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Library Buildings around the World

Library Buildings around the World

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authors and members of <strong>the</strong> general public to whom it is open free. The RHS thought that was not room to house <strong>the</strong> Lindley<br />

<strong>Library</strong> in <strong>the</strong>ir existing building and it would have to bemoved out of London to <strong>the</strong> RHS gardens at Wisley in Surrey.<br />

MJP MacCormac Jamieson Prichard Architects, London – UK<br />

http://www.mjparchitects.co.uk<br />

Libraries:<br />

The Learning Grid, University of Warwick, Coventry – UK 2004<br />

MJP worked closely with <strong>the</strong> University¹s <strong>Library</strong> Service to create an innovative Student Resource Centre for independent learning<br />

within an existing building. The design had to be modern and inspiring as well as functional to attract students. The facility is<br />

designed to provide a relaxed environment that encourages students to work in whatever way suits <strong>the</strong>m best alone or in groups; at<br />

any time of <strong>the</strong> day; at desks or on sofas. There are also facilities for students with specific needs. A wide range of electronic<br />

equipment is provided to support new approaches to learning, with areas for brainstorming, presentation practice and multimedia<br />

video editing, as well as pc terminals and access to books and printed material. MJP used a range of screens and furniture to create a<br />

materials are used to create a lively environment - and as a reaction against o<strong>the</strong>r facilities which provide dreary rows of computer<br />

desks. A new perforated steel staircase was inserted into <strong>the</strong> building to form a physical and visual link between <strong>the</strong> two floors of <strong>the</strong><br />

Learning Grid. It forms a contemporary feature which deliberately contrasts with <strong>the</strong> institutional character of <strong>the</strong> existing building.<br />

The facility is open to an atrium which incorporates new catering facilities and is used for social events by staff and students. MJP<br />

are currently involved in <strong>the</strong> installation of a new work by <strong>the</strong> artist David Batchelor in <strong>the</strong> atrium. (MJP)<br />

Wolfson Building. The Science Museum, London – UK 2003<br />

€ 5.580.000<br />

The Wellcome Wolfson Building forms part of <strong>the</strong> second phase of our competition winning scheme for <strong>the</strong> Wellcome Wing<br />

extension to <strong>the</strong> Science Museum. Set behind Grade 1 listed railings, facing on to Queen's Gate and within <strong>the</strong> Queen's Gate<br />

conservation area, <strong>the</strong> building bridges <strong>the</strong> divide between <strong>the</strong> institutional museum buildings at one end of <strong>the</strong> site and <strong>the</strong> redbrick<br />

and stucco residential Victorian terraces of Queen's Gate at <strong>the</strong> o<strong>the</strong>r. The building houses <strong>the</strong> Dana Centre, a new public facility for<br />

<strong>the</strong> presentation and discussion of topical scientific issues using traditional and new media. A double height café, 150-seat flexible<br />

auditorium, 50-seat seminar room and exhibition area are distributed over <strong>the</strong> first three floors. These are connected by a dramatic<br />

triple height space which faces over a new landscaped courtyard. Above this is low-energy office space, with a two-bedroom<br />

penthouse flat and private office for <strong>the</strong> Centre's director. The building's projecting precast concrete features echo <strong>the</strong> stone bays<br />

and porticos of <strong>the</strong> terrace to its north, while <strong>the</strong> red stock brick used on <strong>the</strong> Queen's Gate façade is a perfect match with <strong>the</strong> exisitng<br />

terrace. The south elevation forms a new gable to end <strong>the</strong> terrace and formally addresses <strong>the</strong> courtyard to <strong>the</strong> south. Viewed from<br />

<strong>the</strong> courtyard, <strong>the</strong> building takes on a very different character as it responds to <strong>the</strong> institutional context of this end of <strong>the</strong> site. The<br />

glass, aluminium and concrete of <strong>the</strong> Dana Centre predominate over brick, and <strong>the</strong> auditorium, expressed as a suspended concrete<br />

box, is set below a four-storey aluminium brise soleil bookended by two brightly coloured and glazed stairways. The interior features<br />

exposed concrete columns and ceiling. This is combined with an air displacement system, effective reduction of solar gain and good<br />

natural lighting to reduce energy use and carbon emissions by 20%. Provision is also made for grey water recycling. ŒCool, elegant,<br />

stylish . . . <strong>the</strong> Wellcome Wolfson Bulding, offers a much needed break with <strong>the</strong> past and injects vibrancy and contemporary style<br />

into an area dominated by <strong>the</strong> ideals of <strong>the</strong> 19th century. <strong>Buildings</strong> don't come much cleverer than that.' Building, October 2004<br />

(MJP)<br />

Millennium Place, Durham – UK 2001<br />

€ 19.000.000<br />

Our project for Durham Council transforms a derelict site on <strong>the</strong> Durham peninsula, a historic area of <strong>the</strong> city surrounded on three<br />

sides by <strong>the</strong> River Wear. Our project acted as a catalyst for <strong>the</strong> regeneration of this area and was <strong>the</strong> starting point for <strong>the</strong> council's<br />

Lottery funded Durham Millennium City Project. It is a good example of Lottery-assisted urban regeneration as it provides much<br />

needed community facilities on a brownfield site. Our urban design concept was for a new civic terrace riding <strong>the</strong> ridge that leads up<br />

to <strong>the</strong> UNESCO <strong>World</strong> Heritage Site containing Durham Castle and Durham Ca<strong>the</strong>dral. This elevated terrace has views over <strong>the</strong><br />

Wear valley and links to <strong>the</strong> riverside walk <strong>around</strong> <strong>the</strong> wooded site. Our new Clayport <strong>Library</strong> and council offices re-complete <strong>the</strong><br />

existing building frontages, severed by <strong>the</strong> 1960's road cutting. At <strong>the</strong> heart of our new development is <strong>the</strong> new Gala <strong>the</strong>atre, cinema<br />

and conference complex which sits in pride of place, visible from <strong>the</strong> main vehicle approaches into <strong>the</strong> city. The building's have<br />

become Durham's new principal cultural venue. To meet <strong>the</strong> city's business plan and its community brief, <strong>the</strong> building has air<br />

palletted seating allowing <strong>the</strong> auditorium to switch quickly between <strong>the</strong>atre, cabaret, exhibition and banquet modes. The building is<br />

also fully equipped to broadcasting standards. The rooftop function rooms and foyer bars have spectacular views over <strong>the</strong> Wear<br />

valley. The 150 seat IMAX-style cinema is buried beneath Millennium Place, taking advantage of <strong>the</strong> dramatic change in level across<br />

<strong>the</strong> site. The cinema shows widescreen tourist oriented films for <strong>the</strong> tourist information centre by day and commercial films in <strong>the</strong><br />

evening. Our development also provides a new pedestrian route between <strong>the</strong> new riverside hotel and car parks on <strong>the</strong> opposite bank<br />

of <strong>the</strong> River Wear and <strong>the</strong> peninsula. Once <strong>the</strong> adjoining commercial development is complete, Millennium Place will link to <strong>the</strong><br />

river walk and footbridge to complete <strong>the</strong> vision for <strong>the</strong> area. 'The spectacular and contemporary treatment of <strong>the</strong> Claypath site<br />

forms a dramatic and complementary foil to <strong>the</strong> historic fabric of <strong>the</strong> old city, symbolising its cultural regeneration.' Durham City<br />

Council. (MJP)<br />

Ruskin <strong>Library</strong>, Lancaster University, Lancaster – UK 1997<br />

Our building for Lancaster University houses <strong>the</strong> Whitehouse Collection of works of art and writings by John Ruskin. Set at <strong>the</strong><br />

entrance to <strong>the</strong> University campus, <strong>the</strong> library is a symbolic gateway to <strong>the</strong> University. It forms an escarpment at <strong>the</strong> west boundary<br />

of <strong>the</strong> University, and offers a dramatic view towards <strong>the</strong> sea. The building accommodates archive storage (known as <strong>the</strong> treasury),<br />

toge<strong>the</strong>r with a reading room, curatorial offices and public gallery spaces. A double height entrance gives access to <strong>the</strong> gallery<br />

spaces, which are connected through <strong>the</strong> treasury by a glass bridge. Metaphor and allusion were used in <strong>the</strong> planning and detail<br />

design, with <strong>the</strong> sequence of spaces being deliberately church-like; <strong>the</strong> entrance, treasury and reading room respectively represent<br />

<strong>the</strong> nar<strong>the</strong>x, choir and sanctuary of a church. The linear arrangement of <strong>the</strong> building meets <strong>the</strong> need for security, with <strong>the</strong> reading<br />

room remote from <strong>the</strong> entrance and only accessible through secure doors controlled by <strong>the</strong> curatorial staff. The construction of <strong>the</strong><br />

treasury as a Œbuilding within a building¹ physically isolates <strong>the</strong> collection, creating <strong>the</strong> stable atmosphere and environment<br />

necessary for conservation of <strong>the</strong> archive without <strong>the</strong> need for air conditioning. The library¹s massive construction and <strong>the</strong> inclusion<br />

of a basement provide security and environmental inertia to <strong>the</strong> reading room, <strong>the</strong> foyer and public galleries above. (MJP)<br />

47

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