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Library Buildings around the World

Library Buildings around the World

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Italy<br />

2A+P/A Associates, Roma – Italy<br />

Gianfranco Bombaci, Matteo Costanzo<br />

http://www.2ap.it<br />

Libraries:<br />

IED LIBRARY, Rome – Italy 2009<br />

Client: IED Istituto Europeo di Design, Year: 2009, Size: 400 m2, Costo: 100.000 €<br />

The project is <strong>the</strong> transformation of a car components shop into a library and reading rooms for <strong>the</strong> European Institute of Design<br />

(IED). (2°+P/A)<br />

Maria Grazia Cutuli School, Herat – Afghanistan 2011<br />

2000 m², € 150.000<br />

The building is comprised of a boundary line formed by a seemingly random arrangement of modules. It hosts eight<br />

classrooms, a double-height library, a secretarial office, staffrooms and a caretaker’s house. Both external and internal<br />

spaces contribute to <strong>the</strong> shaping of <strong>the</strong> educational environment. (2°+P/A)<br />

In 2001 Maria Grazia Cutuli, a prominent Italian journalist correspondent for <strong>the</strong> Milan-based daily Corriere della Sera,<br />

was murdered by a group of gunmen who ambushed her convoy in Afghanistan. After this tragic event, her family<br />

established <strong>the</strong> Maria Grazia Cutuli Foundation that aims to support programs on <strong>the</strong> fields of education and social<br />

promotion, for children and women, in those countries devastated by war or natural calamities, especially in Afghanistan.<br />

The beauty of <strong>the</strong> landscape, described in Maria Grazia’s articles, gave us initial suggestions for developing <strong>the</strong> concept. The<br />

research for an innovative educational space as an alternative to those models related to <strong>the</strong> after-war reconstruction<br />

emergencies has been one of <strong>the</strong> key points of <strong>the</strong> project as well as <strong>the</strong> design of <strong>the</strong> outside space as a ‘green classroom’ and<br />

<strong>the</strong> attempt to use local technologies and construction materials mainly.<br />

IDEA / CONCEPT: The school stands on a dry landscape characterized by <strong>the</strong> brown colour of <strong>the</strong> soil. Few constructions<br />

come out from this flat and dusty territory, as enclosed islands surrounded by border walls. To <strong>the</strong> north <strong>the</strong> skyline is<br />

defined by <strong>the</strong> dark Hindu Kush Mountains. The first challenge has been <strong>the</strong> research of a layout able to match functional<br />

needs and evocative spaces. After several meetings supported by lots of sketches and study models, <strong>the</strong> workgroup chose an<br />

articulated layout: a series of linked boxes containing both <strong>the</strong> classrooms and <strong>the</strong> connection corridors. The only two-floors<br />

volume is <strong>the</strong> library that acts as a symbolic landmark for <strong>the</strong> village. The border walls, which were required for security<br />

reasons, define, toge<strong>the</strong>r with <strong>the</strong> boxes, a complex sequence of voids and volumes. Both external and internal spaces<br />

contribute in <strong>the</strong> definition of <strong>the</strong> educational environment. Among <strong>the</strong> classrooms <strong>the</strong>re are small and intimate outdoor<br />

spaces where kids can stay, play and relax under <strong>the</strong> shadow of about fifty trees. The main courtyard, embraced by <strong>the</strong><br />

building represents, <strong>the</strong> most relational space of <strong>the</strong> school. Inside <strong>the</strong> school area and protected by <strong>the</strong> walls, <strong>the</strong>re are also<br />

different vegetable gardens as a natural extension of <strong>the</strong> classrooms.<br />

REALIZATION: After <strong>the</strong> first stone setting, <strong>the</strong> works started immediately and proceeded very quickly. Afghan workers<br />

carefully followed our drawings but using different construction processes from ours. We use to build <strong>the</strong> structural frame<br />

and afterwards <strong>the</strong> walls enveloping <strong>the</strong> spaces. While Afghani construct all <strong>the</strong> elements at once, foundation, pillars, walls<br />

and only at <strong>the</strong> end <strong>the</strong> concrete beams and roof. In a certain way <strong>the</strong>ir construction methods are similar to <strong>the</strong> ones used in<br />

Italy for <strong>the</strong> reconstruction after <strong>the</strong> Second <strong>World</strong> War. Every week we received from <strong>the</strong> work’s director, <strong>the</strong> engineer<br />

Taheri, reports, pictures and updates on <strong>the</strong> percentage of realised works. It was not so easy to control all details at such a<br />

distance and thus, at <strong>the</strong> end of November 2010, three members of <strong>the</strong> workgroup visited <strong>the</strong> site to define <strong>the</strong> last finishing.<br />

MATERIALS: The structure of <strong>the</strong> building is a reinforced concrete frame, closed by solid bricks. All <strong>the</strong> materials and <strong>the</strong><br />

applied technologies have been defined according to <strong>the</strong> local uses. All <strong>the</strong> façades and <strong>the</strong> border walls will be painted using<br />

different tones of blue. This colour is usually used in Afghanistan and <strong>the</strong> aim of <strong>the</strong> project is to create a blue landmark<br />

visible from <strong>the</strong> surroundings. The orientation of <strong>the</strong> classrooms and <strong>the</strong> design of <strong>the</strong> façades have been thought to assure<br />

<strong>the</strong> right amount of daylight and natural ventilation. The windows have been designed as iron frames, painted in red to<br />

make contrast with <strong>the</strong> blue of <strong>the</strong> walls.<br />

PROJECT COSTS: Construction cost is about 150.000 €, including expenses for <strong>the</strong> realisation of <strong>the</strong> garden. Maria Grazia<br />

Cutuli Foundation has provided for all <strong>the</strong> funds. The Italian daily newspaper Corriere della Sera will donate fifty<br />

computers and <strong>the</strong> Provincial Administration of Catania is going to grant <strong>the</strong> realisation of <strong>the</strong> school playground. The<br />

colour fabric Coloroficio San Marco from Venice, donated <strong>the</strong> whole amount of paintings.<br />

(http://europaconcorsi.com/projects/182705-Maria-Gracia-Cutuli-Primary-School)<br />

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