where the reading areas are. (ELB) enia architectes, Montreuil-sous-Bois – France http://enia.fr Libraries : Bibliothèque Polytechnique, Palaiseau – France 2006 LIEU Palaiseau, France, MAÎTRE D'OUVRAGE, Ecole Polytechnique, MAÎTRE D'ŒUVRE Architecture : enia architectes Ingénierie TCE : IOSIS Bâtiments, Etudes environnementales : ELIOTH, SURFACE 3 000 m², MONTANT 2,5 M HT PROGRAMME Réhabilitation de la bibliothèque centrale, MISSION Mission complète, STATUT Livré, DATE 2006 APPROCHE ENVIRONNEMENTALE, Confort thermique : Soufflage et panneaux intérieurs vitrés Double paroi Confort visuel : Eclairage naturel sans éblouissement Occultations Jacques Etienne, Rouen – France Libraries: Lycée Maritime Anita Conti, Fécamp – France 1997 Cohabitation im Fischerhafen von Roman Hollenstein Vornehm unterkühlt gefällt sich Frankreichs neue Architektur. Doch neben den Prestigebauten Mitterrands, die ganz der Rhetorik der Grande Nation verpflichtet sind, begegnet man auch «bescheideneren» Werken. Es handelt sich dabei vor allem um sensibel auf den Kontext bezogene Umbauten und Erweiterungen kostbarer Denkmalschutzobjekte oder alter Strukturen, die ihrer einstigen Funktion beraubt wurden. So hat etwa im Grossraum Lille, der Stadt, die sich rund um den TGV-Bahnhof einem urbanistischen Grosseingriff unterzog, ein Meister des Dekonstruktivismus, der Lausanner Bernard Tschumi, mit seinem Medienzentrum in Tourcoing bewiesen, dass sich auch ausgediente Bausubstanz in aufsehenerregende Architektur verwandeln lässt. Etwas im Schatten dieses Grossereignisses hat in Fécamp, einem an der Kanalküste zwischen Le Havre und Dieppe gelegenen Fischerstädtchen, der 56jährige Architekt Jacques Etienne aus Rouen, der sich mit einem Internat in Fécamp und mehreren Schulbauten in der Normandie bereits einen Namen machte, das Lycée Maritime Anita Conti, eine Berufsschule für angehende Fischer, gebaut. Die Schule - zuvor in einem Altbau untergebracht, dessen bedenklicher Zustand gleichsam die Krise des lokalen Fischereigewerbes spiegelte - sollte ein optimistisches Zeichen des Neuanfangs setzen in Frankreichs bedeutendstem Zentrum des Kabeljau-Fischfangs. Als Bauplatz zur Verfügung stand am Fuss eines steilen, aus den Klippen hervorgewachsenen Hügels ein altes, «la boucane» genanntes Gebäude, das einst eine Fischräucherei beherbergt hatte, und darüber - auf einer Gartenterrasse thronend - ein Haus von 34
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© Dr. Andreas J. Werner Library Bu
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the academic environment operates b
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Argentine Estudio Borrachia - PYRE
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6◦ see: Six Degrees Australia All
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The redevelopment of the Library ai
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Mona Vale Civic Centre, Sydney-Mona
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Brown Falconer Group, Maylands, SA
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create a new model, and to create a
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much reduced scale. You can wander
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Fulton Trotter, Brisbane, QLD - Aus
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as planning set-off points. Walls h
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Haskell Architects, Melbourne, VIC
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ECU Library is brought to life thro
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McBride Charles Ryan, Melbourne-Pra
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Six Degrees Pty Ltd Architects, Mel
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Terroir Architects, Sydney, NSW - A
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Council were instrumental in the in
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Collaborative Learning Centre, Univ
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ARTEC - Bettina Götz Richard Manah
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Architekten Croce-Klug, Graz - Aust
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egleitet von einer sorgfältigen Ü
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Die übergeordnete Steuerung wird d
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Heidl Architekten ZT GmbH, Linz - A
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Ensemble von SOWI-Fakultät, Wohn-,
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schossige Aufstockung der HTL und d
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Architektur und Nachhaltigkeit. „
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einem Bedarf. Denn Bildschirmarbeit
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Schiefer, ansonsten anthrazitfarben
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oder die Übernahme eines Stils gar
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Architektur Stögmüller, Linz - Au
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Geschäftsführer der BIG, Matthias
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Belgium ABSCIS Architecten, Gent -
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l’état d’avancement des bâtim
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La Biblioteca Pública de Puurs és
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Plantijn Hogeschool (Library), Antw
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Bulgaria Studio 8 ½, Plovdiv, Bulg
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Canada acdf Architecture, Montréal
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Atelier TAG (Manon Asselin), Montr
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Original features were retained whe
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for evolving library activities is
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Description of the winning project
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DAM Architects, Montréal, QC - Can
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Library and Learning Commons, Cente
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eading rooms at each floor bring 65
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"It sort of reminds me of a pile of
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Dan S. Hanganu, Montréal, QC - Can
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esidential dwellings and sophistica
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The resultant gently sloping buildi
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Kohn Shnier Architects, Toronto, ON
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Moffat Kinoshita, Hamilton, ON - Ca
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promote the use of wood and wood pr
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Central Erin Mills Multi-Use Comple
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Moriyama & Teshima Architects, Toro
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Bibliothèque Marc Favreau, Montré
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David Premi (dp.Ai), Hamilton, ON -
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interior stairs will be removed and
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polished aluminum reflects the Stra
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eplacement. Located on top of a hil
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The Library contains dedicated Teen
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Teeple Architects, Toronto, ON - Ca
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library in the winter months. The f
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Zeidler Partnership Architecten, To
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conceptualización y configuración
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GL Studio - Gong Lu Architectural D
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library takes form and connotation
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Columbia Felipe Uribe de Bedout Arc
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Though the 11,500-square-foot libra
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creando una nueva espacialidad enri
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Randić Turato Architektonski Biro
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storage, technology, supply and a p
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institutions. With its public funct
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http://www.bosch-fjord.com Librarie
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Fogh & Følner, Lyngby - Denmark ht
Page 147 and 148: With a capacity of 1600 students th
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Page 151 and 152: Four large glass panels afford view
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Page 155 and 156: Estonia 3+1 architects, Tallinn - E
Page 157 and 158: Finland Anttinen Oiva Architects, H
Page 159 and 160: Heikkinen-Komonen, Helsinki - Finla
Page 161 and 162: Built in 1965, the Library needed a
Page 163 and 164: Library Hollola, Hollola - Finland
Page 165 and 166: The interior was designed to be spa
Page 167 and 168: Médiathèque François Mitterand,
Page 169 and 170: Nous avons opté pour un projet sim
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Page 177 and 178: Patrick Berger, Jacques Anziutti, P
Page 179 and 180: Mais au final, ces copeaux de récu
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Page 183 and 184: Maîtrise d’ouvrage Ville de Font
Page 185 and 186: Chabanne & Partenaires (Jean Chaban
Page 187 and 188: Olivier Chaslin, Paris - France htt
Page 189 and 190: Pierre Colboc, Paris - France http:
Page 191 and 192: cr&on, Grenoble - France Thierry Ra
Page 193 and 194: dda devaux & devaux architectes, Pa
Page 195 and 196: lecture et vis à vis de l’inform
Page 197: peinte de brun sombre, se présente
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Page 203 and 204: Bruno Gaudin Architecte D.P.L.G., P
Page 205 and 206: incluait la conservation de plusieu
Page 207 and 208: Christoph Gulizzi Architecte, Marse
Page 209 and 210: Bruno Huerre Architecte, Paris - Fr
Page 211 and 212: Jourda Architectes, Paris, Wien - F
Page 213 and 214: flowers. Anne Lacaton & Jean Philip
Page 215 and 216: équipée d’un auvent sérigraphi
Page 217 and 218: lieu, surtout quand elle fut vécue
Page 219 and 220: The whole being organised in layers
Page 221 and 222: which three finalists were chosen:
Page 223 and 224: École Nationale des Greffes a Dijo
Page 225 and 226: Bibliothèque Université Paris VII
Page 227 and 228: Atelier Antoinette Robain Claire Gu
Page 229 and 230: Serero, Yoichi Ozawa, Ran She, Fabr
Page 231 and 232: programme Construction d'une biblio
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Page 235 and 236: Wilmotte et Associés SA d´archite
Page 237 and 238: Fenster gegen Glastürelemente einb
Page 239 and 240: Grundkonstruktion, nimmt die Lasten
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durch Umbauten und Leerstand in Ver
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verbunden, um so mit einer öffentl
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BHPS Architekten, Gesellschaft von
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Preisträgern. Da das Juryprotokoll
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eading table, a striped and upholst
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der Fluß, der sich in der Abenddä
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Bauherr: TU Darmstadt € 74.000.00
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Prof. Ulrich Coersmeier GmbH, Köln
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ursprünglichen Gebäudes zu beeint
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gleichmäßigen Raster aus hochform
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„Casinohof“. Die Hoffassaden ob
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FAR Frohn & Rojas, Berlin - Santiag
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The buildings of the new campus run
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herein, dieser Bereich ist öffentl
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Gao Shusan, Dominika Gnatowicz, Sa
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energetische Ausrichtung des Hochsc
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efindet. Während der eingeschossig
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Innovatives Bildungs- und Bibliothe
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Fußboden. Der Bodenbelag der öffe
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Universitätsbibliothek Leipzig- Wi
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Auf den Baufeldern an der Duisburge
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Wiederaufbau der historischen Bibli
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4. Preis (6.000 Mark): Konermann Pa
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The former manufacturer’s mansion
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Aufenthaltsräume. Der Neubau umfas
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Federation of Library Associations
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Straßenbahndepot Sachsenhausen, Bi
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Die ersten Preisträger beschreiben
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Baukulturführer 20 Bibliotheks- un
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einzelne Fensterscheiben sind blau
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MSP Architekten, Dortmund - Germany
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entworfen hat. Lothar Jeromin erhie
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Laborflügeln ist eine Art „Mall
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Ausleiher können Bücher dort kün
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Forschungskomplexes ein und reagier
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lässt das Gebäude von der Frankfu
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Schrammel Architekten (Stefan Schra
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Das Collegium Hungaricum Berlin keh
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SKE Group Facility Management GmbH,
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Staatliches Bauamt I, Köln - Germa
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Storch Ehlers Partner Architekten,
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Museumsbuchhandlung sowie eine Caf
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Akzent. (Wilford) Ulrich Wolf & Hel
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Planungsgemeinschaft zauberscho(e)n
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Hong Kong Cheungvogl, Hong Kong - H
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Hungary Török és Balázs Épít
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Ireland A & D (Architecture & Desig
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Carr Cotter & Naessens, Cork - Irel
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serving all three. The new library
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plaza to the main circulation route
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The library is primarily a naturall
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Italy 2A+P/A Associates, Roma - Ita
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“living room of the city”, a me
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Die neue Bibliothek wird von zwei S
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Nuova Biblioteca Communale e Centro
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matter and lightness, solidity and
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orthogonal paths to the new Piazza
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use of perimeter "diaphragm" made w
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Finally, other studies contain cabi
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osco prolunga idealmente l’interv
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Japan Tadao Ando Architect & Associ
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warmer months. Calibrated and calcu
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Toyo Ito & Associates, Architects,
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phenomenon appears in the most anci
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Literature: Shinkenchiku 0911, GA J
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SANAA Architects (Kazuyo Sejima & R
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exterior design collaboration: SANA
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The branch library of the National
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In 2006, in the contest, held by th
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Mexico Legorreta + Legorreta, Mexic
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The best plan that gave the team of
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Netherlands 19Het Atalier architect
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includes." Information Landscape Wi
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is not only lyrically receive help,
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the new Central Public Library Perm
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andere functies, synergie. In dit g
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ecame part of the higher profession
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Corlaer 2 College, Nijkerk (Prov. G
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all important as a whole. They tran
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Arbeiten werden die jeweiligen Baut
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Campus 2020 is the accommodation pl
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FJ Stands & Interieurs B.V. Bussum
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qualities and spatial layout of the
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elements. The layout is easily inte
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Architectuurstudio HH (Herman Hertz
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different themes. Besides a large c
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In de U bevinden zich de werkplekke
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Bibliotheek en Appartementen, Beurs
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landscape. Each zone has been given
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provide natural and efficient cooli
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added value for the environment com
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Mediacenter - The Netherlands Insti
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Al Kuwari, Minister, Culture, Arts
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University. Through a mix of Medite
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uilding looks solid, according to t
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faculty in the infield located and
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auditorium by efficiently positioni
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new additions as well as various re
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door een van de atria naar de eerst
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Arthouse Architecture Ltd., Nelson
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seasonal temperature requirements.
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Paraparaumu Library, Paraparaumu -
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Norway a-lab Arkitekturlaboratoriet
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The project consists of two buildin
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hall has a window with curtains so
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college, helping to remove any barr
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University College Østfold, Halden
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Niels Torp Architects, Oslo - Norwa
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Peru Edificio Metropolis, Lima - Pe
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Stores closed, inaccessible to the
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Portugal Aires Mateus & Associados,
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Ricardo Carvalho + Joana Vilhena Ar
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Serôdio Furtado Arquitectos, Porto
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Singapore Look Architects Pte. Ltd.
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generations. The library collection
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Professional Team: Adam Essa Shabod
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Sitting on a patch of high ground,
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coffered wood panelled ceiling a st
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Este edificio se plantea con la vol
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adjacent medieval city gateway (the
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and corrupted it notably. The inter
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Contell - Martínez Architectos, Va
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dosmasuno arquitectos, Madrid - Spa
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Espinet Ubach Architectes, Barcelon
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iqualificazione e perno tra le dive
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San José Marques, Barcelona - Spai
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una plaza cubierta. "Refleja la ide
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The place usually helps us facing t
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Project description In 2005 Cañada
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The library building connects old w
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uscando las vistas hacia el jardín
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la cultura», afirmó. Bosch, que d
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uisánchez arquitectes, Barcelona -
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entorno, el acceso norte del vestí
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El ayuntamiento de Mollet del Vall
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Sweden FOJAB arkitekter, Lund - Swe
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Five years have passed since the po
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Switzerland ACAU - atelier coopéra
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he himself regarded Werner Oechslin
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The whole intervention is more of a
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short time to put on the ground flo
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“The building typology of our des
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Innenschale die den heutigen Anspr
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the level -1 allows optimal natural
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uilding contractors, property devel
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Turkey Akant Tasarim & Restorasyon
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United Kingdom 3Dreid, Birmingham -
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which are lifted or set within the
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Aldington Craig Collinge, Albury Th
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the public domain is enriched by st
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Phase Two of Birmingham City Univer
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Atkins Design Studio, Epsom, Surrey
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Stock is integrated in a single seq
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identified with different colours w
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strong analytical approach with sym
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The historay of the place seemed at
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Stoke 6 th Form College, Stoke-on-T
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Begründung des Preisgerichtes. Im
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The Soheil Abedian School of Archit
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Betty and Gordon Moore Library, Uni
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drdharchitects, London - UK http://
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Farrells (Terry Farrell), London, E
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for a number of commissioned artist
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John Spoor Broome Library, Californ
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activities for the students of the
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Kempe Centre, Wye College Imperial
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shelving space for books, a new wor
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Long & Kentish architects, London -
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John McAslan + Partners, Manchester
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authors and members of the general
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The building as a whole was complet
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Pringle Richards Sharrat Architects
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Reiach and Hall Architects, Edinbur
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concrete frame. The reception and r
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London Borough Enfield, Fore Street
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simulations revealed a potential pr
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Hall. Installation costs were share
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Dr Sarah Thomas, Bodley’s Librari
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Scott’s alterations inserted new
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The Women´s Library, London Metrop
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“The students love it. It's full
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isolation from the center, it seeme
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Project description The $108.7 mill
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Alspector Architecture, LLC - USA h
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ATA / Beilharz Architects, Cincinna
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The Town Board approved the library
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"Their (Ann Beha Architects') advic
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Gunnar Birkerts (& Association), We
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2006 Green Roof Award of Excellence
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Agave Library, Phoenix, Arizona - U
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draws air from the open floors belo
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Mills Memorial Library, McMaster Un
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Development and JMI Sports, and con
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classrooms and a 65-seat screening
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University of Colorado, Anschutz Me
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exterior has added light, energy an
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Scotland and England. Some of his m
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We value collegiality and working t
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[In the early 1900s, Andrew Carnegi
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“From the start, our students mad
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University of Las Vegas, Lied Libra
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and lounge areas. The library and g
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Eskind Library is a dynamic additio
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(http://www.dewberry.com/Libraries/
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collection. The library also includ
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The design team worked with the Car
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protects the books from harmful, co
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under flanking low roofs that serve
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As an integral part of Iowa City´s
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townhouses (“36” and “38”)
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FGM Frye Gillan Molinaro Architects
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included upgrades for seismic, mech
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The Tenley-Friendship Library has s
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Gehry Partners, LLP, Los Angeles -
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contamination cleanup. She also ena
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the City Commission for approval in
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Libraries: Howard County Library, C
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Santa Clara Central Park Library, S
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uilding which is owned by The New Y
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The architectural character of this
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Hartman Cox, Washington - USA http:
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approximately $55,000 per year in e
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Montclair Public Library, Montclair
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In 1948, an issue of Princeton Alum
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to-date technology in this 134,200
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Rita and Truett Smith Central Publi
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(http://www.aallnet.org/main-menu/P
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solutions to meet the challenges of
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Philip Johnson (*08.07.1906 Clevela
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(Johnston) South Park Library, Seat
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storytelling corner, fanciful rCoun
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foot facility in the Glickman Libra
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separated from each other by a conv
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ascending stair up to the floors of
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VP Sam Overton. “The Estelle M. B
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original. Architect designed furnit
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Litman Architecture, Warren, RI - U
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and new reference and circulation a
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Suzzallo Library’s importance to
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Peabody reading room sits neatly wi
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space-saving alternative allows muc
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United States Senate Library, Renov
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Consisting of a 20,000 s.f. communi
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MSKTD & Associates, Inc., Fort Wayn
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Withworth University, Cheney Cowles
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“We took off the old copper dome
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Los Gatos Library, Los Gatos, CA -
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gather, with an open reading room a
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is most clearly expressed within th
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•Improve and update operational a
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Overland Partners Architects, San A
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architecture. The existing building
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GSM is the second largest building
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platform that ties the components t
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campus of Nanjing University. The n
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world-class research university, co
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Scope of Services: St. George’s S
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and charging stations. Traditional
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Lee Harris Pomeroy Architects, New
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Robert Hoag Rawlings Public Library
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Prozign Architects, Houston, TX - U
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Wedged between two courtyards, the
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addressed the client’s vision for
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The Kinlaw Library / Kirkland Learn
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Awards: Highly Commended, AR MIPIM
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The design team was handed a blank
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Library Media Center, Glendale Comm
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Rob Wellington Quigley, San Diego-P
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to flexibly accommodate day to day
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attained a pride of place status wi
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The Harvard-Radcliffe Hillel provid
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purpose that promotes Sacred Heart
Page 793 and 794:
Schacht Aslani Architects, Seattle,
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Boston Athenaeum, Boston, MA - USA
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a vegetated roof. The facility offe
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The revitalized Fondren Library ful
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Queen´s University, McClay Library
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Branding graphics, bright interior
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opportunities for all students, inc
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SmithGroup, Detroit, MI - USA http:
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offices and classrooms. The buildin
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the last ten years, has long sought
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The Golden West College Learning Re
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and electrical systems have been co
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available stack space for the libra
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programmed areas for Children, Teen
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structure incorporated exposed prec
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Offices, Multi‐Media Classroom, C
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The original library was built in 1
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The facility will occupy a site nea
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Awards: AIA Portland Chapter Merit
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the current campus. Using innovativ
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monitors and LCD projection for med
Page 835 and 836:
The exterior is clad in precast con
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Yard. An area of the second floor w
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Wendell Burnette Architects, Phoeni
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University design guidelines for th
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U.S. It is a secure temperature/hum
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(WRT) Saint Charley Seminary Ryan M
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Canberra (Australian Capital Territ
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Surry Hills (New South Wales) Surry
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Perg (Bundesland Oberösterreich) B
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Veurne (Arrondissm.Veurne, Prov. We
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(Prov. Ontario, County Frontenac) P
Page 857 and 858:
Toronto (Prov. Ontario, Rég. Great
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Beijing Tsinghua Law Library compte
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Nuuts (Greenland) Katuag Cultur Cen
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Bourg lès Valence (Dép. Drôme, R
Page 865 and 866:
Grand Moulins see: Paris Universit
Page 867 and 868:
Nilvange (Thionville) (Dép. Mosell
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Saint-Gaudens (Dép. Haute-Garonne,
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Balingen (Bundesland Baden-Württem
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Dresden (Bundesland Sachsen) St. Be
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Hamburg (Bundesland Hamburg) Intern
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Mannheim (Bundesland Baden-Württem
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Stendal (Bundesland Sachsen-Anhalt)
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Lismore (Prov. Munster) Library Hea
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San Lorenzo di Sabato (Prov. Bolzan
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Šiauliai (County Šiauliai) Šiaul
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De Bilt (Prov. Utrecht): Cultureel
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Ijmuiden (Prov. Noord-Holland): Lib
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Rotterdam-Pendrecht (Prov. Zuid-Hol
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Halden-Remmen (Fylke Østfold) Univ
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Terceira see: Ílha Terceira Viana
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Blanca (Communidad de Autónoma Reg
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Santiago di Compostela-San Lázaro
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Luzern (Kanton Luzern) Bourbaki Pan
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Cambridge (Country England, Reg. Ea
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London (Country England, Reg. Londo
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Nottingham (Country England, Reg. E
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Anchorage-Girdwood (State Alaska, B
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Boston (State Massachusetts, County
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Charlottesville (State Virginia, Co
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Dallas (State Texas, County Dallas,
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Fayetteville (State Arkansas, Count
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Hobbs (State New Mexico, County Lea
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Litchfield (State Connecticut, Coun
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Middlebury (State Vermont, County A
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New York (State New York, Borough o
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New York (State New York, Borough o
Page 929 and 930:
Phoenix (State Arizona, County Mari
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Richmond (State Virginia, County Ri
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San José (State California, County
Page 935 and 936:
St. Louis (State Missouri, Independ
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Wakefield (State Massachusetts, Cou
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