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Library Buildings around the World

Library Buildings around the World

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ECU <strong>Library</strong> is brought to life through <strong>the</strong> latest technology and architectural design The ECU <strong>Library</strong> Building creates a new<br />

student and campus gateway hub and public domain for <strong>the</strong> campus, open and welcoming and providing a vibrant and diverse set of<br />

spaces for all users on a 24/7 basis (in some areas at this time). It recognises <strong>the</strong> many varied needs of its users and also embraces<br />

different ways of studying and learning, i.e. full time, part time, remote, group, individual, etc. This is a new generation library, as<br />

much a place to meet, share a coffee and a snack, buy a book or quietly read. It provides an integrated courtyard and features a full<br />

range of <strong>the</strong> latest technology as well as providing access to printed material, a coffee shop and a book shop. It is fresh, full of natural<br />

light and a living building. Built on a sloping site (4m gradient) on <strong>the</strong> west side of <strong>the</strong> campus, <strong>the</strong> building creates a new entry to<br />

<strong>the</strong> campus and brings toge<strong>the</strong>r 4 major axes which cross in <strong>the</strong> centre of its foyer, located on level 2. The foyer level is <strong>the</strong> middle<br />

level of <strong>the</strong> library which has one level above and one below. The 4th level of <strong>the</strong> building is occupied by <strong>the</strong> directorate, IT services<br />

and an area for library expansion currently occupied by offices. The building is very carefully designed to exclude all direct sunlight<br />

whilst maximising <strong>the</strong> amount of natural light. The coloured aluminium fins play a 100% practical role while also creating a sensual<br />

and ephemeral skin. Colours are derived from pixilation of <strong>the</strong> green/blue of <strong>the</strong> bush of <strong>the</strong> area. The three fin colours mix to create<br />

a myriad of combinations and at <strong>the</strong> end of a summer’s day <strong>the</strong> colours change to orange like <strong>the</strong> beautiful orange which ends all<br />

Australian days. O<strong>the</strong>r interior and exterior colours are derived from <strong>the</strong> colours of native flowers of <strong>the</strong> region with <strong>the</strong> purple<br />

representing <strong>the</strong> Geraldton wax. A close interdisciplinary, architect, client and builder team relationship has created a wonderful,<br />

sustainable and high quality building that was procured in an amazing time of just over two years (in tie for <strong>the</strong> closing of <strong>the</strong><br />

Churchlands Campus) and on budget even within a very volatile climate within <strong>the</strong> construction industry. For <strong>the</strong> Client and its<br />

users <strong>the</strong> building represents exceptional quality and value for money both in its capital costs and its life cycle costings which were<br />

analysed throughout <strong>the</strong> design process. For <strong>the</strong> community, <strong>the</strong> library provides ano<strong>the</strong>r facility for <strong>the</strong> people of Joondalup.<br />

(http://www.worldarchitecturenews.com)<br />

Curtin University, Miri, Sarawak – Malaysia 1999 – 2001<br />

In association with United Consultants, Malaysia)<br />

The masterplan for <strong>the</strong> Miri campus describes a multi-use precinct inclusive of educational facilities and residential<br />

accommodation set against thriving tropical gardens and a lake. A joint venture between Curtin University in Perth and <strong>the</strong><br />

Malaysian Government, <strong>the</strong> campus in Miri, Sawarak provides quality education to local residents as an alternative to<br />

studying about in Australia. Stage One is a sophisticated blend of Curtin University´s red brick architecture with Sawarak´s<br />

traditional longhouse forms. This juxtaposition creates a vibrant blend of administration offices, library, student and staff<br />

facilities, lecture <strong>the</strong>atres, laboratories, and general teching areas in a lush tropical garden environment. (jcy)<br />

Kirkbride Boyce Architects, Norwood (Adelaide) SA – Australia<br />

http://www.kbarchitects.com.au<br />

Libraries:<br />

Port Pirie Community <strong>Library</strong>, Port Pirie, SA – Australia 2011<br />

A new community library in South Australian city of Port Pirie has now been completed, enveloping <strong>the</strong> country’s longest single<br />

railway platform into its design. Composed by local practice Kirkbride Boyce Architects working with engineers Meinhardt, <strong>the</strong><br />

public facility features large glass panels – no two equal in size or shape – in an effort to enhance natural daylighting and develop a<br />

relationship between inside and outside space. The main design challenge on this project was <strong>the</strong> incorporation of a railway platform<br />

into <strong>the</strong> development space. Andrew Kirkbride, Principal at Kirkbride Architects explains: “Keeping <strong>the</strong> platform meant building<br />

an 80m long façade. Creating interest over such length was a real challenge and <strong>the</strong> inspiration came from <strong>the</strong> curving, lineal nature<br />

of <strong>the</strong> Flinders Ranges that not only form <strong>the</strong> backdrop for <strong>the</strong> town but also <strong>the</strong> new library.” Double glazed, high performance<br />

glass dominates <strong>the</strong> public-facing wall, with a curved roof overhang to protect <strong>the</strong> interior space from severe summer sunlight.<br />

Engineers Meinhardt took care to optimise internal conditions for those using <strong>the</strong> facility, as Bob Ellis, General Manager for<br />

Meinhardt South Australia reveals: “By using computer modelling during <strong>the</strong> early stages of <strong>the</strong> new Port Pirie <strong>Library</strong> project we<br />

were able to validate and optimise <strong>the</strong> air conditioning design. “The air conditioning system performs flawlessly in temperatures<br />

above 40˚C. The air distribution system has been designed for low noise and high quality diffused air, to eliminate drafts and ensure<br />

good air circulation in both summer and winter. The grilles produce what’s known as a coanda effect, forming rotational<br />

symmetrical radial jets which supply <strong>the</strong> air with high turbulence and a large induction effect. The result is high quality, even and<br />

draft free indoor air flows.” The majority of spaces within <strong>the</strong> complex are designed to be extremely flexible by minimising<br />

circulation routes, providing clear signage and sightlines, and ensuring that <strong>the</strong> western circulation corridor can also be used as a<br />

display gallery, quiet seating area and social meeting spot. (http://www.worldarchitecturenews.com)<br />

Lacoste + Stevenson Architecture + Urban Design, Sydney NSW – Australia<br />

http://lacostestevenson.com.au/website/<br />

Libraries :<br />

Sydney City <strong>Library</strong>, Customs House, Relocation, Sydney, NSW – Australia 2005<br />

Customs House is one of Sydney's historic landmark buildings, which has featured in <strong>the</strong> working and cultural life of <strong>the</strong> city since it<br />

was constructed in 1845.<br />

The driving force behind <strong>the</strong> construction of <strong>the</strong> original sandstone edifice on Circular Quay was Colonel John George Nathaniel<br />

Gibbes, <strong>the</strong> Collector of Customs for New South Wales for a record term of 25 years from 1834 to 1859. Colonel Gibbes persuaded<br />

<strong>the</strong> Governor of New South Wales, Sir George Gipps, to begin construction of <strong>the</strong> Customs House in 1844 in response to Sydney's<br />

growing volume of maritime trade. The building project also doubled as an unemployment relief measure for stonemasons and<br />

laborers during an economic depression which was afflicting <strong>the</strong> colony at <strong>the</strong> time.<br />

The two-storey Georgian structure was designed by Mortimer Lewis (* 1796 London - + 09.03.1879 Sydney) and featured 13 large<br />

and expensive windows in <strong>the</strong> facade to afford a clear view of shipping activity in Sydney Cove. Colonel Gibbes, who dwelt opposite<br />

Circular Quay on Kirribilli Point, was able to watch progress on <strong>the</strong> Customs House's construction from <strong>the</strong> verandah of his private<br />

residence, Wotonga House (now Admiralty House).<br />

The Customs House opened for business in 1845<br />

(http://en.wikipedia.org/wiki/Customs_House,_Sydney)<br />

Client: City of Sydney, Architect: Lacoste + Stevenson in association with PTW and Tanner Architects, Completion: June 2005,<br />

Costs: $ 6.500.000<br />

The City of Sydney <strong>Library</strong> is relocating to Customs House, CircularQuay. Customs House is one of Sydney´s finest colonial<br />

buildings. The new use of <strong>the</strong> building, combined with its central location creates a new public interior space in <strong>the</strong> heart Sydney.<br />

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