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Library Buildings around the World

Library Buildings around the World

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as planning set-off points. Walls have two layers that provide depth and reduce sun heat build up, while also allowing cool air to rise<br />

through <strong>the</strong> skins and cool <strong>the</strong> building naturally. A bonus is that <strong>the</strong> library remains transparent from outside, and inviting; and<br />

from inside, people can associate with <strong>the</strong> neighbourhood. So <strong>the</strong> story unfolds of a barn of a place with translucent walls, all planned<br />

using historical information. It is in <strong>the</strong> language of <strong>the</strong> detailing that we realise fully <strong>the</strong> architects' intentions: eventually, we<br />

comprehend <strong>the</strong> story. Garner Davis exploits modernity in <strong>the</strong> detail. They use perforated metals, seamless glass, modest steel frames<br />

and an almost-all-white palette. There are sheets of glass, some clear some partially white, and abstract open spaces inside and out.<br />

Corners and edges of walls are uncomplicated by trims, beads, cover plates and architraves: it is clear, clean expression. A terrace<br />

with a metal sunshade roof has <strong>the</strong> qualities of Mies van der Rohe's Barcelona Pavilion - a study in abstract reduction - and internal<br />

joinery is spare, sculptural and understated, like so many words arranged on a printed page. External walls seem to evolve from<br />

<strong>the</strong>ir smallest part, so <strong>the</strong> "word" is <strong>the</strong> "novel", and ceilings are sculptured so <strong>the</strong>y create a second interval in <strong>the</strong> architecture, a<br />

sub-plot if you like, that allows for an expression of light and space that is additional and supportive of <strong>the</strong> main story line. In<br />

summary: well worth <strong>the</strong> read. (http://www.<strong>the</strong>age.com.au – Norman Day, 23.05.05)<br />

Group GSA, Sydney, NSW – Australia<br />

http://www.groupgsa.com<br />

Waurn Ponds <strong>Library</strong>, Waurn Ponds (Geelong), VIC – Australia 2011<br />

see: Whitefield, McQueen, Irwin Alsop http://archive.wmia.com.au<br />

Client: City of Greater Geelong, $ 5.300.000, 1.000m²<br />

A new library and community hub of Waurn Ponds on <strong>the</strong> outskirsts of Victoria in south-east Australia by WMIA. A steel lasercutsolar<br />

skin perced with holes in a range of sizes was generated to wrap <strong>the</strong> building supplying <strong>the</strong> necessary solar protection and a<br />

strong statement for <strong>the</strong> new library.<br />

Entrance stairways have been replaced by timber boardwalk ramps and <strong>the</strong> repeated circular motif ensures a memorable image for<br />

<strong>the</strong> facility´s visitors whilst retaining a sense of respect for <strong>the</strong> surrounding architecture and community amenities. The clean lines<br />

and simple silhouette act in direct opposition to <strong>the</strong> swirling footprint of <strong>the</strong> established leisurelink centre and promote integration<br />

for all userscregardless of age, gender or background. (Group)<br />

Rouse Hill Community Centre and <strong>Library</strong>, Rouse Hill, NSW – Australia 2008<br />

The development of <strong>the</strong> town centre concept and <strong>the</strong> architectural design was delivered by a consortium of three architectural firms<br />

– Rice Daubney, Allen Jack+Cottler, and Group GSA.<br />

Client: Lend Lease, Site Area: 54.000 m², Contract Value $ 9.000.000<br />

In towns and cities, public space has traditionally served as a meeting place and taffic way. Enjoyable towns and cities find a<br />

comfortable balance between <strong>the</strong>se three demands, without forfelting <strong>the</strong>ir links with <strong>the</strong> natural world. The starting point for <strong>the</strong><br />

design of Rouse Hill Town Centre was adesire to achieve this balance, responding at <strong>the</strong> same time to <strong>the</strong> climatic environment of<br />

Rouse Hill, and <strong>the</strong> principles of ecologically sustainable design. These principles did not result in a series of add-ons, but were<br />

embedded in <strong>the</strong> design of <strong>the</strong> building forms <strong>the</strong>mselves. Whilst maximising a feeling of openess within <strong>the</strong> public realm, <strong>the</strong> forms<br />

control solar pentetration of <strong>the</strong> spaces between <strong>the</strong>m, reducing shopfront heat loadings, and minimissing energy loadings. At <strong>the</strong><br />

same time, pedestrian amenity is ensured – <strong>the</strong>re is always a shady route and <strong>the</strong> architecture responds directly to <strong>the</strong> climate. It has<br />

all <strong>the</strong> facilities of a small town, including a shopping-centre ptecinct, commercial space, a nine-screen cinema complex, education,<br />

library and community facilities, ahealth and medical centre, and godd transport links… (Group GSA)<br />

West Footscray <strong>Library</strong>, Melbourne-Maribymong, VIC – Australia 2006<br />

see: Whitefield, McQueen, Irwin Alsop http://archive.wmia.com.au<br />

Client: City of Maribymong, Costs: $ 1.900.000<br />

A new multi-purpose community facility and a first floor childcare centre in one of <strong>the</strong> melbourne´s most sociality diverse<br />

neighbourhoods.

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