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Library Buildings around the World

Library Buildings around the World

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Christoph Gulizzi Architecte, Marseille – France<br />

http://www.gulizzi.com<br />

Libraries:<br />

Extension Lycée Louis Blériot, Bibliothèque, Marignane, Marseille – France 2004 - 2010<br />

Extension Lycée Alphonse Daudet, Bibliothèque, Tarascon (Arles) – France 2009<br />

PACA (Provence-Alpes-Côte d´Azur), 3.200 m², € 7.200.000<br />

The double extension of <strong>the</strong> Alphonse Daudet Lycée in Tarascon raises <strong>the</strong> question of responsibility when building on a remarkable<br />

site<br />

- Lycée built in 1933 by Gaston Castel (Grand Prix de Rome), listed as a historical monument;<br />

- Kilmaine barracks, site listed as a historical monument, built in 1718, by <strong>the</strong> architect Desfour.<br />

The building operation considers <strong>the</strong> memory of <strong>the</strong> site and territorial identity as narrative elements, as an extension of its<br />

morphology. In a site steeped in history, within a team whose role is to pass on our secular and republican values, <strong>the</strong>re is no room<br />

for arrogance and pompous architectural features. Spatial order is achieved by incorporating programmatic and contextual<br />

constraints, within a unique process of shape generation. The facades comply with <strong>the</strong> laws of barrack composition: podium,<br />

buttress, minerality, succession of sober openings, following a repetitive cutting module, in a subtle allegory of <strong>the</strong> loophole. Pitted,<br />

coloured concrete, deployed over <strong>the</strong> entire construction, betrays <strong>the</strong> vanity of <strong>the</strong> artifices of architectural design and pays homage<br />

to traditional military constructions, massive, robust, sober and efficient. No plastic feats or material preciosity. The buildings,<br />

armed with abstraction, turn towards <strong>the</strong> only permanent elements of <strong>the</strong> site. Only tactics, specific devices, no feigned mannerisms.<br />

Two considerations have given rise to <strong>the</strong> building’s design:<br />

-one involves <strong>the</strong> status of image and its symbolic efficiency in space mastering and in crystallising intentions;<br />

- <strong>the</strong> o<strong>the</strong>r concerns <strong>the</strong> secular tectonic tradition and semantic use of construction as a vector of cohesion and readability of <strong>the</strong><br />

constructed object.<br />

All is played out in <strong>the</strong> ambivalent perception of <strong>the</strong> buildings. Spelled out in a singular, monolithic and mineral shape. Their<br />

billhook fashioned geometry fulfils <strong>the</strong>ir silent forms, proclaiming <strong>the</strong>m as a system, in perfect symbiosis with <strong>the</strong> site. How to make<br />

a building credible in an era flooded with icons, counterfeits, as in <strong>the</strong> Ventimille market? Not in <strong>the</strong> art of cloning erected as a<br />

communications strategy. Not by using and abusing architectural processes where conventional architectural writing is enough to<br />

belong, <strong>the</strong> implication and recognition of an egocentric cultural system void of meaning. The architectural project is like a beautiful<br />

woman, invention keeps <strong>the</strong> flame alive. It is commonplace to say that <strong>the</strong> building is LEB. Nowadays, <strong>the</strong>re are OCDs (obsessive<br />

compulsive disorders) in our profession, if you throw LEB at an engineering office, <strong>the</strong>y will generally answer “external insulation,<br />

cladding and wood boiler”. (http://www.arcfreeze.com)<br />

Jean & Aline Harari architectes, Paris – France<br />

http://www.harari-architectes.com<br />

Libraries :<br />

Bibliothèque Abbe Gregoire à Blois- Bibliothèque Municipale et Universitaire , Blois – France 1997<br />

Heams & Michel Architectes, St. André de la Roche, Biot – France<br />

Nicolas Heams, Benjamin Michel<br />

http://www.heamsetmichel.over-blog.com<br />

Libraries :<br />

Médiathèque Four Banal, La Turbie – France 2010<br />

100 sqf.<br />

In <strong>the</strong> old village of La Turbie, close to <strong>the</strong> Trophy of August, we were asked to transform an old abandoned oven in a media<strong>the</strong>que.<br />

The realization of such a program, in this particular place, only composed of village houses, is atypical. The plot is surrounded by<br />

four existing buildings, and so, <strong>the</strong> majority of <strong>the</strong> elevations are blind. The surface of <strong>the</strong> plot is 100 m 2 and half of this surface is<br />

occupied by two old ovens. In this project, we propose to play with <strong>the</strong> contrast between subjects, textures and feelings felt in <strong>the</strong><br />

streets of <strong>the</strong> village and those that we would find in a media<strong>the</strong>que. While respecting <strong>the</strong> history of this place that is so important for<br />

<strong>the</strong> inhabitants, this project is as atypical as <strong>the</strong> program and its geographical situation. The old ovens are completely demolished to<br />

create a maximum of surface. Their memory is preserved by <strong>the</strong> projection of <strong>the</strong>ir footprint on <strong>the</strong> ground. In this small place, we<br />

designed mobile and ludic systems to answer to <strong>the</strong> complicated program and its different functions. Along <strong>the</strong> peripheral walls are<br />

nested linear racks, illuminated by tubes of light embedded in <strong>the</strong> wall, in a high position. These shelves can receive books and also<br />

small colored seats and caster boxes. A large piece of furniture divides <strong>the</strong> space, playing with <strong>the</strong> different perspectives. It offers a<br />

desk and two computers. Sliding partitions with magnetized surface can be used for posting, creating animation on <strong>the</strong> wall. A<br />

partition on casters nestled in <strong>the</strong> wall of <strong>the</strong> toilets can be opened, doubling <strong>the</strong> surface of posting. This partition can also acts as a<br />

projection screen. A large glass roof illuminates <strong>the</strong> reading areas with natural light. Artificial lights in a shape of drops water<br />

materialize <strong>the</strong> ludic space that is at <strong>the</strong> place of <strong>the</strong> old ovens. The pieces of furniture are all in white enameled wood. This colour<br />

was chosen to increase <strong>the</strong> feeling of space and to contrast with <strong>the</strong> colours of <strong>the</strong> architecture of <strong>the</strong> village. Three colours were<br />

chosen for <strong>the</strong> furniture which punctuates <strong>the</strong> space. A glassy wall is printed of quotations of famous authors who wrote about La<br />

Turbie. This glassy wall comes in superposition of <strong>the</strong> existing stone facade, writing a new page in <strong>the</strong> history of <strong>the</strong> village, without<br />

disclaiming <strong>the</strong> past. (http://www.archdaily.com)<br />

Hesters et Oyon, Paris – France<br />

Jacques Hesters, Brigitte Oyon<br />

http://www.hestersoyon.com<br />

Libraries :<br />

Médiathèque Ulysse, Saint-Denis – France 2011<br />

….La médiathèque est implantée au cœur du quartier Franc Moisin, à proximité du lycée Suger. Cet équipement affiche sa façade<br />

principale sur la placette crée à l’angle de l’avenue Le-Roy-des-Barres et du cours du ru de Montfort. Le site choisi offre la<br />

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