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Library Buildings around the World

Library Buildings around the World

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Giorgio Grassi, Milano – Italy<br />

Libraries:<br />

Biblioteca Universidad de Valencia – Valencia – Spain 1998<br />

Openbare Biblio<strong>the</strong>ek, Groningen – The Ne<strong>the</strong>rlands 1990 – 1992<br />

Assisting Architect: Car Kalfsbeek<br />

Literature:<br />

de Architect 1992-6<br />

Archis 1992-10<br />

Domus 1990-3, 1993-3<br />

l'Arca 1990-7/8<br />

Baumeister 1993-1<br />

Bauwelt 1993 p. 92<br />

Lotus 74<br />

P. Insansti, T. Llopis - Giorgio Grassi Obras y proyectos 1962-1993, 1994<br />

Cohn, David: Sieben Geschosse Bücherwand. Universitätsbiblio<strong>the</strong>k von Valencia, in: Bauwelt,90,1999,31,SS 1694-1701<br />

Il Laterzio, 80,Marzo,Aprile 2001, pp. 18-23<br />

The library by <strong>the</strong> Italian Rationalist Grassi is a subdued affair whose brickwork and vertical window shapes stand it in<br />

good stead with <strong>the</strong> surrounding buildings which include a quartet of monumental houses. The library consists of two<br />

elongated portions - a public library and an office section - <strong>around</strong> an interior court. An entrance pavilion and a narrow<br />

terminating block for horizontal and vertical circulation link <strong>the</strong> two parts. (http://www.architectureguide.nl)<br />

Iotti + Pavarani Architetti, Reggio Emilia – Italy<br />

http://www.iotti-pavarani.com<br />

Libraries:<br />

Centro Civico (Biblioteca), Traversetolo (PR) – Italy 2004 – 2006<br />

2.100 m², € 2.500.000<br />

Biblioteca Publica Albano Sant´Alessandro (BG) – Italy 2005<br />

500 m², € 700.000<br />

Biblioteca Publica Centro Culturale, Cavriago (RE) – Italy competition 2004<br />

Ipostudio, Firenze (FI) – Italia<br />

http://www.ipostudio.it<br />

Libraries:<br />

Biblioteca della Facoltà di Architettura, Firenze – Italy 2006<br />

with: Maria Grazia Eccheli, Verona (VR) - Italy<br />

The building complex which goes by <strong>the</strong> name of <strong>the</strong> Walled, is merely <strong>the</strong> result of various and successive modifications and<br />

structural typology of an ancient convent of cloistered nuns - hence probably <strong>the</strong> name of Walled - <strong>the</strong>n and now through a radical<br />

transformation Addition of bodies, <strong>the</strong> male prison in Florence, from <strong>the</strong> end 800 until <strong>the</strong> '70s. A few years ago going through a<br />

considerable administrative effort and planning by <strong>the</strong> municipality of Florence <strong>the</strong> creation of a recovery plan which has already<br />

led to <strong>the</strong> conversion of part of <strong>the</strong> complex for residential use. The plan was expected to allocate part of <strong>the</strong> building complex at <strong>the</strong><br />

University of Florence for your needs. E 'in this context that fits <strong>the</strong> design of <strong>the</strong> new library of <strong>the</strong> Faculty of Architecture. This<br />

localization in addition to seize an opportunity, is linked, more significantly, <strong>the</strong> fact that in <strong>the</strong> structural plan of <strong>the</strong> University of<br />

Florence across <strong>the</strong> Faculty of Architecture was deployed in <strong>the</strong> area east of Florence - Santa Croce district - through in fact, <strong>the</strong><br />

recovery of o<strong>the</strong>r disused prisons: Santa Verdiana and Santa Teresa. The walled part of <strong>the</strong> overall assigned to <strong>the</strong> project, involves<br />

building and courtyard Y air time, is currently used for parking, which borders <strong>the</strong> alley Young Italy. All locked up by <strong>the</strong> high<br />

prison walls. This building was built not on <strong>the</strong> abutments of <strong>the</strong> convent, but ra<strong>the</strong>r in its gardens, is <strong>the</strong> type most original part of<br />

<strong>the</strong> complex because it is linked, by <strong>the</strong> book, <strong>the</strong> archetype of <strong>the</strong> Panopticon. The building program, a collaboration between <strong>the</strong><br />

faculty, <strong>the</strong> designers and managers of university libraries, plans to create a structure that can play multiple roles: conservation,<br />

reading, communication, display, etc ... The project strategy was defined in relation to three basic choices which constitute <strong>the</strong> inner<br />

structure of this library: three choices that all point to <strong>the</strong> seamless integration of existing and new. The first was to re-use <strong>the</strong><br />

"arms" of <strong>the</strong> prison as bookshelves, storage in elevation, open for consultation related to students' reading rooms and through small<br />

bridges that take advantage of <strong>the</strong> openings in <strong>the</strong> sides of <strong>the</strong> arms <strong>the</strong>mselves. The cells for nearly a century were places of<br />

detention, is now transformed into a space of freedom. This act of appreciation has a practical aspect is not secondary because doing<br />

so fails to act on <strong>the</strong> existing light with a restructuring, respectful of <strong>the</strong> existing technological and typological structure. The second<br />

choice is focused on <strong>the</strong> desire to throw in <strong>the</strong> high walls of <strong>the</strong> prison - about 12 m - as part of <strong>the</strong> library. Starting from <strong>the</strong><br />

consideration that represent more than a 'chance that a no or just a constraint of <strong>the</strong> project. Few, but large openings - including <strong>the</strong><br />

entrance to <strong>the</strong> <strong>Library</strong> by Avenues - not a glimpse of <strong>the</strong> second skin detachment, consisting of metal and glass facade of <strong>the</strong> new<br />

building. This dialogue between existing masonry structure and new metal and glass, in fact, a new role assigned to <strong>the</strong> prison walls,<br />

noise protection of <strong>the</strong> avenues and support systems for <strong>the</strong> attenuation of sunlight. From inside <strong>the</strong> reading room <strong>the</strong>re is a moment<br />

where you can recapture <strong>the</strong> feeling of being within <strong>the</strong> urban life, <strong>the</strong> more chaotic, a bay window extends beyond <strong>the</strong> one great<br />

window to <strong>the</strong> streets. The third choice concerns, employment for obstruction, which volumetric and planimetric, <strong>the</strong> yard air time -<br />

in fact, <strong>the</strong> obstruction height is confined within <strong>the</strong> walls, all detached from <strong>the</strong> existing structures of varying degrees between 3 and<br />

2 meters. This is to make more clear <strong>the</strong> distinction, from <strong>the</strong> inside of <strong>the</strong> reading rooms of what is existing and what is new. Again,<br />

<strong>the</strong> linguistic strategy is probably <strong>the</strong> daughter of <strong>the</strong> will and <strong>the</strong> necessity of distinguishing between <strong>the</strong> building structures for<br />

static and technological reasons. The occupation of <strong>the</strong> courtyard of air time once again involves an inevitable metaphor for this is<br />

<strong>the</strong> place of mobility, and <strong>the</strong> rest of <strong>the</strong> meetings. Three elements and drill vertically through <strong>the</strong> central volume, three elements<br />

that serve as emblematic places of <strong>the</strong> library: <strong>the</strong> central square court is formed as a reading room open to <strong>the</strong> city, <strong>the</strong> cylinder of<br />

<strong>the</strong> vertical links as a place of physical communication between <strong>the</strong> parties to ' building, and <strong>the</strong> cylinder of <strong>the</strong> conference room and<br />

<strong>the</strong> ramp dell'emeroteca, as a place of cultural communication. These three elements become boring holes in <strong>the</strong> roof skylights with<br />

<strong>the</strong>ir volumes and draw a hanging garden of stone. The recovery plan of <strong>the</strong> Municipality of Florence to establish a link from <strong>the</strong><br />

10

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